Hexagram 62: Xiao Guo
Structure
- Number: 62 (King Wen sequence)
- Symbol: ䷽
- Upper trigram: Zhen (Thunder)
- Lower trigram: Gen (Mountain)
- Lines: yin yin yang yang yin yin (bottom to top)
The statement
亨。利贞。可小事,不可大事。飞鸟遗之音,不宜上,宜下,大吉。
What this hexagram indicates
This hexagram suggests that small matters can be handled with more care, while major undertakings should not be rushed. It is suitable to be more cautious, frugal, and thorough in details. Do not aim for instant success, nor amplify small deviations into big actions. Walking steadily on low ground is more auspicious.
A Buddhist reading
To exceed slightly without losing correctness is how Zhixu reads Xiaoguo (Small Exceeding). Excess of respect, of grief, of frugality are corrective overshoots meant to repair a lack and bring things back to level ground. Hold to correctness and the small excess becomes no fault at all; lose it and the small excess ripens into a great one. The bird leaves its call better heard from below, which he takes as hearing where one has gone wrong and mending it at once. The fourth line repays attention: it is the sense of falling short that keeps a person examining himself, as Yao and Shun still counted themselves wanting and Qu Boyu wished to lessen his faults and could not.
Related hexagrams
- Previous / Opposite: Hexagram 61: Zhong Fuevery line changed to its opposite
- Next: Hexagram 63: Ji Ji
- Nuclear: Hexagram 28: Da Guolines two to four below, three to five above
Related
- Liu Yao Divination ChartLiu Yao casts a hexagram about one specific matter and reads its structure. Unlike BaZi or Zi Wei, which describe a person, Liu Yao describes how a situation stands at a particular moment. This page walks through the full process from casting to attribution.
- Mei Hua Yi Shu CalculatorMei Hua Yi Shu is traditionally attributed to Shao Yong. What sets it apart is how freely it casts: a time, a spoken number, a direction or something noticed in passing will all serve. It attaches no stems and no relatives, reading the trigrams directly. This page covers casting through to the subject and object.
