Libo

Zhou Yi Tuan Chuan Xiang Chuan (周易彖傳象傳)

Zhou (周) · anonymous (佚名)

Charting guides: Yarrow Stalk Divination, Six Lines Chart

The Upper Classic contains thirty hexagrams.

I Ching and Yi Studies

If your interest is practical divination, start with the hexagram and line statements and the Shuo Gua account of the trigram images. If it is philosophical, start with the Great Treatise.

The Upper Classic contains thirty hexagrams.

First Hexagram: The Hexagram of Heaven

彖曰:大哉乾元,萬物資始,乃統天。雲行雨施,品物流形。大明終始,六位時成,時乘六龍以御天。乾道變化,各正性命,保合太和,乃利貞。首出庶物,萬國咸寧。象曰:天行健,君子以自強不息。

The Commentary on the Judgment praises the Hexagram Qian: Great indeed is the primal virtue of Qian! All things depend on it to begin, and it governs the entire heavenly way. Clouds flow, rain falls, and thus all things take shape. The sun moves continuously, and the six lines of the hexagram are formed in order with the passage of time. The sage is like driving six dragons to control the heavenly way. The movement and transformation of the heavenly way enable all things to maintain their proper nature and destiny, preserving and uniting the most harmonious vital energy. Therefore, the Hexagram Statement says "beneficial to maintain firmness," meaning it is advantageous to uphold correctness. The virtue of Qian is the first among all things, and thus the world and all states are at peace. This passage explains the Hexagram Statement "origin, prosperity, benefit, and firmness" by referring to the virtue of Qian, "strength," and the image of Qian, "heaven." The Great Image takes the image of both trigrams being Qian and the movement of the heavenly body to say: The movement of heaven is strong and vigorous, never ceasing; the gentleman takes this as a model, striving ceaselessly without slack.

The Second Hexagram: The Earth Hexagram

彖曰:至哉坤元,萬物資生,乃順承天。坤厚載物,德合無疆。含弘光大,品物咸亨。牝馬地類,行地無疆,柔順利貞。君子攸行,先迷失道,後順得常。西南得朋,乃與類行;東北喪朋,乃終有慶。安貞之吉,應地無疆。象曰:地勢坤,君子以厚德載物。

The Commentary on the Judgment praises the Hexagram of Earth: Ultimate indeed is the original virtue of Earth! All things depend on it for growth. It is gentle and submissive, bearing the gifts of Heaven. The Earth is profound and vast, supporting all things. Its virtue harmonizes with Heaven and has no limits. It encompasses greatness and radiance, and all things thus find harmony. The Hexagram Statement uses the image of a mare, which belongs to the Earth, moving freely across the land without boundaries, corresponding to the nature of the Hexagram of Earth, which is gentle and steadfast. When a gentleman acts, rushing ahead leads to losing the right path, but following in harmony brings stability. The Hexagram says going southwest 'gains companions,' meaning being with like-minded people; going northeast 'loses companions,' meaning temporarily parting from them but ultimately gaining joy. Being steadfast and secure is auspicious because it corresponds to the boundless virtue of Earth. The Great Image Commentary takes the image of both lines being Earth and says: The Earth is gentle and vast; the gentleman takes this as a model, cultivating deep virtue to support all things.

Third Hexagram: The Hexagram of Obstruction

彖曰:屯,剛柔始交而難生,動乎險中,大亨貞。雷雨之動滿盈,天造草昧,宜建侯而不寧。象曰:雲雷,屯。君子以經綸。

The Commentary on the Judgment explains the Hexagram Zun: Zun signifies the initial union of yang and yin, and hardship follows. The lower trigram Zhen represents movement, and the upper trigram Kan represents danger; thus, it is movement within danger, so the Hexagram Statement says "Great success through uprightness" — great success is achieved but must be maintained with uprightness. Thunder and rain stir and fill the heavens and earth, just as in the beginning when the heavens and earth first opened and all things were in a primitive and confused state; at this time, one should establish feudal lords to stabilize the situation, but oneself should not seek ease and leisure. This passage explains the Hexagram Statement by referring to the卦体 of "initial union of yang and yin" and the two trigram virtues of "movement" and "danger." The Great Image takes the upper trigram Kan as cloud and the lower trigram Zhen as thunder, saying: clouds gathering and thunder moving but rain has not yet formed, with blockage and difficulty in communication, which is the image of Zun; the gentleman takes this as a model, like untangling silk, governing the world and establishing order amidst hardship.

Fourth Hexagram: The Hexagram of Enlightenment

彖曰:蒙,山下有險,險而止,蒙。蒙亨,以亨行時中也。匪我求童蒙,童蒙求我,志應也。初筮告,以剛中也。再三瀆,瀆則不告,瀆蒙也。蒙以養正,聖功也。象曰:山下出泉,蒙。君子以果行育德。

The Commentary on the Judgment explains the Hexagram of Enlightenment: the Upper Trigram is Gen (Mountain), and the Lower Trigram is Kan (Water). A mountain below water, encountering danger and stopping, this is the image of confusion. The Hexagram Statement says "Enlightenment is smooth," because the teacher acts with the way of smoothness and conforms to "timeliness and moderation" — appropriate timing and neither excessive nor deficient. "It is not I who seeks the confused child, but the child who seeks me," because Nine in the Second and Six in the Fifth have corresponding aspirations. "To tell him at the first inquiry" is because Nine in the Second, a Yang line, is in the center of the Lower Trigram, possessing the virtue of "strong and central." "To repeat the inquiry and treat it with contempt, and then cease to teach" is because repeated contempt has defiled the act of enlightenment. To cultivate purity while confusion is still uncarved, this is the achievement of producing sages. The Great Image takes the image of a spring gushing from beneath the mountain, saying: the spring first flows out, its direction not yet determined, just as the child of confusion awaits teaching; the gentleman takes this as a model, using decisive action to cultivate virtue.

Fifth Hexagram: The Hexagram of Necessity

彖曰:需,須也。險在前也,剛健而不陷,其義不困窮矣。需,有孚,光亨,貞吉,位乎天位,以正中也。利涉大川,往有功也。象曰:雲上於天,需。君子以飲食宴樂。

The Commentary on the Judgment explains the Hexagram of Waiting: "Need" means waiting. The upper trigram is Kan, representing danger, with difficulties lying ahead; the lower trigram is Qian, symbolizing strength and vigor, so although facing danger, it does not fall into ruin, and thus in terms of principle, it does not reach a state of hardship. The Hexagram Statement says "With sincerity, bright and smooth, firm and auspicious," because the nine-five yang line is in the fifth position of the upper trigram, which is the "heavenly position," both correct and central, sincere and full of brightness and smoothness. "Beneficial to cross great rivers" means that by waiting with the virtue of strength and vigor, one can achieve success when the time comes. The Great Image Commentary takes the upper trigram Kan as cloud and the lower trigram Qian as heaven, saying that clouds rise to the sky but have not yet rained, which is the image of waiting. The gentleman takes this as a model, and during the period of waiting, he eats and drinks in peace, enjoys leisure, and cultivates his body and spirit in preparation for the future.

Sixth Hexagram: The Hexagram of Controversy

彖曰:訟,上剛下險,險而健,訟。訟,有孚窒惕,中吉,剛來而得中也。終凶,訟不可成也。利見大人,尚中正也。不利涉大川,入于淵也。象曰:天與水違行,訟。君子以作事謀始。

The Commentary on the Judgment explains the Hexagram of Strife: the upper trigram is Qian (Heaven), which is strong and firm, and the lower trigram is Kan (Water), which is dangerous and treacherous. Inside there is danger and deceit, while outside there is strength and firmness, thus strife arises. The Hexagram Statement says, "With sincerity, there is obstruction, vigilance, and middle goodness," because the line Nine in the Second, being a yang line, comes from outside and resides in the middle of the lower trigram, attaining "middle" without excess, so stopping strife in the middle brings good fortune. "Ultimately, it is凶 (unfavorable)" because striving for victory in strife ultimately leads to nothing. "It is advantageous to see a great person" because the line Nine in the Fifth upholds "centered uprightness," capable of fair judgment. "It is not advantageous to cross a great river" because embarking on a dangerous journey with a heart full of strife will only lead to falling into the abyss. The Great Image takes the image of Heaven above and Water below, saying: Heaven moves westward, rivers flow eastward, the two moving in opposite directions, which is the image of strife. The gentleman takes inspiration from this, and at the beginning of doing things, plans thoroughly and prevents strife from arising at the source.

Seventh Hexagram: The Army Hexagram

彖曰:師,眾也。貞,正也。能以眾正,可以王矣。剛中而應,行險而順,以此毒天下,而民從之,吉又何咎矣。象曰:地中有水,師。君子以容民畜眾。

The Commentary on the Judgment explains the Army hexagram: "Shi" means people, and by extension, military forces. "Zhen" means uprightness. Being able to lead people along the right path can achieve the sovereign's great cause. Nine Two, a yang line in the middle of the lower trigram, possesses the virtue of "strong and central," and it corresponds with Six Five, the sovereign, above and below. The lower trigram Kan represents danger, and the upper trigram Kun represents following. This indicates proceeding through danger while following the right path. Using this method to govern the world, even though military affairs may weary the people, the people will still be willing to follow. Since this is auspicious, how could there be any calamity? The Great Image Commentary takes the image of water stored in the earth, saying: water is stored within the earth, just as the army is stored within the state. The gentleman takes this as a model, embracing the people and nurturing the masses, keeping the military within the people without using it lightly.

The Eighth Trigram: The Trigram of Fellowship

彖曰:比,吉也。比,輔也。下順從也。原筮元永貞,無咎,以剛中也。不寧方來,上下應也。後夫凶,其道窮也。象曰:地上有水,比。先王以建萬國,親諸侯。

The Commentary on the Judgment explains the Hexagram of "Comparison": to be close and assist is auspicious. "Comparison" means to assist. The lower yin lines are in submission to the superior nine five. The Hexagram Statement says, "Original divination is original, enduring, and upright, without blame." This is because nine five is yang and occupies the central position of the upper trigram, possessing the virtue of "strong and central," thus being able to attract the whole world. "Those who are not at peace will come" means that states that are not at peace will come to submit. "Those who come late will meet with misfortune" means that those who are slow to come to submit will meet with misfortune, for they have cut themselves off from the people, and their path is now exhausted. The Great Image takes the image of water flowing on the ground, which is the image of close comparison; the former kings took this as a model, and established the feudal states, and drew near to the feudal lords, so that the whole world would be close and assist each other.

Ninth Hexagram: The Hexagram of Small Accumulation

彖曰:小畜,柔得位而上下應之,曰小畜。健而巽,剛中而志行,乃亨。密雲不雨,尚往也。自我西郊,施未行也。象曰:風行天上,小畜。君子以懿文德。

The Commentary on the Judgment explains the Hexagram of Small Accumulation: the entire hexagram contains only one yin line, which is in the fourth position, a yin position, and thus is in the right place. The five yang lines above and below all correspond with it, so it is called "Small Accumulation" — accumulating the great with the small, but the accumulation is limited. The lower trigram is Qian (Heaven), which is strong and vigorous, and the upper trigram is Xun (Wind), which is yielding and compliant. The lines Nine in the Second and Nine in the Fifth are both yang and in the central positions, so their aspirations can be carried out, hence the Hexagram Statement says it is smooth. The Hexagram Statement "dense clouds without rain" means that the yin and yang energies are still ascending and have not yet reached the point of meeting to form rain. "From the west suburbs" means that the clouds are gathering from the west, but the favor has not yet descended. The Great Image Commentary takes the upper trigram Xun (Wind) and the lower trigram Qian (Heaven) to indicate that wind moves across the sky, capable of stirring but not of staying long, so the power of accumulation is still small. The gentleman takes this as a model, first devoting himself to cultivating virtue and refining his character.

The Tenth Hexagram: The Hexagram of Observing the Footsteps

彖曰:履,柔履剛也。說而應乎乾,是以履虎尾,不咥人。亨,剛中正,履帝位而不疚,光明也。象曰:上天下澤,履。君子以辨上下,定民志。

The Commentary on the Judgment explains the Hexagram of Footsteps: "Footsteps" refers to walking with softness upon firmness, meaning a flexible entity stepping on a strong one. The lower trigram Dui, which is one yin below two yangs, represents softness stepping on firmness. Dui signifies joy, and it can joyfully conform to the upper trigram Qian, so the Hexagram Statement says stepping on a tiger's tail, yet the tiger does not bite. The reason for success is that the Nine in the Fifth is yang and "central and upright," holding the position of a ruler without guilt, with virtue shining clearly. The Great Image Commentary takes the upper trigram Qian as Heaven and the lower trigram Dui as Marsh, saying: Heaven above, Marsh below, the positions of respect and humility are naturally distinct, which is the image of Footsteps; the gentleman takes this as a model, distinguishing the boundaries between above and below, calming the people's minds, and ensuring that everyone is in their proper place without overstepping.

Eleventh Hexagram: The Hexagram of Greatness

彖曰:泰,小往大來,吉亨,則是天地交而萬物通也,上下交而其志同也。內陽而外陰,內健而外順,內君子而外小人,君子道長,小人道消也。象曰:天地交,泰。后以財成天地之道,輔相天地之宜,以左右民。

The Commentary on the Judgment explains the Hexagram of Greatness: The Hexagram Statement says, "Small things go out, great things come in, thus it is auspicious and smooth." This refers to the yin and yang, where the soft and small move outward, and the strong and great move inward, thus resulting in auspiciousness and smoothness. This precisely represents the movement of heavenly qi descending and earthly qi ascending, with heaven and earth interacting and all things flowing smoothly; the sovereign and the people communicate with each other, and the ruler and subjects are in harmony. In terms of the structure of the hexagram, the inner trigram is yang and the outer trigram is yin; in terms of the virtues of the hexagram, the inner is strong and vigorous, and the outer is soft and compliant; in terms of human affairs, the gentleman is in power internally and the petty person is in retreat externally. Therefore, the way of the gentleman gradually grows, and the way of the petty person gradually declines. The Great Image Commentary takes the image of heaven above and earth below, with heaven and earth interacting, and says that the interaction of heaven and earth is Greatness; the sovereign takes this as a model, establishing the principles of heaven and earth's movement, assisting in the proper timing of the generation and nurturing of life, and using this to guide and nurture the people.

The Twelfth Hexagram: The Hexagram of Non-Positivity

彖曰:否之匪人,不利君子貞,大往小來,則是天地不交而萬物不通也,上下不交而天下無邦也。內陰而外陽,內柔而外剛,內小人而外君子,小人道長,君子道消也。象曰:天地不交,否。君子以儉德辟難,不可榮以祿。

The Commentary on the Judgment explains the hexagram of Opposition: The hexagram statement says that in a time of blockage, it is not in accordance with the way of humanity, and it is not advantageous for the gentleman to maintain uprightness. The strong and great are driven out, while the weak and small come in. This precisely indicates that the heavenly energy rises and the earthly energy descends, heaven and earth do not interact, and thus all things cannot flow smoothly. The ruler is separated from the people, and the upper and lower levels are not in communication, so the world is as if there were no states. In terms of the structure of the hexagram, the inner trigram is yin and the outer trigram is yang; in terms of the virtue of the hexagram, the inner is weak and the outer is strong; in terms of human affairs, the small person is in power within, while the gentleman is outside and retreats. Therefore, the way of the small person gradually grows, while the way of the gentleman gradually declines. The Great Image takes the image of the earth below and heaven above, with heaven and earth not interacting, to signify opposition. The gentleman takes this as a model, restraining his virtue, practicing frugality, and avoiding calamity, and should not seek honor and rank for its own sake.

Thirteenth Hexagram: The Hexagram of Fellowship

彖曰:同人,柔得位得中,而應乎乾,曰同人。同人曰:同人于野,亨,利涉大川,乾行也。文明以健,中正而應,君子正也。唯君子為能通天下之志。象曰:天與火,同人。君子以類族辨物。

The Commentary on the Judgment explains the Hexagram of Fellowship: the only yao that is yin, the sixth line in the second position, is in a yin place and is correct, and it is in the center of the lower trigram and thus has the quality of 'center'. It also corresponds with the nine in the fifth position of the upper trigram, so it is called 'Fellowship'—harmony with others. The Hexagram Statement says, 'In the wilderness, harmony with others, smooth, favorable for crossing great rivers,' which can be achieved by relying on the virtue of the upper trigram Qian, which is strong and active. The lower trigram is Li, representing civilization, and the upper trigram is Qian, representing strength and activity. The sixth line in the second position and the nine in the fifth position are both in the center and correct, and they correspond with each other. This is precisely the way of the gentleman, the principle of being centered and correct. Only the gentleman can unite the hearts of all people and achieve great impartiality in harmony. The Great Image Commentary takes the image of the upper trigram Qian, representing Heaven, and the lower trigram Li, representing Fire, saying: Heaven is above, and fire rises upward; both move toward the upper, forming the image of harmony. The gentleman takes this as a model, distinguishing kinship and differentiating human feelings, seeking common ground in diversity, and establishing harmony on the basis of clear discernment.

The Fourteenth Hexagram: The Great Possession Hexagram

彖曰:大有,柔得尊位,大中而上下應之,曰大有。其德剛健而文明,應乎天而時行,是以元亨。象曰:火在天上,大有。君子以遏惡揚善,順天休命。

The Commentary on the Judgment explains the Hexagram of Great Possession: the only yao that is yin, the sixth line at the fifth position, occupies the honorable position and is in the center, thus attaining the way of great centrality. The five yang yao above and below all respond and come to it, hence it is called "Great Possession" — possessing all, being rich in the world. In terms of the virtue of the hexagram, the lower trigram Qian represents firmness and strength, while the upper trigram Li represents brightness and civilization. It can follow the way of heaven and act in accordance with the seasons, hence the hexagram statement says "original and great, all things are harmonious," meaning great things are harmonious. The Great Image takes the upper trigram Li as fire and the lower trigram Qian as heaven, saying that fire in the sky shines universally and encompasses all, which is the image of Great Possession. The gentleman takes this as a model, suppressing evil and promoting goodness, following the heavenly command of beauty and goodness, and using clarity to maintain this abundance.

The Fifteenth Hexagram: The Hexagram of Humility

彖曰:謙,亨,天道下濟而光明,地道卑而上行。天道虧盈而益謙,地道變盈而流謙,鬼神害盈而福謙,人道惡盈而好謙。謙尊而光,卑而不可踰,君子之終也。象曰:地中有山,謙。君子以裒多益寡,稱物平施。

The Commentary on the Judgment explains the Hexagram of Humility: Humility leads to smoothness and success because the principle of Heaven is to descend and assist all things, thereby becoming more luminous; the principle of Earth is to remain humble and allow its energy to rise upward. The way of Heaven is to diminish when full and to increase when humble; the way of Earth is to change when full and to flow downward when humble; the spirits and deities harm when full and bless when humble; human feelings dislike fullness and favor humility. Therefore, the virtue of humility shines more brightly in a position of honor and is unsurpassed even in a low position. A gentleman who maintains this virtue can achieve success from beginning to end. The Great Image takes the hexagram's upper trigram Kun (Earth) and lower trigram Gen (Mountain) to illustrate: a high mountain is hidden within the earth, possessing substance without claiming its name, which is the image of humility; a gentleman takes this as a model, reducing excess and increasing deficiency, weighing things appropriately and distributing them fairly.

The Sixteenth Hexagram: The Hexagram of Joyful Contemplation

彖曰:豫,剛應而志行,順以動,豫。豫,順以動,故天地如之,而況建侯行師乎?天地以順動,故日月不過,而四時不忒;聖人以順動,則刑罰清而民服。豫之時義大矣哉!象曰:雷出地奮,豫。先王以作樂崇德,殷薦之上帝,以配祖考。

The Commentary on the Judgment explains the Hexagram 17, Yu (Joy): The only yang line, Nine in the Fourth, is responded to by all the yin lines, thus enabling the strong virtue to be carried forward. The lower trigram is Kun (Earth), representing compliance, and the upper trigram is Zhen (Thunder), representing movement. When movement follows the principle of compliance, it is called "Yu" — joy and smoothness. Since movement follows the principle, even heaven and earth operate in this way, how much more so for human affairs such as enfeoffing feudal lords and military campaigns? Heaven and earth move in accordance with the principle, so the sun and moon follow their regular courses without deviation, and the four seasons change without error. The sage moves in accordance with the principle, so punishments are clear and simple, and the people are convinced. The "time meaning" contained in Yu is truly vast. The Great Image Commentary takes the upper trigram Zhen (Thunder) and the lower trigram Kun (Earth) as the symbolic image: spring thunder arises from the earth, and all things are stirred into action, which is the image of Yu. The ancient kings took this as a model, composing music to honor virtue, offering solemn sacrifices to the heavenly gods, and including ancestors in the worship.

The seventeenth hexagram, the Hexagram of Following.

彖曰:隨,剛來而下柔,動而說,隨。大亨貞,無咎,而天下隨時,隨時之義大矣哉!象曰:澤中有雷,隨。君子以嚮晦入宴息。

The Commentary on the Judgment explains the Hexagram of Following: The first line, Nine at the Beginning, is yang and strong, coming from above, and is located below the yin lines such as Six in the Second, indicating that the strong one bends itself to be below the weak; the lower trigram Zhen represents movement, and the upper trigram Dui represents joy, so movement brings joy, hence the name 'Following'—mutual following and adherence. The Hexagram Statement says great success and benefit from maintaining the correct position, thus avoiding mistakes; all things in the universe follow the sequence of time, showing that 'following the time'—adapting according to the opportunity—has great significance. The Great Image takes the upper trigram Dui as a marsh and the lower trigram Zhen as thunder, saying that thunder is hidden in the marsh, always concealed and waiting, which is the image of following; the gentleman takes this as a model, and when the sky grows dark in the evening, he enters the room to rest, following the natural time without forcing himself.

Eighteenth Hexagram: The Hexagram of the Pestilence

彖曰:蠱,剛上而柔下,巽而止,蠱。蠱,元亨,而天下治也。利涉大川,往有事也。先甲三日,後甲三日,終則有始,天行也。象曰:山下有風,蠱。君子以振民育德。

The Commentary on the Judgment explains the Hexagram of蛊: "Gǔ" refers to the accumulation of long-standing problems and the need for reform. The upper trigram is Gen (Mountain), with its yang strength at the top, and the lower trigram is Xun (Wind), with its yin softness at the bottom. The lower Xun represents yielding and entering, while the upper Gen represents stillness and rest, resulting in mere compliance without initiative, thus allowing corruption to accumulate. The Hexagram Statement says "Original Greatness and Smoothness," meaning that by reforming accumulated problems, the world can be greatly governed. "Beneficial to cross great rivers" means that at this time, one must undertake significant tasks. "Three days before the first day and three days after the first day" means that before and after issuing new regulations, three days should be left for careful planning and clear instructions. The completion of one matter marks the beginning of another, which is the natural cycle of heaven. The Great Image takes the upper Gen as Mountain and the lower Xun as Wind, illustrating the image of wind entering the mountain, swirling and causing disturbance, which is the image of蛊. The gentleman takes inspiration from this, reviving the spirit of the people and cultivating their virtue, eliminating accumulated problems from the root.

The Nineteenth Hexagram: The Approach Hexagram

彖曰:臨,剛浸而長,說而順,剛中而應,大亨以正,天之道也。至于八月有凶,消不久也。象曰:澤上有地,臨。君子以教思無窮,容保民無疆。

The Commentary on the Judgment explains the Hexagram of Approaching: "Approaching" means to be above and to govern below. The two yang lines, initial nine and nine two, grow gradually from below, rising step by step like water soaking through; the lower trigram is Dui, representing joy, and the upper trigram is Kun, representing compliance, thus being joyful and compliant; nine two, a yang line, is located in the center of the lower trigram and corresponds with six five. Therefore, the Hexagram Statement says that great success is possible but must be maintained with uprightness, which is the principle of the alternation of the heavenly way. "There is danger in the eighth month" means that after the yang energy reaches its peak, it will begin to decline, and such a time will not be far off, so when things are at their peak, one must be cautious. The Great Image takes the upper trigram Kun (Earth) and the lower trigram Dui (Lake) to illustrate the image of Approaching: a lake on top of the earth, with the earth's bank high and looking down, which is the image of Approaching; the gentleman takes this as a model, and his concern for teaching has no end, and his protection of the people has no boundaries.

The Twenty-eth Hexagram: The Observing Hexagram

彖曰:大觀在上,順而巽,中正以觀天下。觀,盥而不薦,有孚顒若,下觀而化也。觀天之神道,而四時不忒,聖人以神道設教,而天下服矣。象曰:風行地上,觀。先王以省方,觀民設教。

The Commentary on the Judgment explains the Hexagram of Observing: The two yang lines, Nine Five and Upper Nine, are high above, being looked up to by the four yin lines below, thus establishing a great spectacle above; the lower trigram is Kun (Earth), representing obedience, and the upper trigram is Xun (Wind), representing humility. Nine Five is also "zhongzheng" (just and central), using the virtue of being just and central to enlighten the world. The Hexagram Statement says "guan er bu jian" — during worship, only the washing and invocation are performed, and the offering of sacrifices has not yet taken place. At this moment, sincerity is most concentrated, and people, with sincere hearts, look up in reverence. Those below naturally become influenced by such a demeanor. Observing the divine movement of heaven, the four seasons change without error; sages model themselves after this divine way to establish education, and thus the world is brought into submission. The Great Image takes the upper trigram Xun (Wind) and the lower trigram Kun (Earth) as the image, saying that wind moves over the earth, reaching everywhere, which is the image of observation. The former kings took this as a model, touring the four directions, observing the people's conditions, and establishing education.

The Twenty-first Hexagram: The Bite and the Split

彖曰:頤中有物,曰噬嗑,噬嗑而亨。剛柔分,動而明,雷電合而章。柔得中而上行,雖不當位,利用獄也。象曰:雷電,噬嗑。先王以明罰敕法。

The Commentary on the Judgment explains the噬嗑 hexagram: the whole hexagram has two yang lines above and below, like the upper and lower jaws, with a single yang line in the fourth position crossing the middle, resembling something held in the mouth, hence called "噬嗑" — biting and breaking. By biting through the obstruction, the upper and lower parts can come together, and thus things become smooth and successful. The entire hexagram has three yin and three yang lines, with a balanced distribution of yin and yang. The lower trigram is Zhen (Thunder), representing movement, and the upper trigram is Li (Fire), representing brightness. Movement and brightness combine; thunder and lightning interact, with power and light complementing each other to become evident. The line six in the fifth position is yin and soft, occupying the center of the upper trigram and thus achieving "center," and it also ascends to the position of honor. Although it is yin and soft in a yang position, which is not appropriate according to the爻 position, it is most suitable for judging cases — clear and not too harsh. The Great Image Commentary takes the image of thunder and lightning combining to illustrate the hexagram: thunder and lightning intersect, which is the image of噬嗑; the former kings took this as a model, to clarify punishments and regulate laws.

The Twenty-Second Hexagram: The Hexagram of Ornamentation

彖曰:賁,亨,柔來而文剛,故亨。分剛上而文柔,故小利有攸往,天文也。文明以止,人文也。觀乎天文,以察時變;觀乎人文,以化成天下。象曰:山下有火,賁。君子以明庶政,無敢折獄。

The Commentary on the Judgment explains the Hexagram of Ornamentation: "Bian" means ornamentation. The Yin and柔 six-two resides in the center of the lower trigram, adding beauty to the Yang and strong nine-three, thus making it smooth and unimpeded; the Yang and strong upper nine resides at the top of the hexagram, adding beauty to the Yin and柔 six-five, thus the hexagram statement says that there is benefit in small ventures. The intermingling of Yang and Yin forms ornamentation, which is the ornamentation of Heaven. To stop at the rites with the virtue of civilization, without allowing ornamentation to become excessive, is the ornamentation of mankind. Observing the ornamentation of Heaven, one can understand the changes of the four seasons; observing the ornamentation of mankind, one can educate the world and establish customs. The Great Image takes the upper Gen (mountain) and the lower Li (fire) to form the image: fire beneath the mountain, its light reflecting on the mountain, making grass and trees radiant, which is the image of Bian. The gentleman takes this as a model, clearly discerning various affairs, yet does not dare to use the brightness of ornamentation alone to judge lawsuits--criminal justice concerns life and death, and should not be based merely on superficial beauty.

The Twenty-Third Hexagram, the Hexagram of Splitting Apart

彖曰:剝,剝也,柔變剛也。不利有攸往,小人長也。順而止之,觀象也。君子尚消息盈虛,天行也。象曰:山附於地,剝。上以厚下安宅。

The Commentary on the Judgment explains the Hexagram 45, "Peeling": "Peeling" means the gradual erosion. The entire hexagram has five yin lines below and one yang line above; the yin softness gradually erodes and transforms the yang strength. The Hexagram Statement says it is not favorable to go forward, because this is the time when the power of the petty person is growing. The lower trigram is Kun (Earth), representing compliance, and the upper trigram is Gen (Mountain), representing stopping. The gentleman in this situation can only comply with the trend and temporarily stop, which is the way of dealing with the world as observed from the hexagram. The gentleman values the principle of the waxing and waning of yin and yang, and the alternation of fullness and emptiness, because this is the regular course of the operation of heaven's way. When things reach their extreme, they must change; peeling to its extreme will lead to renewal. The Great Image Commentary takes the image of the upper trigram Gen (Mountain) and the lower trigram Kun (Earth) to say: A high mountain relies on the earth; when the stones of the mountain peel off, they return to the earth, which is the image of peeling. Those in high positions should take this as a model, treating the people below with kindness, so that their own position can be secure—when the foundation is thick, the upper part will not collapse.

The Twenty-Fourth Hexagram: The Return Hexagram

彖曰:復亨,剛反,動而以順行,是以出入無疾,朋來無咎。反復其道,七日來復,天行也。利有攸往,剛長也。復,其見天地之心乎?象曰:雷在地中,復。先王以至日閉關,商旅不行,后不省方。

The Commentary on the Judgment explains the Hexagram of Return: The Hexagram of Return is able to be smooth and unimpeded because the line Initial Nine, a single yang, returns to the lower part of the hexagram. The lower trigram Zhen represents movement, and the upper trigram Kun represents following. Movement in accordance with the proper way leads to smoothness, so the Hexagram Statement says there is no illness, and even if friends come, there is no mistake. Yang energy moves in a cycle, passing through seven lines and returning, which is the constant way of heaven's movement. The Hexagram Statement says it is advantageous to go forward because yang is growing. At the time of the return of a single yang, the fundamental nature of the continuous generation of heaven and earth is revealed here. The Great Image takes the upper trigram Kun as earth and the lower trigram Zhen as thunder, saying: Thunder is hidden in the earth, and yang energy begins to move but has not yet emerged, which is the image of return. The ancient kings took this as a model, closing the borders on the day of winter solstice, stopping commercial travel, and the ruler not touring the land, in order to quietly nurture the initial yang energy.

The Twenty-Fifth Hexagram: The Hexagram of No False Expectation

彖曰:無妄,剛自外來,而為主於內。動而健,剛中而應,大亨以正,天之命也。其匪正有眚,不利有攸往,無妄之往,何之矣?天命不祐,行矣哉?象曰:天下雷行,物與無妄。先王以茂對時,育萬物。

The Commentary on the Judgment explains the hexagram Wuwang (Without Pretense): "Without pretense" means real and free from falsehood. The initial line, a yang line from the outer trigram, becomes the main line of the inner trigram Zhen. The lower trigram Zhen represents movement, and the upper trigram Qian represents strength and vigor. Movement with strength and vigor; the line nine in the fifth position, yang and strong, is in the center and corresponds with line six in the second position. Therefore, the hexagram statement says great success and smoothness, but it must be maintained with uprightness, which is the law given by heaven. The hexagram statement also says that if actions are not in accordance with the right path, calamity will follow, and it is not advantageous to go anywhere. If one is already in a world of truth and yet acts recklessly and impetuously, where can one go? Even heaven's mandate does not support such actions, how can one succeed? The Great Image takes the upper trigram Qian as heaven and the lower trigram Zhen as thunder, saying that the sound of thunder moves across the world, and all things receive their true and genuine nature. The ancient kings took this as a model, striving to follow the heavenly timing, nurturing all things, and not interfering with the nature of things through personal wisdom.

The Twenty-sixth Hexagram: The Great Accumulation Hexagram

彖曰:大畜,剛健篤實輝光,日新其德,剛上而尚賢。能止健,大正也。不家食吉,養賢也。利涉大川,應乎天也。象曰:天在山中,大畜。君子以多識前言往行,以畜其德。

The Commentary on the Judgment explains the Great Accumulation hexagram: the lower trigram is Qian (Heaven), which is strong and vigorous, and the upper trigram is Gen (Mountain), which is solid and sincere. These two virtues combine and radiate outward, enabling continuous renewal of one's virtue. The upper nine, being yang and strong, occupies the highest position in the hexagram, symbolizing the honor and respect for the virtuous. By restraining the vigorous nature of Qian with the solidity of Gen, this is a great and proper action. The hexagram statement says "not eating at home is auspicious" — the virtuous person does not need to support himself at home but can receive honor and salary in the court, which represents the state's cultivation and employment of talented people. "Beneficial to cross great rivers" is because the sixth five and upper nine correspond with the virtue of the lower trigram Qian, following the heavenly way, thus achieving success in overcoming difficulties. The Great Image Commentary takes the upper trigram Gen (Mountain) and lower trigram Qian (Heaven) as the image, saying that Heaven is contained within the mountain, and the accumulation is great, which is the image of Great Accumulation. The gentleman takes this as a model, remembering the words of past sages and the deeds of wise men, to cultivate his own virtue.

The Twenty-seventh Hexagram: The Hexagram of Nourishment

彖曰:頤,貞吉,養正則吉也。觀頤,觀其所養也;自求口實,觀其自養也。天地養萬物,聖人養賢,以及萬民;頤之時大矣哉!象曰:山下有雷,頤。君子以慎言語,節飲食。

The Commentary on the Judgment explains the Hexagram of Cultivation: "Yi" refers to the jaw, and by extension means cultivation. The Hexagram Statement says that maintaining correctness brings good fortune, meaning that what is cultivated should be in accordance with the right path. "Observing Cultivation" refers to observing what one uses to nourish others; "seeking one's own sustenance" refers to observing what one uses to nourish oneself. The way of observing people lies in these two aspects: nourishing others and self-nourishment. Heaven and Earth nurture all things, and the sage cultivates virtuous talents and extends this care to all people. The way of cultivation is practiced everywhere and at all times, and its meaning is truly vast. The Great Image takes the image of the upper hexagram Gen (Mountain) and the lower hexagram Zhen (Thunder) to explain: a mountain beneath thunder, with the upper part still and the lower part moving, just like when a person opens his mouth to chew, the upper jaw remains still while the lower jaw moves. This is the image of "Yi." The gentleman takes inspiration from this, being cautious with what he says and moderate in his diet, for both the act of speaking and the act of eating are key to cultivating virtue and maintaining the body.

The Twenty-Eighth Hexagram, the Great Limitation Hexagram

彖曰:大過,大者過也。棟橈,本末弱也。剛過而中,巽而說行,利有攸往,乃亨。大過之時大矣哉!象曰:澤滅木,大過。君子以獨立不懼,遯世無悶。

The Commentary on the Judgment explains the Great Excess hexagram: "Great Excess" refers to excessive abundance of yang. The entire hexagram has four yang lines in the middle, with one yin line above and one below. The hexagram statement says the beam bends, precisely because the initial line and the top line are too weak, causing the middle to be too heavy and the ends unable to support. Although yang is excessive, fortunately the nine in the second position and the nine in the fifth position are in the central positions and do not lose their "center." The lower trigram is Xun (Wind), representing humility and yielding, and the upper trigram is Dui (Lake), representing harmony and joy. Therefore, it is advantageous to go forward and thus can be smooth and successful. In times of extreme circumstances, one should do extreme things. The situation represented by Great Excess is of great significance. The Great Image takes the upper trigram Dui (Lake) as a marsh and the lower trigram Xun (Wind) as wood. It says that the water of the marsh overflows and drowns the trees, which is an image of excessive excess. The gentleman takes this as a model, able to stand alone and act without fear, even if he retreats from the world, he does not feel distressed.

The Twenty-Ninth Hexagram: The Hexagram of Water

彖曰:習坎,重險也。水流而不盈,行險而不失其信,維心亨,乃以剛中也。行有尚,往有功也。天險不可升也,地險山川丘陵也,王公設險以守其國,險之時用大矣哉!象曰:水洊至,習坎。君子以常德行,習教事。

The Commentary on the Judgment explains the Kan hexagram: "To be accustomed to danger" refers to being surrounded by repeated dangers, with both upper and lower trigrams being Kan. Water flows continuously without overflowing, proceeding through dangerous terrain yet always maintaining its inherent tendency to flow downward. This shows that those facing danger should value perseverance and faithfulness. The hexagram statement says, "Only the mind is smooth," meaning that as long as the inner self is unimpeded, there is no difficulty in the world. This is because both the second and fifth lines are strong yang lines in the center, possessing the virtue of "strong and central." "To go is commendable" means that by following this path, one can surely achieve success. The danger of heaven is its high and inaccessible nature, the danger of earth is its mountains, rivers, and hills, and kings and princes set up city walls and passes to guard their states. Danger is used according to the time, and its function is indeed great. The Great Image takes the image of water flowing continuously to represent this hexagram. Water comes in unceasing waves, which is the image of "accustomed to danger"; the gentleman takes this as a model, maintaining his virtue constantly and repeatedly practicing and teaching, using enduring effort to deal with repeated dangers.

The thirtieth hexagram is Li Hexagram (Fire).

彖曰:離,麗也;日月麗乎天,百穀草木麗乎土,重明以麗乎正,乃化成天下。柔麗乎中正,故亨。是以畜牝牛,吉也。象曰:明兩作,離。大人以繼明照于四方。

The Commentary on the Judgment explains the Hexagram Li: "Li" means attachment and reliance. The sun and moon rely on heaven, and all grains and plants rely on the earth. The two overlapping trigrams of Li, forming dual brightness, rely on the principle of central correctness, thus being able to enlighten and cultivate the world. The two yao, Six Two and Six Five, each attach to the central positions of the upper and lower trigrams and thus achieve "central correctness," so the Hexagram Statement says it is smooth and unimpeded. Because the virtue of flexibility and correctness is inherent to the Hexagram Li, the Hexagram Statement says that it is auspicious to raise a gentle ox, a symbol of flexibility. The Great Image Commentary takes the image of the two trigrams of Li, with their successive brightness, to say: two layers of brightness rising in succession is the image of Li; great persons take this as a model, so that brightness is passed down generation after generation, illuminating all directions.

The Lower Classic contains thirty-four hexagrams.

The Thirty-first Hexagram, the Hexagram of Mutual Influence

彖曰:咸,感也。柔上而剛下,二氣感應以相與,止而說,男下女,是以亨,利貞,取女吉也。天地感而萬物化生,聖人感人心而天下和平,觀其所感,而天地萬物之情可見矣。象曰:山上有澤,咸。君子以虛受人。

The Commentary on the Judgment explains the Hexagram of Mutualsympathetic response (Xian): "Xian" means mutualsympathetic response. The upper trigram is Dui, representing softness at the top, and the lower trigram is Gen, representing firmness at the bottom. The yin and yang energies interact and respond to each other, thus creating a mutual affinity. Gen represents stopping, and Dui represents joy; stopping at the proper manner and feeling joy within. Dui represents the young woman, and Gen represents the young man, indicating the man bending himself to the woman, which corresponds to the ceremony of proposing marriage. Therefore, the Hexagram Statement says it is smooth and favorable for upholding the right path, and it is auspicious for marriage. The energies of heaven and earth interact, thus giving rise to all things; the sage moves the people's hearts, thus bringing peace and order to the world. Observing the principles of mutualsympathetic response, the true nature of all things in heaven and earth can be clearly understood. The Great Image Commentary takes the image of Dui above and Gen below, representing a marsh on a mountain. The mountain must be hollow to hold the marsh water, which is the image of Xian. The gentleman takes this as a model, keeping his mind empty and open to receive others, for only when the heart is empty cansympathetic response be established.

The Thirty-Second Hexagram: The Hexagram of Constancy

彖曰:恆,久也。剛上而柔下,雷風相與,巽而動,剛柔皆應,恆。恆亨,無咎,利貞,久於其道也,天地之道,恆久而不已也。利有攸往,終則有始也。日月得天,而能久照,四時變化,而能久成,聖人久於其道,而天下化成;觀其所恆,而天地萬物之情可見矣。象曰:雷風,恆。君子以立不易方。

The Commentary on the Judgment explains the Hexagram of Constancy: "Constancy" means enduring. The upper trigram Zhen represents thunder, which is yang and occupies a superior position, while the lower trigram Xun represents wind, which is yin and occupies an inferior position. Thunder and wind support each other; Xun signifies yielding and entering, while Zhen signifies movement. First, one yields and enters, then one acts. The six lines of yin and yang correspond one by one, hence it is called "constancy." The Hexagram Statement says that constancy leads to smoothness, without error, and is favorable to uprightness, meaning that one should constantly act along the right path. The principles of heaven and earth are precisely that they operate constantly and never cease. "It is favorable to go somewhere" means that after one matter is completed, another begins. Constancy is not about being stagnant. The sun and moon follow the heavenly way, hence they can shine eternally. The four seasons continuously change, hence they can constantly bring about the flourishing of all things. The sage constantly follows the right path, and thus the world is cultivated and taught. Observing the reason why all things can be constant, the true nature of heaven and earth and all things can be clearly understood. The Great Image takes the trigram Zhen above as thunder and the trigram Xun below as wind, saying that thunder moves and wind follows, constantly accompanying each other, which is the image of constancy. The gentleman takes this as a model, establishing himself and maintaining his conduct without changing his direction.

The Thirty-Third Hexagram: The Hexagram of Retreat

彖曰:遯亨,遯而亨也。剛當位而應,與時行也。小利貞,浸而長也。遯之時義大矣哉!象曰:天下有山,遯。君子以遠小人,不惡而嚴。

The Commentary on the Judgment explains the Hexagram of Retreat: "Retreat" means to withdraw and hide. The Hexagram Statement says that retreat leads to success because when Yin increases and Yang decreases, knowing when to retreat allows one to preserve oneself and ensure the Way is not exhausted. The Nine in the Fifth is a Yang line in the尊位 and is in the proper place, and it corresponds with the Six in the Second. It acts in accordance with the situation, advancing or retreating as needed. The Hexagram Statement says "small gain from uprightness" because the two Yin lines, the Six at the Beginning and the Six in the Second, grow gradually like water soaking through, indicating that small people are gaining power. Gentlemen should only maintain a small uprightness and not pursue great achievements. The significance of the time context of the Hexagram of Retreat is indeed profound. The Great Image takes the upper Qian (Heaven) and lower Gen (Mountain) to form the image: Heaven is above and Mountain is below. Although the Mountain is high, Heaven is even further away, symbolizing retreat. The gentleman takes this as a model, keeping away from small people without harsh words or anger, but instead maintaining dignity and seriousness to prevent them from getting too close.

The thirty-fourth hexagram, the Hexagram of Great Strength.

彖曰:大壯,大者壯也。剛以動,故壯。大壯利貞,大者正也。正大而天地之情可見矣!象曰:雷在天上,大壯。君子以非禮弗履。

The Commentary on the Judgment explains the Hexagram of Great Strength: "Great Strength" refers to a strong yang that is vigorous, with four yang lines growing from the bottom, its momentum expanding. The lower trigram is Qian (Heaven), representing firmness, and the upper trigram is Zhen (Thunder), representing movement. With firmness and vigorous action, strength is achieved. The Hexagram Statement says that Great Strength is favorable to maintaining correctness, meaning that what is called "great" must also be "correct." Strength is valuable only when it does not lose its correctness. Being correct and great, the reality of the continuous generation of all things in heaven and earth is revealed. The Great Image takes the upper trigram Zhen (Thunder) and the lower trigram Qian (Heaven) as its symbolic representation: thunder resounding in the sky, its power overwhelming, which is the image of Great Strength. The gentleman takes this as a model, refraining from any action that is not in accordance with propriety. The stronger the power, the more one must restrain oneself by propriety; this is true strength.

The Thirty-Fifth Hexagram, the Hexagram of Progressiveness

彖曰:晉,進也。明出地上,順而麗乎大明,柔進而上行。是以康侯用錫馬蕃庶,晝日三接也。象曰:明出地上,晉。君子以自昭明德。

The Commentary on the Judgment explains the Hexagram of Progress: "Jin" means advancement. The upper trigram is Li (Fire), representing brightness, and the lower trigram is Kun (Earth). Brightness rises from the earth; the nature of Kun is gentle and compliant, attaching itself to the great brightness of the upper trigram. The line six in the fifth, being yin and gentle, ascends and occupies a position of honor. Therefore, the Hexagram Statement says that the feudal lord of a state receives many chariots and horses as a reward from the Son of Heaven, and is received three times in one day. This is because of the gentle and compliant service to superiors and the attachment to brightness, which allows one to advance smoothly. The Great Image Commentary takes the image of brightness rising from the earth, saying that the sun emerges from the earth, gradually becoming visible, which is the image of JIn. The gentleman takes this as a model, making himself clearly manifest in his inherent virtues, like the rising sun, so that his virtue becomes increasingly evident day by day.

The Thirty-sixth Hexagram: The Hexagram of Illumination in Darkness

彖曰:明入地中,明夷。內文明而外柔順,以蒙大難,文王以之。利艱貞,晦其明也,內難而能正其志,箕子以之。象曰:明入地中,明夷。君子以蒞眾,用晦而明。

The Commentary on the Judgment explains the hexagram Mingyi (Bright Light Dimmed): "Mingyi" means the light is injured. The upper trigram is Kun (Earth), and the lower trigram is Li (Fire), representing light. Thus, the light is submerged into the earth. Within, there is brilliance and culture, but externally it is gentle and subdued, thus being able to endure great difficulties. King Wen was imprisoned in Youli and acted in this way. The hexagram statement says "favorable to perseverance in hardship and uprightness." This means to remain in hardship and uphold uprightness, to conceal one's brilliance; to be in a difficult situation within the court yet maintain a correct mind. Ji Zi in the late Shang dynasty did exactly this. The Great Image Commentary takes the image of light sinking into the earth to explain Mingyi; the gentleman takes this as a model, when governing people, not being overly discerning or meticulous, appearing obscure on the surface, yet remaining fully enlightened within.

The 37th hexagram, the Hexagram of the Family.

彖曰:家人,女正位乎內,男正位乎外,男女正,天地之大義也。家人有嚴君焉,父母之謂也。父父,子子,兄兄,弟弟,夫夫,婦婦,而家道正;正家而天下定矣。象曰:風自火出,家人。君子以言有物而行有恆。

The Commentary on the Judgment explains the Hexagram of the Family: in terms of the lines, the line Six in the Second is yin and occupies the central position of the Inner Trigram, which represents a woman properly situated within; the line Nine in the Fifth is yang and occupies the central position of the Outer Trigram, which represents a man properly situated outside. Men and women each occupy their proper positions, which perfectly aligns with the great principle of yin and yang dividing their roles in heaven and earth. Within a family there is a respected and feared leader, referring to the parents. The father acts as a father, the son as a son, the elder brother as an elder brother, the younger brother as a younger brother, the husband as a husband, and the wife as a wife; thus the way of the family is established. When every family is properly ordered, the world naturally becomes peaceful. The Great Image takes the Upper Trigram Xun (Wind) and the Lower Trigram Li (Fire) to form the image of the family: wind arises from fire, just as education within the family extends outward, which is the image of the family. The gentleman takes inspiration from this, speaking with genuine content and acting with enduring principles. When personal example is established, the family way naturally becomes correct.

The Thirty-Eighth Hexagram, the Hexagram of Observing the Sun

彖曰:睽,火動而上,澤動而下,二女同居,其志不同行。說而麗乎明,柔進而上行,得中而應乎剛,是以小事吉。天地睽,而其事同也;男女睽,而其志通也;萬物睽,而其事類也;睽之時用大矣哉!象曰:上火下澤,睽。君子以同而異。

The Commentary on the Judgment explains the Kui hexagram: "Kui" means separation and divergence. The upper trigram is Li (Fire), which is active and upward-moving; the lower trigram is Dui (Lake), which is water and moves downward. These two trigrams move in opposite directions. Li represents the middle female, and Dui represents the young female; two women living in the same house have different hearts and cannot walk together. In terms of the moral qualities of the hexagram, Dui (Joy) is attached to the brightness of Li (Fire); the six in the fifth line, being yin and soft, moves upward to occupy the superior position, attains the center, and corresponds with the nine in the second line, which is yang and strong. Therefore, the hexagram statement says that small matters can bring good fortune - great matters are difficult to achieve, but small matters are still possible. Heaven and Earth are in a state of separation, yet they both nurture all things; men and women differ in form, yet they share the same desire for union; all things differ in form, yet they all receive the same qi from Heaven and Earth. The significance of the Kui hexagram in terms of timing is indeed great. The Great Image Commentary takes the upper trigram Li (Fire) and the lower trigram Dui (Lake) as the image of the hexagram: fire rises upward, and water flows downward, which is the image of Kui. The gentleman takes this as a model, harmonizing with others in great matters while maintaining his own independence in small matters, neither conforming nor being overly eccentric.

The 39th Hexagram: The Obstacle Hexagram

彖曰:蹇,難也,險在前也。見險而能止,知矣哉!蹇利西南,往得中也。不利東北,其道窮也。利見大人,往有功也。當位貞吉,以正邦也。蹇之時用大矣哉!象曰:山上有水,蹇。君子以反身修德。

The Commentary on the Judgment explains the Hexagram of Obstruction: "Jian" means difficult movement. The upper trigram is Kan, representing water, which symbolizes danger and difficulty ahead. The lower trigram is Gen, representing mountain, which signifies stopping when encountering danger and not advancing recklessly, which is wise. The Hexagram Statement says "favorable to the Southwest," because the Southwest belongs to Kun, which represents the earth, and the terrain is easy to traverse, allowing one to follow the path of correctness and balance. "Unfavorable to the Northeast," because the Northeast belongs to Gen, which represents mountain, and the path is blocked by high mountains, leading to a dead end. "Favorable to see a great person" means that one can achieve success by relying on a great figure like the Nine in the Fifth. "When in the correct position, uprightness brings good fortune" means that the Nine in the Fifth and other lines are in their proper positions, and by maintaining uprightness, good fortune is achieved, sufficient to correct the state. The significance of the Hexagram of Obstruction in terms of timing is indeed great. The Great Image takes the upper trigram Kan as water and the lower trigram Gen as mountain, saying that there is water on a mountain, making advancement and retreat difficult, which is the image of Obstruction. The gentleman takes this as a model, facing difficulties without blaming heaven or man, but instead reflecting on oneself and cultivating virtue.

Fortieth Hexagram: Interpretation of the Hexagram

彖曰:解,險以動,動而免乎險,解。解利西南,往得眾也。其來復吉,乃得中也。有攸往夙吉,往有功也。天地解,而雷雨作,雷雨作,而百果草木皆甲坼,解之時大矣哉!象曰:雷雨作,解。君子以赦過宥罪。

The Commentary on the Judgment explains the hexagram: the lower trigram is Kan (Water), representing danger, and the upper trigram is Zhen (Thunder), representing movement. Moving through danger and ultimately escaping from it is called "Jie" (Release) — the resolution of difficulties. The hexagram statement says "favorable to the southwest," because the southwest belongs to Kun (Earth), and going in that direction can gain the support of the people. "Its coming back is auspicious" means that after the difficulty is resolved, returning to normal is good, because Nine in the Second position is in the center of the lower trigram and thus possesses the principle of the middle. "If there is a journey, early success is good" means that if there are still unfinished matters, going early will lead to success. The qi of heaven and earth becomes relaxed, thus thunder and rain arise; when thunder and rain occur, the husks of all fruits and herbs split open and new shoots emerge. The significance of the time associated with this hexagram is indeed great. The Great Image takes the image of thunder and rain coming together, saying that thunder and rain coming at the same time dispel blockages, which is the image of release. The gentleman takes inspiration from this, pardoning mistakes and showing mercy, like thunder and rain thawing the earth, thus resolving human grievances.

Forty-first Hexagram: The Hexagram of Loss

彖曰:損,損下益上,其道上行。損而有孚,元吉,無咎,可貞,利有攸往。曷之用?二簋可用享。二簋應有時,損剛益柔有時,損益盈虛,與時偕行。象曰:山下有澤,損。君子以懲忿窒慾。

The Commentary on the Judgment explains the Hexagram of Loss: "Loss" means reducing the lower trigram and increasing the upper trigram, reducing below and benefiting above, and its path moves upward. When reduction is done with sincerity, it is greatly auspicious, without error, and favorable for maintaining correctness, also beneficial for going forward. What should be offered? Two thin bowls of food are sufficient for worshiping the spirits — sincerity is enough, and the offering does not need to be rich. However, using two thin bowls as an offering depends on the time; reducing yang and increasing yin also depends on the time. Loss and gain, fullness and emptiness, must all change with the situation, and one must not be fixed in one way. The Great Image takes the upper trigram Gen (mountain) and the lower trigram Dui (lake) to illustrate the image: there is a lake below a mountain, the lake loses and the mountain gains, which is the image of loss. The gentleman takes this as a model, restraining his anger and blocking his greed — these two are the things most in need of reduction.

Forty-second Hexagram: The Hexagram of Gain

彖曰:益,損上益下,民說無疆,自上下下,其道大光。利有攸往,中正有慶。利涉大川,木道乃行。益動而巽,日進無疆。天施地生,其益無方。凡益之道,與時偕行。象曰:風雷,益。君子以見善則遷,有過則改。

The Commentary on the Judgment explains the Hexagram of Gain: "Gain" refers to reducing the upper trigram and adding to the lower trigram. Those in superior positions reduce themselves to benefit those below, and the joy of the people has no limit. When those in superior positions are willing to humble themselves and go down to the people, this path becomes boundless. The Hexagram Statement says it is advantageous to go forward because both the Nine in the Fifth and the Six in the Second are upright and correspond, ensuring blessings. "Advantageous to cross a great river" is because the upper trigram is Xun (Wood), and wood can make a boat, thus enabling the crossing of dangerous waters. The lower trigram is Zhen (Movement) and the upper trigram is Xun (Smoothness), so movement can be smooth, leading to continuous progress without end. Heaven showers rain and dew, and Earth nurtures all things; this kind of gain spreads to all directions without a fixed place. All paths of gain should be carried out according to the situation. The Great Image takes the trigram Xun (Wind) as the upper trigram and Zhen (Thunder) as the lower trigram, saying that wind and thunder interact, increasing each other's power, which is the image of gain. The gentleman takes this as a model, immediately following good deeds and immediately correcting mistakes—this is the fastest way to gain for oneself.

Forty-third Hexagram: Guai Hexagram

彖曰:夬,決也,剛決柔也。健而說,決而和,揚于王庭,柔乘五剛也。孚號有厲,其危乃光也。告自邑,不利即戎,所尚乃窮也。利有攸往,剛長乃終也。象曰:澤上於天,夬。君子以施祿及下,居德則忌。

The Commentary on the Judgment explains the Hexagram 49, Guai: "Guai" means to decide, to eliminate. The entire hexagram has five yang lines below and one yin line above, symbolizing the gathering of all yang to eliminate a single yin. The lower trigram is Qian, representing firmness and strength, and the upper trigram is Dui, representing harmony and joy. Thus, the hexagram embodies decisive action without losing harmony. The hexagram statement says, "To proclaim in the royal court"—to openly expose the wrongdoing of the small person in the court, because the sixth line, which is yin, is positioned above the five yang lines, and its evil deeds are clearly evident. "To call with sincerity and with danger" means to call out with sincerity and always remain cautious, for recognizing danger enhances virtue and talent. "To inform the city, not to engage in war" means to first govern one's own territory, and it is not advisable to resort to military force, because excessive reliance on force leads to a dead end. "It is advantageous to go somewhere" means that the growth of yang reaches its peak and will ultimately succeed. The Great Image takes the upper trigram Dui, representing a marsh, and the lower trigram Qian, representing heaven, to illustrate the image of water from the marsh rising to the heavens, which must eventually descend, which is the image of Guai. The gentleman takes inspiration from this, distributing benefits and favors to the people, while regarding self-interest and clinging to power as great dangers.

Forty-fourth Hexagram: The Hexagram of Meeting

彖曰:姤,遇也,柔遇剛也。勿用取女,不可與長也。天地相遇,品物咸章也。剛遇中正,天下大行也。姤之時義大矣哉!象曰:天下有風,姤。后以施命誥四方。

The Commentary on the Judgment explains the Hexagram 51, Gou: "Gou" means meeting. The entire hexagram shows one yin emerging from among five yangs, indicating that a yin and soft force meets a yang and strong force. The Hexagram Statement says not to marry such a woman, for she comes without invitation, her influence will grow, and she cannot be kept for long. But from another perspective, the meeting of the heavenly and earthly energies allows all things to be revealed; the Nine in the Fifth, a yang line in the center and correct position, meets people, thus enabling moral teaching to spread throughout the world. Thus, the principle of meeting contained in the Hexagram Gou is truly vast. The Great Image takes the image of Heaven above and Wind below, saying: Wind over the heavens, the wind spreads throughout the world and nothing is left unmet, which is the image of Gou. The sovereign, as a gentleman among the virtuous, takes this as a model, issuing commands and proclaiming them to all directions, so that government and education meet everywhere, reaching all places.

Forty-fifth Hexagram: The Hexagram of Convergence

彖曰:萃,聚也;順以說,剛中而應,故聚也。王假有廟,致孝享也。利見大人亨,聚以正也。用大牲吉,利有攸往,順天命也。觀其所聚,而天地萬物之情可見矣。象曰:澤上於地,萃。君子以除戎器,戒不虞。

The Commentary on the Judgment explains the Hexagram of Accumulation: "Cui" means gathering. The lower trigram is Kun (Earth), representing order, and the upper trigram is Dui (Lake), representing joy. Following the order and harmonizing with joy, the nine in the fifth position, a yang line in the center, corresponds with the six in the second position, so the hearts of the people gather together. The Hexagram Statement says, "The king comes to the temple," meaning the king personally visits the ancestral temple, fulfilling filial piety and performing sacrifices, gathering people first requires gathering spirits and ancestors. "It is advantageous to see a great person and to be prosperous" means gathering must follow the right path, and with a great person in charge, it will be prosperous. "Using great sacrifices is auspicious, and it is advantageous to go somewhere" means when things gather, wealth increases, using great sacrifices and going somewhere are in accordance with the mandate of heaven. Observing the principles of gathering, the true nature of all things in heaven and earth can be clearly understood. The Great Image Commentary takes the image of the upper trigram Dui (Lake) and the lower trigram Kun (Earth) to say: water in the lake accumulates on the earth, and when it gathers, it is prone to break, which is the image of Cui. The gentleman takes this as a model, repairing weapons and organizing military preparations to guard against unexpected events.

Forty-sixth Hexagram: The Hexagram of Ascending

彖曰:柔以時升,巽而順,剛中而應,是以大亨。用見大人,勿恤,有慶也。南征吉,志行也。象曰:地中生木,升。君子以順德,積小以高大。

The Commentary on the Judgment explains the Hexagram of Ascending: Yin flexibility follows the right time and ascends gradually; the lower trigram is Xun (Wind), symbolizing yielding and entering, and the upper trigram is Kun (Earth), symbolizing flexibility and compliance. Thus, it is both yielding and gentle. Nine in the Second, a Yang strength, is in the middle of the lower trigram and corresponds with Six in the Fifth, so the Hexagram Statement says "greatly smooth and unimpeded." "To see a great person, without worry" means that with such virtue, one may approach a great person without fear, and certainly will receive blessings. "A journey to the south is auspicious" refers to the south as a place of brightness and warmth, and going there allows one's aspirations to be realized. The Great Image takes the upper trigram Kun (Earth) and the lower trigram Xun (Wood) to represent the image of trees growing from the earth, rising gradually without being noticed, which is the image of ascending. The gentleman takes this as a model, following virtue without being hasty, accumulating day by day, and building up from small beginnings to great achievements.

Forty-seventh Hexagram: The Hexagram of Difficulty

彖曰:困,剛揜也。險以說,困而不失其所,亨,其唯君子乎?貞大人吉,以剛中也。有言不信,尚口乃窮也。象曰:澤無水,困。君子以致命遂志。

The Commentary on the Judgment explains the Hexagram of Being in Difficulty: "Being in difficulty" refers to the situation where yang strength is obscured by yin weakness. The lower trigram is Kan (Water), symbolizing danger, and the upper trigram is Dui (Lake), symbolizing joy. One may be in a dangerous situation yet still remain calm and content within, thus remaining steadfast in virtue despite hardship, hence being able to achieve success. Only a gentleman can attain this. The Hexagram Statement says that a great person who maintains rectitude is fortunate, because both the Nine in the Second and the Nine in the Fifth are yang lines occupying the central position, embodying the virtue of "strong and central." "There is no trust in words" means that in times of hardship, even if one speaks out, no one will believe, and relying solely on words will lead to a dead end. At such times, only action can clarify one's intentions. The Great Image takes the image of the upper trigram Dui (Lake) and the lower trigram Kan (Water) to say: the water in the lake has flowed down to the bottom, leaving the lake dry and without water, which is the image of being in difficulty. The gentleman takes inspiration from this, and would rather sacrifice his life than abandon his aspirations.

Forty-eighth Hexagram Well Hexagram

彖曰:巽乎水而上水,井;井養而不窮也。改邑不改井,乃以剛中也。汔至,亦未繘井,未有功也。羸其瓶,是以凶也。象曰:木上有水,井。君子以勞民勸相。

The Commentary on the Judgment explains the Well Hexagram: the lower trigram is Xun (Wind), representing entering, and the upper trigram is Kan (Water), representing water. A vessel goes deep into the water and then draws it up, which is the image of a well. Well water nourishes people and is inexhaustible. The Hexagram Statement says, "Changing the city but not the well"—a village may be moved, but a well cannot be relocated. This is like Nine in the Second and Nine in the Fifth, which are yang lines in the middle, whose virtue remains constant and does not change. "The water is nearly reached, but the rope has not yet been drawn up to the well"—this means the effort is almost complete but fails at the last moment, as if it has not succeeded. "The water vessel is broken"—this means the vessel used to draw water is broken, and all previous effort is lost, hence there is misfortune. The Great Image takes the upper trigram Kan (Water) and the lower trigram Xun (Wood) to represent a wooden bucket with water on top, which is the image of drawing water from a well. The gentleman takes inspiration from this, comforts the people's labor, and encourages mutual assistance, just as a well nourishes people.

Forty-Ninth Hexagram: The Hexagram of Revolution

彖曰:革,水火相息,二女同居,其志不相得,曰革。己日乃孚;革而信之。文明以說,大亨以正,革而當,其悔乃亡。天地革而四時成,湯武革命,順乎天而應乎人,革之時大矣哉!象曰:澤中有火,革。君子以治曆明時。

The Commentary on the Judgment explains the Hexagram of Revolution: the Upper Trigram is Dui (Lake) representing water, and the Lower Trigram is Li (Fire), with water and fire mutually restraining and controlling each other. Li represents the middle daughter, and Dui represents the young daughter; two women living in the same house with incompatible hearts will inevitably cause change, hence it is called "Revolution." The Hexagram Statement says "On the sixth day, trust is established," meaning that change occurs on a certain day before people believe in it, and once the change has taken place, people's hearts follow. The Lower Trigram Li represents civilization, and the Upper Trigram Dui represents harmony and joy; by using the virtue of civilization to bring joy to others, great success is achieved and one must remain upright. When change is properly carried out, regret naturally disappears. The transformation of heaven and earth allows the four seasons to be established; King Tang of Shang overthrew King Jie, and King Wu of Zhou defeated King Zhou, both following the heavenly way and aligning with people's hearts. The significance of the time context represented by the Hexagram of Revolution is indeed profound. The Great Image Commentary takes the image of fire in water to explain that when water and fire coexist and transform, it is the image of revolution; the gentleman takes this as a model, revises the calendar, distinguishes the seasons, and records the changes of heaven to follow them.

Fiftyth Hexagram: The Cauldron Hexagram

彖曰:鼎,象也。以木巽火,亨飪也。聖人亨以享上帝,而大亨以養聖賢。巽而耳目聰明,柔進而上行,得中而應乎剛,是以元亨。象曰:木上有火,鼎。君子以正位凝命。

The Commentary on the Judgment explains the Hexagram of the Cauldron: The image of the Hexagram itself resembles a cauldron. The line Initial Six represents the foot, the lines Two, Three, and Four represent the body, the line Six Five represents the handle, and the line Upper Nine represents the lifting bar. The Lower Trigram is Xun (Wind), representing wood, and the Upper Trigram is Li (Fire), representing fire. Putting wood into fire is the image of cooking. (Here, "亨" is read as "cooking.") The sage cooks animals for sacrifices to the Supreme Deity, and also prepares the earth's bounty to nourish the sages. The Lower Trigram Xun represents humility and obedience, and the Upper Trigram Li represents brightness. Humble and obedient, yet with keen perception and clear vision; the line Six Five, being yin and soft, ascends to a noble position, attaining the center and responding to the strength of Nine Two below, so the Hexagram Statement says "Greatly亨," meaning great success and smooth progress. The Great Image takes the image of the Upper Trigram Li (Fire) and the Lower Trigram Xun (Wood) to say: fire on top of wood, which is the image of cooking, hence the image of the cauldron. The gentleman takes inspiration from this, maintaining his proper position, firmly holding fast to the mission entrusted by Heaven, like the cauldron, steady and unshakable.

Fifty-first Hexagram Zhen Hexagram

彖曰:震亨,震來虩虩,恐致福也。笑言啞啞,後有則也。震驚百里,驚遠而懼邇也。出可以守宗廟社稷,以為祭主也。象曰:洊雷,震。君子以恐懼修省。

The Commentary on the Judgment explains the Zhen hexagram: Zhen brings about smoothness and success because the hexagram statement says that when the thunder shakes, people are startled and uneasy, and this sense of caution and reverence actually brings blessings. Later it says that one can be at ease and laugh freely, because first there is caution, and thus actions have order and discipline, so one can be secure and content. "Shaking a hundred miles" means that the power of thunder reaches far, shaking people at a distance and causing fear among those nearby. Such a great son is capable of bearing great responsibilities; once he comes forth to take charge, he can protect the ancestral temple and state, and be the master of worship. The Great Image takes the image of both upper and lower being Zhen, with thunder sounds coming continuously, saying: thunder resounds one after another, which is the image of Zhen; the gentleman takes this as a model, keeping in mind his fear and self-cultivation, transforming external shocks into inner warnings.

Fifty-second Hexagram: The Mountain (Gen) Hexagram

彖曰:艮,止也。時止則止,時行則行,動靜不失其時,其道光明。艮其止,止其所也。上下敵應,不相與也。是以不獲其身,行其庭不見其人,無咎也。象曰:兼山,艮。君子以思不出其位。

The Commentary on the Judgment explains the Gen hexagram: "Gèn" means to stop. When it is time to stop, one stops; when it is time to act, one acts. Motion and stillness both occur at the right time, and thus the path is bright. What is meant by "Gèn qí zhǐ" is that stopping occurs at the proper place, not merely remaining motionless. The entire hexagram consists of two Gen trigrams. The first and fourth lines, the second and fifth lines, and the third and top lines are all of the same nature but oppose each other, and they do not correspond. Thus they are not harmonious, and they do not relate to each other. Therefore, the hexagram statement says "bù huò qí shēn" — to be still to the point of forgetting one's own body, and "xíng qí tíng bù jiàn qí rén" — to walk through the courtyard without seeing anyone else. In this way, one does not see oneself internally and does not see others externally, achieving a state of forgetting self and others. Thus, there is no error. The Great Image Commentary takes the image of two mountains standing side by side. Mountains connected to each other, each stopping at its proper place, is the image of Gen. The gentleman takes this as a model, thinking within the bounds of his own position and duty.

Fifty-third Hexagram: The Gradual Hexagram

彖曰:漸之進也,女歸吉也。進得位,往有功也。進以正,可以正邦也。其位剛,得中也。止而巽,動不窮也。象曰:山上有木,漸。君子以居賢德善俗。

The Commentary on the Judgment explains the Hexagram of Gradual Progress: "Gradual" means proceeding step by step, so the Hexagram Statement says that a woman marrying according to proper rites is auspicious—marriage follows the six rites in order, which is exactly the nature of gradual progress. The fifth line, being the yang line in the fifth position, gradually advances and attains its proper place, thus achieving success in action. Gradual progress in accordance with the right path can correct the state. The fifth line is yang and occupies the central position, thus being both strong and balanced. The lower trigram is Gen (Mountain), which signifies stopping, and the upper trigram is Xun (Wind), which signifies yielding. Thus, it can stop without being impetuous and yield without being contrary, so action does not lead to hardship. The Great Image takes the upper trigram Xun (Wood) and the lower trigram Gen (Mountain) to signify that trees grow on a mountain, accumulating day by day without being noticeable, which is the image of gradual progress. The gentleman takes inspiration from this, remaining in the virtue of the virtuous and gradually transforming customs, without seeking immediate results.

Fifty-fourth Hexagram: The Hexagram of Returning to the Maiden

彖曰:歸妹,天地之大義也。天地不交,而萬物不興,歸妹人之終始也。說以動,所歸妹也。征凶,位不當也。無攸利,柔乘剛也。象曰:澤上有雷,歸妹。君子以永終知敝。

The Commentary on the Judgment explains the Hexagram of Marriage: a young woman marrying, which represents the great principle of the union of heaven and earth's yin and yang. If the energies of heaven and earth do not meet, all things cannot arise; similarly, the union of men and women is for humans both an end to one life and the beginning of a new generation. The lower trigram is Dui, representing joy, and the upper trigram is Zhen, representing movement. Movement caused by joy is exactly the eagerness of a young woman to marry. The Hexagram Statement says that going forward brings misfortune, because the lines six three, nine four, and six five mostly occupy yang positions with yin and vice versa, which are improper positions. "No advantage is found" is because six three oversteps nine two, and six five oversteps nine four, with yin softness riding over yang strength, which is not in accordance with the right way. The Great Image Commentary takes the upper trigram Zhen (Thunder) and the lower trigram Dui (Lake) as the image, saying that thunder moves over the lake, and the lake follows the thunder, which is the image of marriage. The gentleman takes this as a model, considering the long-term outcome at the beginning of a union and foreseeing possible difficulties and failures that may arise.

Fifty-fifth hexagram: The Hexagram of Abundance

彖曰:豐,大也。明以動,故豐。王假之,尚大也。勿憂,宜日中,宜照天下也。日中則昃,月盈則食,天地盈虛,與時消息,而況於人乎?況於鬼神乎?象曰:雷電皆至,豐。君子以折獄致刑。

The Commentary on the Judgment explains the Hexagram of Abundance: "Abundance" means great prosperity. The lower trigram is Li (Fire), symbolizing brightness, and the upper trigram is Zhen (Thunder), symbolizing movement. By first observing clearly and then acting, one can achieve great abundance. The Hexagram Statement says, "The king comes to it"—only a king can reach such abundance, for he esteems grandeur. "Do not worry, it is appropriate at noon" means one should not be anxious, but rather act like the sun at noon, shining universally without partiality. However, the sun at noon will eventually set, and the full moon will eventually wane. The fullness and emptiness of heaven and earth change with the seasons; how much more so for human beings and spirits! Therefore, the way to deal with abundance is to recognize its inevitable decline and remain vigilant in advance. The Great Image takes the image of thunder and lightning occurring together, saying: Thunder's powerful movement and lightning's bright illumination occurring simultaneously represent the image of abundance. The gentleman takes inspiration from this, using clear discernment to judge cases, administer justice, and enforce punishment, combining authority with clarity.

Fifty-sixth hexagram: The Traveler hexagram

彖曰:旅,小亨,柔得中乎外,而順乎剛,止而麗乎明,是以小亨,旅貞吉也。旅之時義大矣哉!象曰:山上有火,旅。君子以明慎用刑,而不留獄。

The Commentary on the Judgment explains the Hexagram of Travel: The Hexagram Statement says that travel can only bring slight success because the Six in the Fifth is yin and flexible, residing in the center of the outer trigram and thus attaining the quality of 'center', and can also follow and support the Nine at the Top and the Nine in the Fourth below, these yang forces. The lower trigram is Gen (Mountain), which signifies stopping, and the upper trigram is Li (Fire), which signifies brightness. The place of rest is attached to brightness. With these several conditions, it is possible to have slight success, and the traveler can achieve good fortune by maintaining uprightness. Being in exile, the difficulty of one's situation and the necessity of acting according to the appropriate time and meaning are of great significance. The Great Image takes the upper trigram Li (Fire) and the lower trigram Gen (Mountain) to represent the Hexagram: fire burning on a mountain, fire moving with grass and trees, not staying in one place, which is the image of travel. The gentleman takes inspiration from this, using punishment that is both clear and cautious, and not allowing cases to remain unresolved for long — just as a traveler does not stay in one place.

Fifty-seventh hexagram: Xun hexagram (Wind)

彖曰:重巽以申命,剛巽乎中正而志行。柔皆順乎剛,是以小亨,利有攸往,利見大人。象曰:隨風,巽。君子以申命行事。

The Commentary on the Judgment explains the Hexagram of Wind: both upper and lower trigrams are Wind, indicating a double layer of yielding and submission, used to repeatedly clarify orders. The Nine in the Fifth is yang and able to yield and submit to the principle of 'center and correctness,' thus enabling the mind to be carried forward; the two yin lines, the Six at the Beginning and the Six in the Fourth, both submit to their respective superior yang lines. With these layers, the Hexagram Statement says there is slight success, favorable for movement and favorable for meeting great persons—since virtue is yin, the effect will not be great, but it can subtly influence. The Great Image takes the image of both upper and lower being Wind, wind following wind, penetrating everywhere, as the image of Wind; the gentleman takes this as a model, repeatedly clarifying orders and then carrying out affairs, so that commands permeate everywhere like wind.

Fifty-eighth Hexagram: The Hexagram of Joy

彖曰:兌,說也。剛中而柔外,說以利貞,是以順乎天,而應乎人。說以先民,民忘其勞;說以犯難,民忘其死;說之大,民勸矣哉!象曰:麗澤,兌。君子以朋友講習。

The Commentary on the Judgment explains the卦 of Dui: "Dui" signifies joy. Nine in the Second and Nine in the Fifth are yang and centered, while Six in the Third and Six at the Top are yin and on the outside. This represents inner firmness and outer gentleness; joyful yet holding firm to the correct path. Thus, it can harmonize with the heavenly way and respond to the people's hearts. By leading the people with joy, they forget their toil; by guiding the people through hardship with joy, they forget death. The power of joy is so great that the people are naturally inspired and encouraged. The Great Image Commentary takes the image of both upper and lower parts being Dui, with two lakes connected. Two lakes depend on each other and moisten each other, which is the image of Dui. The gentleman takes inspiration from this, and with friends discusses learning and refines his knowledge together—mutually nourishing, just as two lakes support each other.

Fifty-Ninth Hexagram: The Hexagram of Dispersal

彖曰:渙,亨。剛來而不窮,柔得位乎外而上同。王假有廟,王乃在中也。利涉大川,乘木有功也。象曰:風行水上,渙。先王以享于帝立廟。

The Commentary on the Judgment explains the Hexagram of Dispersal: "Dispersal" means to scatter apart, yet the Hexagram Statement says it is smooth and unimpeded, because Nine in the Second, a yang line, comes from outside and resides in the center of the Lower Trigram, facing danger but not reaching destitution; Six in the Fourth, a yin line, is in the correct position in the Upper Trigram and is in harmony with Nine in the Fifth. The Hexagram Statement says "The king comes to the temple," because Nine in the Fifth is in the center of the Upper Trigram and can gather scattered hearts with sincerity and reverence. "It is advantageous to cross a great river" because the Upper Trigram is Xun (Wood), and crossing the river by boat made of wood can be successful. The Great Image takes the image of the Upper Trigram Xun (Wind) and the Lower Trigram Kan (Water) to say: wind moves over the water's surface, dispersing the waves, which is the image of dispersal; ancient kings took inspiration from this, worshiping the heavenly deities and establishing ancestral temples, using sacrifices to gather again the scattered hearts of people.

The Sixtieth Hexagram, the Hexagram of Restraint

彖曰:節,亨,剛柔分,而剛得中。苦節不可貞,其道窮也。說以行險,當位以節,中正以通。天地節而四時成,節以制度,不傷財,不害民。象曰:澤上有水,節。君子以制數度,議德行。

The Commentary on the Judgment explains the Hexagram of Restraint: "Restraint" means control. The entire hexagram consists of three yin and three yang lines, with a balanced distribution of yin and yang. Both Nine in the Second and Nine in the Fifth are yang lines in the center, so they are smooth. The Hexagram Statement says "a harsh restraint is not enduring," meaning when restraint becomes unbearable, it cannot be maintained, and that path has reached its end. The lower trigram is Dui (Lake), representing joy, and the upper trigram is Kan (Water), representing danger. Thus, one can joyfully navigate through danger. Nine in the Fifth is in the proper position and practices restraint, being in the center and upright, hence it is smooth. Heaven and Earth have limits, so the four seasons can be established. Governing a country with regulations as restraint ensures that neither resources are wasted nor the people are harmed. The Great Image Commentary takes the image of the upper trigram Kan (Water) and the lower trigram Dui (Lake) to say: water on top of a lake, the lake has capacity but water should not be overfilled, which is the image of restraint. The gentleman takes this as a model, establishing various measures and standards, evaluating the differences in virtue, so that human affairs have proper proportions.

The 61st Hexagram: The Hexagram of Sincerity

彖曰:中孚,柔在內而剛得中,說而巽,孚乃化邦也。豚魚吉,信及豚魚也。利涉大川,乘木舟虛也。中孚以利貞,乃應乎天也。象曰:澤上有風,中孚。君子以議獄緩死。

The Commentary on the Judgment explains the Zhongfu hexagram: "Zhongfu" means sincerity in the heart. The two yao that are yin, namely six three and six four, are located within the hexagram, while the two yang yao, nine two and nine five, each occupy the central positions. The hexagram is hollow in the middle, symbolizing sincerity in the heart, and solid in the middle, indicating firm trust. The lower trigram is Dui, representing joy, and the upper trigram is Xun, representing humility and submission. Joy and humility together create a sincere and harmonious disposition, which is sufficient to influence the state. The hexagram statement says "a pig and a fish are auspicious," meaning sincerity can communicate with even the smallest creatures like pigs and fish, let alone people. "It is advantageous to cross a great river" because the hexagram is hollow in the middle, like a boat made of hollow wood, so it does not sink. Sincerity combined with the advantage of upholding the correct path corresponds to the heavenly way, for the heavenly way is never deceitful. The Great Image takes the upper trigram Xun, representing wind, and the lower trigram Dui, representing marsh, as its symbolic meaning. Wind blows over the surface of the marsh, and the water responds, which is an image of mutual response. The gentleman takes this as a model, carefully examining legal cases, striving for thoroughness, and being lenient and cautious in capital punishment, treating human life with the utmost sincerity.

The Sixty-Second Hexagram: The Hexagram of the Small Crossing

彖曰:小過,小者過而亨也。過以利貞,與時行也。柔得中,是以小事吉也。剛失位而不中,是以不可大事也。有飛鳥之象焉,有飛鳥遺之音,不宜上宜下,大吉;上逆而下順也。象曰:山上有雷,小過。君子以行過乎恭,喪過乎哀,用過乎儉。

The Commentary on the Judgment explains the Hexagram of Small Excess: "Small Excess" refers to a minor yin force slightly exceeding its limit but still being able to achieve success. Although it is an excess, one must remain upright, because this kind of "excess" is a temporary measure in accordance with the situation. The lines Six in the Second and Six in the Fifth, being yin and flexible, each occupy the central position, so doing small things brings good fortune; the lines Nine in the Third and Nine in the Fourth, being yang and strong, are out of position and not in the center, so they should not attempt great matters. The entire hexagram has four yin lines outside and two yang lines inside, resembling a bird with its two wings spread, hence the image of a flying bird. The Hexagram Statement says that a flying bird leaves a sorrowful cry, and it is not advisable to fly upward forcefully but rather to descend and rest, which brings great good fortune—because flying upward is against the trend, while descending is in harmony with the trend. The Great Image takes the hexagram's upper trigram Zhen (Thunder) and lower trigram Gen (Mountain) to indicate that thunder resounds on a mountain, its sound slightly more intense than on flat ground, which is the image of small excess. The gentleman takes this as a model, behaving with a slight excess of respect, showing a slight excess of grief in mourning, and practicing a slight excess of frugality in expenditure—these are all cases where it is better to slightly exceed than to fall short.

Sixty-third hexagram: The Hexagram of Completion

彖曰:既濟,亨,小者亨也。利貞,剛柔正而位當也。初吉,柔得中也。終止則亂,其道窮也。象曰:水在火上,既濟。君子以思患而預防之。

The Commentary on the Judgment explains the Hexagram of Completion: "Completion" means that the matter has already been crossed over and great achievements have been made, hence it is smooth and favorable. However, at this time, the things that are smooth and favorable are mostly minor matters, since the overall situation is already settled and there is no longer great action to be taken. The Hexagram Statement says it is favorable to maintain the right path, because all six lines are either yang in yang positions or yin in yin positions, with the firm and the yielding each in their proper places. "Initial good fortune" is because the second line, which is yin and soft, is in the middle of the lower trigram and thus follows the middle path. "Termination leads to disorder" means that if after achieving success one stops and does not continue to strive, disorder will reappear, for the path has already reached its end. The Great Image takes the upper trigram Kan (Water) and the lower trigram Li (Fire) as the symbolic image, saying that water is above fire, and water and fire complement each other and each fulfill their function, which is the image of completion. The gentleman takes this as a model, and in times of peace anticipates dangers and prepares for them in advance.

The Sixty-fourth Hexagram: The Hexagram of Non-Completion

彖曰:未濟亨,柔得中也。小狐汔濟,未出中也。濡其尾,無攸利,不續終也。雖不當位,剛柔應也。象曰:火在水上,未濟。君子以慎辨物居方。

The Commentary on the Judgment explains the Hexagram of Not Yet Completed: "Not Yet Completed" refers to a matter that has not yet been accomplished, yet the Hexagram Statement says it is smooth and favorable, because the line six in the fifth position is a yin line that is in the middle of the upper trigram and thus attains the principle of "center," indicating the possibility of completion. The Hexagram Statement says a small fox is about to cross the river, meaning it has not yet escaped from the danger of the坎 (water) trigram. "Its tail is wet, there is no benefit" refers to the small fox, while crossing the river, getting its tail wet, exhausting its strength and unable to complete the task, thus there is no benefit. All six lines of the hexagram are yang lines in yin positions and yin lines in yang positions, though their positions are not appropriate, but the yin and yang lines correspond one by one, so even in the state of Not Yet Completed, there is still an opportunity for completion. The Great Image Commentary takes the upper trigram Li (Fire) and the lower trigram Kan (Water) as the image, saying: fire on water, fire rises upward and water flows downward, they do not interact, which is the image of Not Yet Completed; the gentleman takes this as a model, carefully distinguishing the nature of things, and placing each thing in its proper position -- first distinguishing, then talking about completion.

The original text is in the public domain. The English is a machine-assisted translation of this library’s own Chinese paraphrase, checked against a fixed glossary so that technical terms match the definitions used elsewhere on this site. It is a reading aid and does not replace the original.