Important methods of divination used in various regions of China

公篤曰：地形為相法綱領之一，蓋山水氣候，而化形質故也。古人有南北之分，略而不詳。其大綱有三：凡山多水少者，以形格骨質多占分數；水多山少者，以精神氣息多占分數；山水各半者，以聲音氣色多占分數。茲特分錄如下。

Chen Gongdu said: terrain is one of the main aspects of physiognomy, because the mountains and waters and climate of a region give rise to the physical form and temperament of the people living there. Ancient people only roughly divided the world into south and north, and their descriptions were very general and not detailed. In fact, there are three main principles: in areas where there are many mountains and little water, the emphasis in physiognomy should be placed on the proportion of the shape and bone quality; in areas where there is much water and few mountains, the emphasis should be placed on the proportion of spirit and vitality; and in areas where mountains and waters are evenly balanced, the emphasis should be placed on the proportion of voice and color. The following is a specific record of these points.

一．南人：南人者，長江以南之通稱也，以南嶽為地形之重要，而形局濁厚者反為貴格也。蓋南方水多山少，其人物清秀者頗多，而濁厚者反少故也。額為南嶽，其卦象離，而為上炎之義。凡南嶽方拱圓突，玉柱上聳，金城平橫，皆為大貴，具有全國元首資格。如他部不足或陷弱，亦作偉大事業，其亦早而成名，蓋南嶽多占分數故也。

First, people from the south. By "south people," we mean the general term for those living south of the Yangtze River. In face reading, the "Southern Mountain" (the forehead) is considered the most important part. Moreover, those with a solid and thick facial structure are actually of noble destiny. This is because the south has more water and fewer mountains, so many people there are delicate and refined, while those with a thick and solid appearance are rare, hence more valuable. The forehead is called the "Southern Mountain" because in the hexagram it corresponds to the "Fire" trigram, symbolizing the upward rising nature of fire. Those whose foreheads are square and raised, round and prominent, with the "Jade Pillar" (the bone running straight from the root of the nose to the forehead) standing upright, and the "Golden City" (the area below the hairline) level and broad, are destined for great wealth and rank, possessing the qualifications of a national leader. Even if other parts are lacking or sunken, they can still achieve great accomplishments and gain fame earlier—because in the south, the forehead carries the most weight in determining one's destiny.

二．北人：北人者，黃河以北之通稱也，以地閣水星為地形之重要，而形局清秀者反為貴格也。蓋北方山多水少，其人物濁厚者頗多，清秀者反少故也。頦為地閣，又名北嶽，其卦象坎，而為沉降之義。凡北嶽拱突朝天，燕領重城，皆為大貴，而操全國安危之柄；次則兩腮方突犄角，水星方稜上仰，亦為上貴之局。如他部不足或陷弱，皆作偉大事業，其較遲，而成功亦晚，蓋北嶽多占分數故也。

Second, people from the north. By "north people" is meant the general term for those living north of the Yellow River. In physiognomy, the "earth pavilion" (chin) and "water star" (mouth) are considered the most important features on the face in terms of terrain; and those with a clear and refined appearance are actually of noble destiny. This is because the north has many mountains and little water, so the local people tend to be thick and coarse, while the refined and elegant are less common. The chin is called the "earth pavilion," also known as the "north mountain," and in the hexagram it belongs to the Kan trigram, which symbolizes water, taking the meaning of water's tendency to sink. Those whose chins are prominent and upward-facing, with a swallow-like lower jaw and cheeks like a fortress, are destined for great wealth and can hold the power to control the safety of the whole country. The next best type is when the cheeks are square and prominent like horns, and the mouth is square and angular with an upward tilt, which is also a noble destiny. Even if other parts are lacking or recessed, they can still achieve great things, though their success will come later—because in the north, the chin is given the highest weight.

三．中部：中部者，長江以北、黃河以南之通稱也，以中嶽及兩顴為地形之重要。凡山根上貫玉柱，土星勻圓虎形，兩顴上插邊城，三嶽聳突有勢，有此即為上貴特權，而成其盛名事業。如他部不足或陷弱，亦可發達，而成名立功也。其中晚二均吉，蓋以中嶽兩顴多占分數故也。

Third, the central type. The term 'central' refers to the general area north of the Yangtze River and south of the Yellow River. In facial analysis, the 'central mountain' (nose) and the two cheekbones are considered the most important parts in terms of terrain. If the root of the nose rises straight upward forming a jade pillar, the nose head is evenly proportioned and smooth, the nose shape resembles a tiger, and the two cheekbones rise prominently like fortified walls, with the nose and the two cheekbones all rising together with a strong presence, then this is considered an upper-class noble destiny with special privileges, capable of achieving great fame and success. Even if other parts are insufficient or recessed, they can still become successful and achieve fame and accomplishments. This type of person has auspicious fortune in middle age and old age—because in the central type, the nose and the two cheekbones carry the most weight.

四．山東：古名魯省，因泰山之東而得名也，以山根高貫、年壽有染為地形之重要。其地為陽氣之亢龍，傍山臨海，地勢回曲掩映，故山根高起上貫印堂者為中貴，上貫百會成玉柱者為上貴，加以年壽有樑柱，雄起有勢成捲筒，則為大貴，具有中上才智，而立遠大志向。如再有伏犀骨拱，兩顴上插，此為元首資格，次亦流芳事業，最次亦出將入相、而操全國安危之柄。其人雄果敢，智勇兼備。如山根不高，年壽無樑，伏犀不拱，玉柱不成，則為平常之格，雖他部奇特，亦不過中下之貴耳。蓋地形之偏重，以山根之玉柱、年壽之捲筒多占分數也。

Fourth, Shandong. Shandong was formerly known as Lu Province, named because it lies to the east of Mount Tai. In facial analysis, the high and prominent root of the nose, extending upward to the forehead, and the middle section of the nose bridge (the area between the eyebrows) being raised with a bone structure are the most important features in terms of terrain. (The original text says 'you ran' which should be 'you liang'.) This region is an area of strong yang energy, situated by mountains and the sea, with a terrain that is enclosed and sheltered. Therefore, if the root of the nose is high and extends upward to the forehead, it indicates a middle-ranking noble destiny. If it continues upward to the top of the head, reaching the Hundred Convergences point and forming a jade pillar, it indicates an upper-ranking noble destiny. If, in addition, the middle section of the nose bridge has a strong bone structure, appearing robust and powerful, like a rolled bamboo tube, then it signifies great nobility, with medium to high intelligence and the ability to set far-reaching ambitions. If there is also a hidden rhinoceros bone rising up and the cheeks are prominent, then such a person is qualified to be a leader, and the next level can achieve a lasting legacy, while the lowest level can still attain the position of general or minister, holding the country's security in their hands. Such people are strong and resolute, combining wisdom and courage. Conversely, if the root of the nose is not high, the nose bridge lacks bone structure, the hidden rhinoceros bone is not prominent, and the jade pillar is not formed, then it is a common destiny. Even if other parts of the face are peculiar, they can only be of medium or lower rank. Because the local soil of Shandong particularly emphasizes the jade pillar of the root of the nose and the rolled bamboo tube of the nose bridge, these two areas account for the most points.

五．河南：古名豫省，又名中州，居中國之中心，因黃河之南而得名也，以印堂土星為地形之重要。河南上應天心，下應地膽，中嶽嵩山在其地，故印堂方突長橫，有此即為貴格；加以土星圓隆，井灶勻配，或如蒜形，或如截筒，此為上貴之局。如中嶽長植高起，而準頭蘭臺勻圓如珠，合併不分，是名虎形，此為大貴，而作非常事業；如聲音清長，則操全國安危之柄，具元首之資。如山根陷弱，準頭尖小，雖他部奇特，亦為中下之貴，蓋中嶽全部多占分數也。

Fifth, Henan. Henan was anciently known as the Yu Province, also called the Central Plains, located at the center of China, named so because it lies south of the Yellow River. In physiognomy, the forehead and nose are the most important parts in terms of terrain. Henan corresponds to the heavenly heart above and the earthly marrow below, with Mount Song, the central of the Five Mountains, located here. Therefore, a forehead that is square and full, and wide and long horizontally, is considered a noble appearance. If the nose head is round and prominent, and the nostrils are evenly matched, and the nose shape is either like a garlic bulb or like a cut bamboo tube, then this is an excellent noble appearance. If the nose is long and straight, with the nose tip and the 'Lantai' and 'Tingwei' (the sides of the nose) round and smooth like pearls, merging into one and without clear boundaries, this is called a 'Tiger Shape' nose, indicating great fortune and the ability to accomplish extraordinary deeds. If the voice is clear and long, then one can take charge of the safety of the entire country, possessing the qualities of a leader. Conversely, if the root of the nose is low and thin, and the nose tip is sharp and small, even if other parts are peculiar, it is only considered middle or lower class noble appearance—because in Henan, the nose accounts for the largest portion of the score.

六．山西：古名晉省，因泰山之西而得名也，以日月角、輔角及邊城為地形之重要。其地跨長城之要塞，倚太行山脈之腰枕，輔角傍邊城，為邊地之關鍵。凡晉人以輔角骨高突上插，則為中貴之級；加以日月角高聳上插，此為大貴之局，操全國之安危；如各部再加清奇，此為帝王之局，次亦僭號之格。如日月角不高聳，輔角骨不上插，雖他部清奇，亦不過中下之品級、平常之事業，蓋以日月角輔角為地形之合法，而發達較易也。七．安徽：古名皖省，其地接近長江，又多湖沼，山水化出清秀，而鍾靈毓秀之處頗多。以歷史考之，多出偉大人物，為帝王，為公侯將相，以及文?

Sixth, Shanxi. Shanxi was formerly known as the Jin Province, named because it lies to the west of the Taihang Mountains (the original text says 'west of Mount Tai,' which should be a mistake for 'Taihang Mountains'). In assessing the terrain, the 'sun angle' and 'moon angle' (the areas on either side of the forehead), 'auxiliary angle bone,' and 'border city' are the most important parts. This region spans across key passes of the Great Wall, with its back resting against the waist of the Taihang Mountains, and the auxiliary angle bone closely adjacent to the border city, which is the key area of the border region. Those with a high and prominent auxiliary angle bone in Shanxi are of medium noble rank; if they also have the sun and moon angles high and prominent, they are of great noble rank, capable of controlling the safety of the whole country; if other parts are also peculiar and extraordinary, it is the imperial pattern, and the next level is the pattern of establishing a kingdom. Conversely, if the sun and moon angles are not high and prominent, and the auxiliary angle bone is not prominent, even if other parts are peculiar, they would only be of medium or lower rank, with ordinary achievements—because the sun and moon angles and the auxiliary angle bone correspond to the terrain of Shanxi, and if these areas are well developed, it is easy to achieve success. Seventh, Anhui. Anhui was formerly known as the Wan Province, located near the Yangtze River, with many lakes and swamps, and the mountains and waters nurture a clear and refined atmosphere, with many places that are endowed with talent and beauty. From historical records, this region has produced many great figures, including emperors, marquises, generals, and ministers. The text here abruptly ends in the original, with the characters after 'Wen' missing, likely due to a break in the manuscript, and thus I dare not make up the missing parts.

公篤曰：氣色部位全圖，古法繫三百六十五個部位，按周天數之義也。各家所備載，即十三部位總圖，而未詳論應征之候，亦末言及事實之專司。以余考之，是圖出於兩周之時，而非風后氏鑑定之圖也。其中有虛設挪雜、無關輕重者尤多，後人多附會其說，拘泥其文義，呆滯其事實，混亂人之眼目，而不驗也。茲特刪改其緊要部位，為四十五部位，均有重要關係。氣色部位名稱，與限部位名稱不同，各有專司故也。其詳解分類，逐一說明，以便容易記憶，亦容易瞭解，而應驗確實也。

Chen Gongdu said: The complete map of the color and appearance areas, as established by ancient methods, is set at three hundred and sixty-five parts, taking the meaning of the three hundred and sixty-five degrees of the celestial circle. The various books on divination mention only the "Thirteen Major Areas Map," but they do not explain the times when these areas are effective, nor do they discuss what each area governs. The original text mistakenly writes "末" instead of "未." According to my research, this map originated during the Western and Eastern Zhou periods, and was not the original map established by Fenghou, a minister of the Yellow Emperor. The map contains many unnecessary and irrelevant areas, and later people added many interpretations, clinging to the words, turning living principles into fixed ones, making people confused. In reality, it is not effective. Now I have specially revised it, leaving only forty-five important areas, each of which has significant relevance. Note: The names of the color and appearance areas are different from the names of the annual "limit" areas, because each governs different matters. Below, I will classify and explain them one by one, which is convenient for memorization and understanding, making the predictions more reliable.

公篤曰：古法氣色部位繁緊，名目亦多，地位不實，各家相法盲指瞎謂，各說不一，閱者頗厭其煩，又無把握之認定，亦無稽考之證實。茲特繪其緊要部位，限定地點，及吉凶禍福，各有專司，使閱者容易記億，詳明某輕重之旨，分別其吉凶之要。

Chen Gongdu said: In the ancient methods, the positions for observing the color and aura are numerous and complicated, with many names, yet the actual locations they refer to are not clear. Various schools of face reading point randomly and speak without consensus, each holding their own views, causing readers to become tired and disinterested. Since there is no definite standard and no way to verify or examine them, I now specially draw a diagram to clearly define the important positions, specify their exact locations, and explain which types of good or bad fortune each position governs. This makes it easier for readers to remember (the original text says 'ji yi' which should be 'ji ji' meaning 'memory') and understand the importance of each position, distinguishing clearly between good and bad fortune.

夫氣者，為先天之動機，不根據五臟六俯，無定位也；色者，為後天之華表，根據五行四時，順天道也。蓋氣隱於皮膚之內，為事實之先表，在三十日以前則潛伏，合兩節令之氣候也；其關係之大者，有前一百八十日潛伏之，合陰陽之氣候也。色浮於皮膚之外，為事實之應驗，在十五日以前則潛伏之，合一節令之氣候也；其關係之大者，有前九十日潛伏之，合半陰陽之氣候也。二者如雪上之霜、水上之冰，大體相似而實異也。如不細心考察，則有差寸誤尺，而無標準之應驗矣。

The concept of "qi" refers to the initial signs or omens originating from the Earlier Heaven, which do not depend on the five viscera and six腑, nor do they have a fixed location. "Color," on the other hand, refers to the manifestations appearing in the Later Heaven, which change according to the Five Phases and the four seasons, aligning with the heavenly way. Qi resides within the skin, serving as a premonition before an event occurs, usually appearing thirty days before the event, corresponding to the climatic patterns of two solar terms. For significant matters, it may appear as early as one hundred and eighty days beforehand, aligning with the annual cycle of yin and yang. Color appears on the surface of the skin, indicating the impending realization of an event, typically manifesting fifteen days before the event, corresponding to the climatic patterns of one solar term. For significant matters, it may appear as early as ninety days beforehand, aligning with the half-year cycle of yin and yang. These two phenomena are like frost on snow and ice on water, generally similar in appearance but fundamentally different. If not carefully examined, one may make a slight error that leads to a great mistake, resulting in unreliable predictions.

其法如何？蓋先分虛實，次分清濁，再別其長短大小，又別其濃淡輕重，最後分其枯燥靜潤，又別其剋制生化，以五行四時而論禍福吉凶，則事實之應驗、時間之早遲，有所決定矣。其中分兩種：一為有氣無色，此為潛伏種因，而時間末至，則考其它部位之變化，而判其成功與中阻；一為有色無氣，此為虛浮引線，而事實有變，則考其它部位之生化，而判其暫時與過渡。有氣有色，則為定論不移，而限定時期應證也。

To determine this, first distinguish between the substantial and the insubstantial, then between the clear and the turbid. Next, examine its length and size, its concentration and dilution, its weight and lightness, and finally its dryness or moistness. Also, determine whether it is in harmony or conflict with the seasonal influences, whether it is mutually generating or controlling. Then, based on the Five Phases and the four seasons, judge whether it brings good or bad fortune, success or failure, and whether the outcome will be timely or delayed. In this process, there are two situations: one is "having qi but no color," which means the seeds of good or bad fortune have already been planted but are still dormant and the time has not yet arrived (the character "mo" in "mo zhi" is a mistake for "wei," meaning "not yet"). In this case, observe changes in other areas to determine whether the matter will ultimately succeed or be obstructed. The other is "having color but no qi," which is a superficial indication, and the matter may still change. In this case, observe the transformation in other areas to determine whether it is only a temporary phenomenon or a transition. If both qi and color are present, then the conclusion is definite, and the timing of the outcome can be specified.

故充足者，其事實應驗必速；沉滯者，其事實應驗必遲；長濃者，其事實之關係較大；短淡者，其事實之關係較小。其破敗之氣，有九年不敬盡者，亦有七年五年三年，至少則應一年；其色有驗一年不敬盡者，亦有一季一月，至少則應半月。其發達之氣，有五年不改變者，亦有三年二年，至少則應一年；其色有驗一年不改變者，亦有一季一月，至少則應十五日。此為一定時間。

Therefore, if the color is full and abundant, the matter will surely come to pass quickly; if it is stagnant and not bright, the matter will surely come to pass slowly; if the color is long and deep, the matter involved is large; if it is short and faint, the matter involved is small. For the color indicating decline, there is a type that takes nine years to dissipate completely, as well as types that take seven, five, or three years, with the shortest taking only one year. For the color indicating decline, there is a type that takes a full year to dissipate completely, as well as types that take a season or a month, with the shortest taking only half a month. For the color indicating prosperity, there is a type that lasts for five years without change, as well as types that last for three or two years, with the shortest taking only one year. For the color indicating prosperity, there is a type that lasts for a full year without change, as well as types that last for a season or a month, with the shortest taking only fifteen days. This is the fixed measure of the timing of color changes.

至於氣色之形式不一，或如粟如豆，如絲如髮，或碎如米，或圓如珠，或方加印，或長如針，或如浮雲飛鳥，或如晚霞蜿蜒，總以現於何部而關係何事，變成何色而關係何項，俱宜按時令之生剋制化、來去之久暫重經，為一定之斷驗也。

As for the various forms of the qi color appearing, some resemble millet or beans, some like silk or hair, some are fine as rice particles, some round like pearls, some square like seals, some long and thin like needles, some like floating clouds or flying birds, and some like the winding spread of evening clouds. In general, one must observe which part of the body it appears on, as it relates to a particular matter, and what color it is, as it relates to a particular fortune or misfortune. When making a judgment, one must consider the generation, restriction, overcoming, and transformation according to the current season, as well as the duration and intensity of the qi color's appearance and disappearance, in order to reach an accurate conclusion.

青色分三種：一．青色屬木，其卦屬震，其音為角，其令為春，是為天氣上升之初也。故青而明潤、有生氣者，是為青色之正色。二．滑色，為青色之別種，青中帶黃，青黃夾雜，合而為一色，是為滑色。三．膩色，為青色之別種，青淡而有浮光，似豬脂之塗，一為青白含色，是為膩色。

There are three types of green. The first type, "green," belongs to the Wood element in the Five Phases, corresponds to the Zhen trigram, and is associated with the Shang tone in the Five Sounds, as well as the Spring season. It represents the initial rising of the energies of heaven and earth. Therefore, the true color of green is bright, moist, and vibrant with life. The second type, "slippery color," is a variation of green: it has a yellowish tinge, with green and yellow mixed together to form a single color, which is called slippery color. The third type, "greasy color," is also a variation of green: it is a pale green with a surface that appears glossy, like a layer of lard; another type that combines green and white is also classified as greasy color.

紅色分五種：一．紅色屬火，其卦屬離，其音為徵，是為麗明之象，其令為夏，天氣上升之極也。紅而活潤，得其正色，是為紅色。二．紫色為紅色之別種，紅而極淡，如紫霰之經，形雲之淡，紫而光潤，是為紫色。三．燥色，為紅色之別種，為紅色之不足，紫色之有餘，是為燥色，紅淡而浮也。四．赤色，為紅色之別種，深紅而停滯，紅中帶黑色，紅黑合併為一，如豬肝色，是為赤色。五．絳色，為紅色之別種，紅而有粉光如膏如脂，其色聚而浮露，是為絳色。

There are five kinds of red. The first is 'red' (hong): it belongs to the Five Phases' fire, corresponds to the trigram Li (Fire), and in the five tones corresponds to Zheng. It represents the image of attachment and brightness. In the seasons, it corresponds to summer, which is the stage when the vital energy of heaven and earth reaches its peak. Red that is vivid and moist is its true color, and this is called red. The second is 'purple' (zi): it is a variant of red, very pale red, like light purple snowflakes or thin colored clouds. Purple with a luster is called purple. The third is 'dry color' (zao): another variant of red, less than true red but more than purple, red and pale, appearing on the surface, is called dry color. The fourth is 'crimson' (chi): another variant of red, deep red and stagnant, red with a hint of black, forming a single color, like the color of pig liver, is called crimson. The fifth is 'vermilion' (jiang): another variant of red, with a layer of pinkish sheen, like oil or fat, the color gathers together and appears on the surface, is called vermilion.

黃色分二種：一．黃色屬土，其卦屬坤，其音為宮，其令為三六九全月，是為天氣半升半沉之間，辰戍丑末之四隅也。黃而活潤，是為正色之黃色。二．黯色，為黃色之別種，其色黃中帶黑，停滯不潤如油垢，是為黯色，或名暗色。白色分二種：一．白色屬金，其卦屬兌，其音為商，其令為秋，是為天氣下降之初也。白而瑩潔，是為正色之白色。二．慘色，為白色之別種，白滯而浸色，內白外膩，合而為一色，是為慘色，或枯色，即白如枯骨之謂也。

There are two types of yellow. The first type, 'yellow,' belongs to the Five Phases' Earth, in the trigrams it corresponds to Kun, in the five tones it corresponds to Palace, and in the seasonal months it corresponds to the fourth months of spring, summer, autumn, and winter (the example given in the original text is 'the third, sixth, ninth, and twelfth months'). This is the time when the vital energy of heaven and earth is half rising and half sinking, which corresponds to the four corner positions of the Earthly Branches: Chen, Xu, Chou, and Wei. Yellow that is bright, moist, and lustrous is the true color of yellow. The second type, 'dusky color,' is a variation of yellow: it is yellow mixed with black, stagnant and dull, like it has been stained with oil and grime. It is called dusky color, or dark color. There are also two types of white. The first type, 'white,' belongs to the Five Phases' Metal, in the trigrams it corresponds to Dui, in the five tones it corresponds to Shang, and in the seasonal months it corresponds to autumn, which is the stage when the vital energy of heaven and earth begins to descend. White that is clear, bright, and pure is the true color of white. The second type, 'gloomy color,' is a variation of white: it is white that is stagnant and dull, like it has been soaked in water, with a white inner layer and a greasy outer layer, combining into one color. It is called gloomy color, or withered color, meaning white like a withered bone.

黑色分二種：一．黑色屬水，其卦為坎，其音為羽，其令為冬，是為天氣沉降之深也。黑而明潤如鴉翎，是為正黑之色。二．晦色，為黑色之別種，其色昏沉，為地灰之溼，與慘色相似，而慘色略淡侵，晦色略深溼，其中有薄紗染皂，皆為晦色，或為滯色，而有塵垢之例。

There are two types of black. The first type, "black," belongs to the Five Phases as water, corresponds to the trigram Kan (Water) in the hexagrams, and is associated with the fifth tone Yu in the Five Sounds. It corresponds to the season of winter, representing the deepest stage of the convergence of heavenly and earthly energies. Black that is bright and moist, resembling the feathers of a crow, is considered true black. The second type, "dusky color," is a variant of black. It appears dark and heavy, like damp earth, and resembles gloom. The difference lies in that gloom is slightly lighter and more moist, while dusky color is slightly darker and heavier. There is also a kind that resembles thin silk dyed in black, which is also classified as dusky color, or "stagnant color," appearing as if covered with a layer of dust.

公篤曰：綜上各色，共十四種，其中最難分辨者，紅色之五種耳，皆以深淡濃而分類也。凡學風鑑術者，能分辨紅色之五種，其它各色皆易辨認也；次則青色之三種，為第一之難分辨也。至於黃白黑三種，以明潤而有生氣為正色，以滯暗而無生氣為別種，故有一定之認法，不可依稀彷彿，疑是疑非，而出範圍也。根據上例十四種之分，方是正宗而合法也。

Chen Gongdu said: Summing up the above, there are a total of fourteen colors. Among them, the five red shades are the most difficult to distinguish, as they are classified solely by their depth, concentration, and brightness. Anyone who learns to observe faces should first be able to clearly distinguish these five red shades, after which the rest of the colors will be easy to recognize. The next most difficult are the three shades of blue, which are the first major challenge for beginners. As for yellow, white, and black, they are all considered standard if they are bright, moist, and show vitality, while those that are stagnant, dark, and lack vitality are considered variants. The method of identification is fixed and should not be vague or ambiguous; one must not go beyond this scope to guess incorrectly. Following the above classification of fourteen colors is the proper and regulated way to observe.

公篤曰：氣色前分十四種，是為綱領，尚有三色，即浮色、沉色、定色也。然此三色，也括各色之分類，而變法則多，可以十四種氣色而化出四十二種氣色也。然其繁煩中有簡便認定之處，其大體之根據如下三項。

Chen Gongdu said: Previously, the colors were divided into fourteen types, which is the general outline; in addition, there are three more, namely "floating color," "submerged color," and "fixed color." These three colors are actually further distinctions of the previous ones, leading to more variations: each of the fourteen colors is paired with the three states of floating, submerged, and fixed, resulting in forty-two types of colors. Although it seems complicated, there is a simple method for identifying them, generally based on the following three criteria.

一．浮色。浮者，浮出皮膚之外，膩然有光，如塗脂塗膏也，而各色皆有浮色。其事實如上論，與有色無氣相等，則為事實之虛浮影子，尚有變局在後，由此項關係，發生彼項關係。凡有浮色之發現於各部，雖有十分把握之略，萬分穩當之名利，皆有時局影響，人事變遷，而不收功也。某處危險驚險，方可化解，而有救，或為直接之保留，或為間接之救護。至於官訟是非、哭泣損失，皆不為害，而有生機之轉移也。故有青浮之色、膩浮之色、滑浮之色、黃浮之色、黯浮之色，其它紅自黑晦，均有浮色在內也。其認定法，則分遠近耳：其遠看有此色，近看無比色，均通稱為浮色。故上述有十四種氣色，則浮色亦有十四種氣色也。

The first type is called "floating color." Floating refers to a color that appears on the surface of the skin, oily and shiny, like it has been coated with grease; each of the fourteen colors can appear in this floating form. The matters associated with floating color are similar to those mentioned earlier as "having color but no energy," representing only a superficial appearance of things, with further changes to come. Often, such situations are connected from one aspect to another. If a particular area shows a floating color, even if one's plans are very certain and one's fame and fortune seem very secure, it will ultimately be affected by the situation and changes in people's affairs, leading to failure. Conversely, if there is danger or fear in a certain area, the appearance of a floating color can resolve the situation, either directly saving it or indirectly leading to rescue by others. As for legal disputes, quarrels, crying, or losses, the appearance of a floating color does not cause major harm and can even turn things around. Therefore, there are floating colors such as green, oily, slippery, yellow, and dark. The other colors, red, white, black, and obscure (the original text mistakenly writes "red and white" instead of "red and black"), each also have their own floating colors. The method of identification is simply based on distance: if the color is visible from a distance but not when you get close, it is generally considered a floating color. Therefore, among the fourteen types of color, there are also fourteen types of floating color.

二．沉色。沉者，隱於皮膚之內，凝滯無光，晦昧不明也，而各色皆有沉色。其事實如上論，即有氣無色相等，則為事實之羈留久延，雖有其可能之性質，中有糾紛發生，為牽制之點，或為人事變遷，或為天時轉移，或為地形災患，此為意外之障礙，中道改組也，是為種因之例，或過渡之例，欲速而反遲，欲進而反勞。其官祿財源之所，遲遲不發表也；行動條約之所決，遲遲不就範也。至於遺累官訟、口舌損失，皆為似是而非、若有若無之類也。故有紅沉之色、赤沉之色、燥沉之色、絳沉之色、紫沉之色，其它青黃白黑，均有沉色在內也。其認定法，則分遠近耳：遠看無比色，近看有此色，均通稱為沉色。故上述有十四種氣色，則沉色亦有十四種氣色也。

The second type is "Chen Se" or "Dense Color."the so-called "Chen" means the color is hidden within the skin, stagnant and lacking luster, dim and unclear. Each of the fourteen colors can appear in a dense form. The matters associated with this color are similar to those mentioned earlier under "You Qi Wu Se" or "Having Qi but No Color," which indicate that things are being delayed or obstructed. Although the matter itself may have the potential to succeed, there are disputes or hindrances in the process, or changes in human affairs, or shifts in the weather, or local calamities. In short, it is an unexpected obstacle that causes the matter to be halted halfway. This falls under examples of "planting the cause" or "still in transition": wanting to move quickly results in slowness, and wanting to advance leads to fruitless effort. Matters concerning official positions, salaries, and sources of wealth remain unconfirmed for a long time. Actions and agreements also fail to be realized. As for related lawsuits and losses from verbal disputes, they are all vague and indistinct. Therefore, there are red dense color, crimson dense color, dry dense color, deep red dense color, and purple dense color. The other colors, such as green, yellow, white, and black, also each have their own dense colors. The method of identification is simply based on distance: the color is not visible from afar, but appears when viewed closely. Therefore, all fourteen colors have their dense forms. In summary, dense color signifies "delay" and "stagnation": whenever dense color is observed, one should proceed cautiously and avoid haste, as greater urgency only increases stagnation. This is the key principle in interpreting dense color.

三．定色。定者，定而不移之色，內外一樣，明顯而可辨認也，而各色皆有定色。其事實如上論，即有氣有色相等，則為事實之先機，有此而為根據也。故凡有定色，則所者必發表，而達到目的，或有意外之兼，均為可能之達到，不另費手續，而無周折也。至於危險之色、驚險之色、驚疑損失之色、牢獄官非之色、孝服刑剋之色、破財牽制之色、受累是非之色，均從此定色而決斷之也。故有白定之色、慘定之色、黑定之色、枯定之色，其它青黃紅滑各色皆有定色。其認定法，則分遠近耳：其遠看有此色，近看有此色，均通稱為定色。放上述有十四種氣色，則定色亦有十四種氣色也。

The third type is called "fixed color." By "fixed," it means a color that is definite and unchanging, consistent both inside and out, clearly visible and easy to recognize; each of the fourteen colors can appear in a fixed state. The matters it indicates are like the "having qi and color" mentioned earlier, serving as clear omens of things that will certainly happen, allowing for definite conclusions to be drawn. Therefore, whenever a fixed color is observed, the matters being considered will surely be carried out openly and successfully, achieving their goals, and even bringing unexpected benefits, all smoothly obtained without needing additional efforts or procedures. As for the ominous aspects—dangerous colors, thrilling colors, colors indicating shock and loss, colors indicating imprisonment and legal troubles, colors indicating mourning and punishment, colors indicating financial loss and restrictions, and colors indicating being burdened by disputes—all are judged based on this fixed color. Therefore, there are fixed colors such as white, dark, black, and withered colors, and the other colors—green, yellow, red, and slippery—also have their fixed forms. The method of identifying fixed colors remains the same whether viewed from a distance or up close: if the color is present both from afar and when approached, it is called a fixed color. Therefore, among the above fourteen qi colors, there are also fourteen fixed colors. In summary, fixed color is characterized by the word "accuracy": whether auspicious or ominous, it will manifest as it appears and fulfill its meaning on time, being the most reliable of the three types of colors—floating, sinking, and fixed—when making judgments.

公篤曰：氣色為先天之動機，事實之表現，如其氣色發生，則有事實之應驗也。其氣色各有正當之關係，各有附帶之關係，各有連帶之關係，各有牽動之關係；又有因其人之地位如何，財產之等級如何，才智之賢愚如何，天性之剛柔如何，行事之廉潔與奸貪如何，決斷之持重與冒險如何，環境之安全與逼迫如何，器量之宏大與窄狹如何。此為相法之重要點，茲特分類詳註如下。

Chen Gongdu said: The appearance of color and aura is the manifestation of the earlier heaven's original motivation, and also the external expression of events. Whenever a certain color and aura appears, there must be a corresponding actual event to confirm it. Each kind of color and aura has its main corresponding matter, as well as secondary, connected, and related layers of relationships. In addition, one must also consider the person himself: his status high or low, his wealth level, his intelligence whether wise or foolish, his nature whether strong or gentle, his conduct whether upright or corrupt, his decision-making whether cautious or adventurous, his environment whether stable or oppressive, and his capacity whether broad or narrow. The same color and aura appearing on different people will result in completely different outcomes—this is the crucial point of physiognomy. Below is a detailed classification and explanation.

一．黃色，為最吉之色，皆屬喜慶之事實，為升官進職，獲功得祿，造人丁，得子女；常人則主進田宅，得利源，或進人丁子女，以及喜信結合，佳音遠至。二．紫色，為最吉之色，皆為喜慶之事實，四時皆亨吉也，為升官進職，得祿獲功，進入丁；常人則主進田宅，得利權，及進人丁子女，亦主佳音遠至。

First, yellow is the most auspicious color, indicating joyful events such as officials being promoted and receiving rewards, achieving meritorious deeds and gaining wealth, having a son or daughter, or receiving good news; for ordinary people, it signifies acquiring land and property, opening up sources of wealth, increasing family members, receiving good news, getting married, or hearing favorable messages from afar. Second, purple is also the most auspicious color, indicating joyful events and being favorable throughout all four seasons: officials being promoted and receiving rewards, achieving meritorious deeds and gaining wealth, and adding family members at home; for ordinary people, it signifies acquiring land and property, gaining power and benefits, having children, and receiving good news from afar.

三．青色，為平常之小不吉，於春令不忌，尚以明潤而得平安也；其它時令主疾厄流連，事實牽制，小遺累而多憂思，虛驚恐而多罣誤。四．白色，以瑩潔為定色，而秋令不忌，尚為平安之色；其它時令，則主孝服之哭泣，憂愁之隱患，疾病之糾纒，驚疑之不遂，血統之損傷。

Third, the color green, belongs to the category of ordinary minor misfortune. In spring, when it is the prevailing season, it is not to be avoided, and if the green is bright and lustrous, it still indicates safety; however, if it appears in other seasons, it signifies prolonged illness, being hindered in all affairs, experiencing minor troubles and much worry, often being startled by false alarms and having many things to be concerned about and delayed. Fourth, the color white, with a clear and pure hue, is considered auspicious. In autumn, when it is the prevailing season, it is not to be avoided, and still indicates safety; however, if it appears in other seasons, it signifies mourning and crying, worry and hidden troubles, persistent illness, uncertainty and anxiety, and failure in all matters, as well as injury to close family members.

五．燥色，為小損失之色，於夏令不忌，而無關係；其它時令皆不吉，主小損失，及細故之障礙，又生口舌是非，偏財遺累，及內顧之憂，而有牽制也。六．暗色，一名黯色，為疾厄病災之色，及有小人妨害，財星冷退，勞而不功，恩而有怨，及遺累多而義不容辭，事實煩而收效有限，又主心理隔塞，而不諒解。

Fifth, dry colors indicate minor losses. In summer, when it is the prevailing season, there is no problem; however, if it appears in other seasons, it is inauspicious, indicating minor financial loss, obstacles arising from trivial matters, and disputes and troubles from verbal conflicts. It also brings about burdens from unexpected sources of wealth, and worries within the household, causing one to be constantly restricted. Sixth, dark colors, also called dull colors, indicate illness and misfortune. They also signify interference from petty people, a decline in financial luck, efforts without results, and kindness leading to resentment. There are many burdens to deal with, and one cannot easily refuse due to face-saving considerations. Matters are complicated with limited results. Additionally, they indicate a growing gap between people, with mutual lack of understanding.

七．滑色，為疾厄之經者，及小冷退，小損財顧忌而生是非，防不勝防之小累，及多費手續而有周折，及事實延長而不結束之類也。八．膩色，為虛浮之影響，而有覊延逗留，中道多生障礙，每事不滿其願，結仇結怨，反覆無功，交際失敗，預失信，每事不完善，而有鬱結之例，及小病也。

Seventh, the slippery color indicates lighter illnesses, minor setbacks, and small losses of money; due to being cautious, one may end up causing disputes, and there are unavoidable minor troubles, which require more procedures and more detours when handling affairs, causing things to be delayed and not concluded promptly. Eighth, the sticky color indicates superficial and unfounded influences: things are delayed and obstructed halfway, and nothing can be done to one's satisfaction; it also indicates forming quarrels and grievances with others, which are repeated and end in vain, leading to failure in social interactions, breaking promises made beforehand; everything is not satisfactory, causing inner distress, and there are also some minor illnesses.

九．慘色，一名枯色，為不祥之色，主孝服哭泣，官訟牢獄，及損失受屈之破財，驚恐疑嫉之疾厄，人口多災，本身多病，事實多累，略多敗，及死災也。十．赤色，為不吉之色，四時皆不利，主孝服哭泣，危險驚恐，牢獄柳鎖，受傷成殘，暗害爭端，大病大敗，損失較大，及有性命之憂者。

Ninth, the gloomy color, also called the withered color, is an inauspicious color indicating mourning and weeping, legal troubles and imprisonment, suffering injustice and losing money, fear, suspicion, jealousy, and illness and misfortune; family members suffer many calamities, the person themselves are often sick, everything they are involved in leads to trouble, most plans fail, and there may even be the disaster of death. Tenth, the red color is an inauspicious color, unfavorable in all four seasons, indicating mourning and weeping, encountering danger and fear, being imprisoned and shackled, getting injured or disabled, being secretly harmed or involved in disputes, suffering a serious illness, experiencing a great defeat, suffering significant losses, and even facing the danger of life and death.

十一．絳色，為哭泣之色，專主刑人丁，主內哭泣之父母弟兄、妻妾子女，主外哭泣之血統至戚、母族妻族、叔伯姑嫜，亦主小疾，及失眠傷陰之例。十二．紅色，為不吉之色，而夏令減輕損失，主驚恐危險，受傷凶亡，飛災橫禍，失敗爭端，暗害牢獄，其妨害較大，危險較多，及死災之例。

Eleventh, the color vermilion signifies sorrow and is associated with calamities that affect family members. Internally, it refers to the death of parents, brothers, wives, concubines, and children; externally, it refers to the death of close relatives, maternal and marital relatives, and uncles, aunts, and maternal uncles. It also indicates minor illnesses, insomnia, and ailments affecting the yin aspect of the body. Twelfth, the color red is an inauspicious color. Its harmful effects can be somewhat mitigated when it is in season during summer. It signifies fear, danger, injury, or sudden death, unexpected misfortunes, failure of affairs, disputes with others, being secretly harmed, or imprisonment. This color causes greater harm and more danger, and may even lead to calamity resulting in death.

十三．黑色，為最危險之色，四時皆危險，獨冬令可以減輕破敗，主驚險破敗，危險受傷，官非牢獄，橫禍飛災，及大病大災，可以死亡之例。十四．晦色，一名滯色，又名塵垢色，為大疾厄之色，均出弱症居多，而有痼疾宿病於前者；亦主冷退破財，刑傷人丁，神經昏憤，事實顛倒，及死亡之例。

Thirteenth, black color is the most dangerous, indicating danger in all four seasons, but during winter when it is in command, it can alleviate ruin; it signifies peril, collapse, injury, legal troubles and imprisonment, sudden calamities, and major illness or disaster, possibly leading to death. Fourteenth, dull color, also called stagnant color or dusty color, is the color indicating major illness and disaster; it usually shows signs of weakness or pre-existing chronic diseases; it also indicates decline of family fortune, loss of wealth, injury to family members, mental confusion (the original text says 'confusion and anger' but should be 'confusion and dazed'), disordered actions, and severe cases may also lead to death.

公篤曰：上列各類氣色，而專司之各項事實，包括人事之吉凶禍福矣。然有輕重之點，而因其人指定之，以決其為何項事實也。此中當有輕重大小之分別，又有應受、傍受，及株累受之各異；有一項之專受，有兩項之兼受，有間接之連帶受也。茲特分類如下，以便持鑑者之推想而定之也。

Chen Gongdu said: The various kinds of auspicious and inauspicious appearances listed above, along with the various facts they govern, have already included all the good and bad fortune of human affairs. However, the same appearance still has distinctions of light and heavy significance, and it must be related to the person's status to determine exactly which matter it applies to. There are distinctions of light and heavy, as well as large and small, and there are differences between 'direct reception' (receiving directly), 'indirect reception' (being affected indirectly), and 'connected reception' (being involved and affected by others). Some apply only to one matter, some apply to two matters, and some are indirectly connected and affected. The following classification is specially listed to help those who use mirrors for observation to infer and determine.

一．黃紫二氣色，均為吉慶之氣色，如發現於有貴權之人，則應為升遷進職，得權獲功，增財祿而復嘉獎，旺人丁而復喜慶之例也。二．黃紫二氣色，如發現於富紳豪商之人，則應為增進田宅，開闢利源，乘時之厚利，無因之進財，人口平安，又旺子女之例也。

First, the yellow and purple hues are both auspicious colors. If they appear on a person in a position of rank and authority, it indicates promotion, gaining power and achievements, an increase in wealth and official rewards, and a flourishing family with additional good fortune. Second, if yellow and purple hues appear on wealthy merchants, it signifies acquiring land and property, opening new sources of wealth, making substantial profits by seizing opportunities, or unexpectedly receiving a fortune. At the same time, the household remains safe and secure, and the children are also thriving.

三．黃紫二氣色，如發現於貧役苦工之人，則應為得意外之奇財，投機之倍利，或為族戚之補助，而有生機，或為鄰友之結合，而有辦法，人丁亦為安好之例也。四．黃紫二氣色，如發現於賤業下流之人，則應為雖奇之遇合，名噪於一時，意外之生機，獲利於膨脹，或為貴人之賞識，儘量成全，或為富者之愛惜，盡力提拔之例也。此為地位資格之不同，而貴賤富貧之等級各異，因之而享受也。

Third, if the colors yellow and purple appear on a poor person engaged in hard labor, the outcome will be an unexpected windfall, or making a profit many times over through cunning means; or receiving aid from relatives and kin, thereby securing a means of livelihood; or collaborating with neighbors and friends to find a solution; and the household members will also remain safe and unharmed. Fourth, if the colors yellow and purple appear on someone engaged in lowly occupations, living in a lowly position, the outcome will be a rare and fortunate encounter, causing a sudden fame; unexpectedly finding a means of survival, profiting from rising market conditions; or being recognized and supported by a nobleman, or being cherished and promoted by a wealthy person. It is evident that different social standings and statuses result in varying levels of fortune and privilege.

五．黃紫二氣色，如發現於有才智之人，則應為略周詳而如願，時機相合而遂心，知交戚誼之援助，上親下合之融洽，儘量而獲其職權利益之倍功也。六．黃紫二氣色，如發現於無才智之人，則應為名不而達到，利不勞而成功，用人而得力，託人而可靠，而獲其自然利益之半功也。

Fifth, if yellow and purple colors appear on a person with wisdom, the outcome will be thorough planning and everything going as desired, with timing in harmony and all things proceeding smoothly. There will be assistance from friends and relatives, and harmony with people above and below. Thus, one can fully obtain authority and benefits, achieving double the results. Sixth, if yellow and purple colors appear on a person without wisdom, the outcome will be that reputation comes without seeking and benefits are obtained without effort. People used will be effective, and those entrusted will be reliable. However, the results will only be half of what is naturally achieved, falling short of those with wisdom.

七．黃紫二氣色，如發現於中才之人，則應為借力而進取，因此而達彼之過渡階梯，結合而互利，守內而達外之同舟共濟，而獲其一舉兩得之名實相符也。此為才智之賢愚不同，而享受之利益有餘不足各異也。八．黃紫二氣色，如發現於性情急躁之人，則應為倉猝之進，而投其機，積極之勇為，而捷其時。其成功也速，其發達也暴，作暫而不久之例。

Seventh, if the colors yellow and purple appear on a person of average ability, it indicates relying on others' strength to advance, using one end as a bridge to reach the other, forming a transitional step; working together with others to benefit both sides, maintaining propriety internally and expanding situations externally, sharing the same boat; thus, name and reality correspond, achieving two benefits at once. It is evident that people of different abilities and wisdom receive different levels of benefits. Eighth, if the colors yellow and purple appear on a person with a quick temper, it indicates acting hastily and seizing the opportunity at the right moment, being proactive and taking the initiative. Such people achieve success quickly and rise rapidly, but this success is temporary and not lasting.

九．黃紫二氣色，如發現於性情慈柔之人，則應為遠深慮，稱見以成功，見解周到，入手而奏效。其成功也遲緩，其發達也平穩，作以守為進之例。十．黃紫二氣色，如發現於不剛不柔之人，則應為借題發揮之間接，而有進展；待時而動之正當，而有利益。其成功也穩固，其發達也知足，作守義持久之例。此為性情之剛柔不同，而所獲利益之勇為取守持久各異也。

Ninth, if yellow and purple colors appear on someone who is kind, gentle, and compliant, it indicates deep planning and steady insight leading to success, thorough consideration, and immediate effectiveness. Such people achieve success slowly and attain prosperity steadily, belonging to those who advance by holding back. Tenth, if yellow and purple colors appear on someone neither firm nor yielding, with a moderate disposition, it indicates making progress through indirect means and taking proper action when the time is ripe to gain benefits. Such people achieve stable success and, after attaining prosperity, remain content, belonging to those who uphold righteousness and can maintain their success over time. Clearly, differing temperaments of firmness and flexibility result in different outcomes in terms of bold advancement, maintaining success, and enduring perseverance.

十一．黃紫二氣色，如發現於行事廉潔之人，則應為好名而務德，從善而務功，其所也皆從正軌之進益，其所取也皆從正義之途徑，作名重利輕者論。十二．黃紫二氣色，如發現於行事奸貪之人，則應為奇巧之鑽營，無微不至；卑鄙之諂諛，無丑不備。其所也偏邪，其所取也苛斂，作利重名惡者論。

Eleventh, if the colors yellow and purple appear on a person who acts with integrity and uprightness, it indicates that he values a good reputation and strives to cultivate virtue, seeks goodness and endeavors to achieve meritorious deeds; all gains he obtains follow the proper path, and all wealth he acquires is through just means. This can be interpreted as 'reputation is more important than profit'. Twelfth, if the colors yellow and purple appear on a person who acts deceitfully and greedily, it indicates that he resorts to underhanded tactics, is ever so willing to take advantage of any opportunity, flatters and ingratiates himself, displaying all sorts of base behavior; the paths he takes are crooked, and the wealth he acquires is obtained through harsh exploitation. This can be interpreted as 'prioritizing profit while having a bad reputation'.

十三．黃紫二氣色，如發現於廉潔奸貪之間，則應為盡其智力之進益，完其責任之成功，欲善而不敢自決，欲惡而不敢放縱，作名利相符者論。此為行事之廉潔奸貪不同，而務名趨利與雙得之各異也。十四．黃紫二氣色，如發現於決斷持重之人，則應為守規矩而不越，以獲其功；盡天職而不亂，以成其利。進取有止境，而獲平安之福；成功亦穩固，而採持久之計，作有秩序之利益論。

Thirteenth, if the colors yellow and purple appear on a person who is upright and honest or corrupt and greedy, it indicates that he uses his intelligence to seek benefits and fulfills his responsibilities to achieve success. He wishes to do good deeds but hesitates to take the initiative, and he wants to do evil but dares not act freely. This can be interpreted as 'name and gain are in harmony'. It is evident that the conduct of an upright person differs from that of a corrupt one; whether he seeks reputation, pursues profit, or gains both, they vary accordingly. Fourteenth, if the colors yellow and purple appear on a person who is decisive and cautious, it indicates that he adheres to rules without overstepping, thus achieving effectiveness; he fulfills his duties without disorder, thereby gaining benefits. In his pursuit of advancement, he knows when to stop, thus attaining peace and blessings; his success is solid, and he follows a long-term strategy. This can be interpreted as 'ordered benefits'.

十五．黃紫二氣色，如發現於決斷冒險之人，則應為無限止之發達，有勉強之走險，不計危險飄搖，偏重於事業；不避嫌疑勞怨，偏重於私慾，作越軌之暴發論。十六．黃紫二氣色，如發現界於持重冒險之間，則應為苟安之進益，逼迫之發展；有意營，而偏發不足；無心進取，而偏能達到，作臨時採擇論。此決斷之持重冒險不同，而利益之多寡久暫各異也。

Fifteenth, if yellow and purple colors appear on a person who is decisive and venturesome, the outcome is boundless prosperity, with some element of forced risk-taking: disregarding risks and instability, focusing entirely on career; avoiding no suspicion or hardship, yet emphasizing the satisfaction of private desires. This can be interpreted as "unlawful sudden success." Sixteenth, if yellow and purple colors appear on a person who is cautious and venturesome, the outcome is a modest gain amidst seeking security, driven by circumstances leading to some development: those who earnestly endeavor fail to succeed, while those who do not actively seek advancement unexpectedly achieve success. This can be interpreted as "temporary adaptation and selection." Thus, the difference between being cautious and venturesome in decision-making leads to different amounts and durations of gain.

十七．黃紫二氣色，如發現於環境安全之人，則應為少而多成，不勞而多遂，順其時勢而為之，因其人力而取之，作預者論。十八．黃紫二氣色，如發現於環境逼迫之人，則應為妄想之進取，僥倖而成功，過分之貪求，儘量而發展，逆其時勢而強為之，用其機智而櫻奪之，作乘機者論。

Seventeenth, if yellow and purple colors appear on someone in a stable situation, it indicates that little effort is needed but many things are achieved, and many wishes are fulfilled without much labor. One should follow the trend and take advantage of human resources, and this can be interpreted as "having prepared in advance, and success comes naturally." Eighteenth, if yellow and purple colors appear on someone in a difficult situation, it indicates that one has unrealistic ambitions and relies on luck to succeed. One desires too much but also exerts effort; acting against the trend and striving forcefully, using all one's cunning to compete, this can be interpreted as "taking advantage of opportunities through cunning."

十九．黃紫二氣色，如發現於界於安全逼迫之間，則應為猶豫之理想，遠因之消息傳來拘定之行為，間接之事實進捷，美而不足之利益，而不遇之半遂，作小成功者論。此為環境之安全逼迫不同，而靜待強為與兩可之各異也。二十．黃紫二氣色，如發現於器量宏大之人，則應為舍小而全大，寧靜而致遠，先知之堅決，完善之成功，和衷共濟而利人利己，審勢逢時而獲利獲名，作明哲遠者論。

Nineteenth, if the colors yellow and purple appear on someone whose situation is between stability and pressure, it indicates that although ideals exist, there is hesitation and indecision; messages coming from afar actually hinder action; matters can only be advanced through indirect means; although benefits are within reach, they are always slightly lacking, and opportunities are not favorable, so only half of the wishes can be fulfilled. Therefore, the environment being stable or pressured is different; whether to wait for the right moment, act forcefully, or be in between, the situations vary. Twentieth, if the colors yellow and purple appear on a person of great capacity, it indicates sacrificing small gains for greater ones, and achieving distant goals through tranquility; having foresight and firm decisions, achieving complete success; working harmoniously with others for mutual benefit, examining the situation, seizing the opportunity, and gaining both reputation and wealth. This can be interpreted as "wise and far-sighted."

廿一．黃紫二氣色，如發現於器量窄狹之人，則應為貪小而好勝，務多而負氣，力輕任重之發達，意驕氣傲之成功，作自用而專者論。廿二．黃紫二氣色，如發現於界於宏大窄狹之間，則應為念舊而不容惡，漏少盈多；好德而不忍辱，勞倍功半；短期之利益有成，暫時之同舟共濟，作因勢倚人者論。比為器量之宏大窄狹不同，而所容之利益、治亂之加減各異也。

Twenty-first, if the colors yellow and purple appear on a person with a narrow mind, it indicates a tendency to seek small gains and be competitive, to desire more in everything and act on impulse; lacking ability yet taking on heavy responsibilities and hoping for success by chance, being content with success and arrogant, achieving success through such means. This should be interpreted as "stubborn and self-willed, acting independently and arbitrarily." Twenty-second, if the colors yellow and purple appear on a person with a mind that is between broad and narrow, it indicates remembering old kindnesses but not tolerating wicked people, having some shortcomings in small matters but overall achieving more; valuing virtue but not enduring humiliation, exerting double the effort yet achieving half the result; gaining only temporary benefits and being able to cooperate only temporarily. This should be interpreted as "taking advantage of circumstances and relying on others' strength." It is evident that the difference in the breadth of a person's mind leads to different capacities for accommodating benefits, and the increase or decrease in such capacities during times of peace or chaos also varies accordingly.

廿三．黑赤紅慘之氣色，為死亡破敗、危險傷殘最凶之氣色。如發現於有貴權之人，則應為危險牢獄，罷職失權，重則滅門赤族之例：有應震上之招嫉，有應爭權之暗害，有應結黨之仇讎，有應守義之赴難。廿四．黑赤紅慘之氣色，如發現於富紳豪商之人，則應為驚險破產，損失株累，亦主重刑人丁之例：有應盜匪之殘害，有應小人之乘隙，有應戚族之內患，有應鄰里之覬覦。

Twenty-third, the four colors black, red, crimson, and惨 (gloomy) are the most ominous colors indicating death, ruin, danger, and injury. If these appear on a person of noble rank or authority, the outcome will be entrapment in danger and imprisonment, dismissal from office and loss of power, and in severe cases, the entire family being executed. Some will be due to excessive merit alarming the sovereign and attracting hatred, others due to contention for power leading to secret plots against them, others due to forming factions and creating enemies, and others due to steadfast righteousness and being bravely sacrificed. Twenty-fourth, if these four colors appear on wealthy merchants and gentry, it indicates perilous financial loss and being implicated in others' misfortunes, and also signifies repeated punishments and loss of family members. Some will be due to bandit raids and destruction, others due to villains taking advantage of opportunities, others due to internal strife caused by relatives and clan members, and others due to neighbors harboring ill intentions and plotting against them.

廿五．黑赤紅慘之氣色，如發現於貧役苦工之人，則應為驚災損失，株累拘留，重則為天災發生於意外，次則為人事發生於不測：有應水火之浩劫，有應盜之誣攀，有應血光之災厄，有應時勢之危害。廿六．黑赤紅慘之氣色，如發現於下流賤業之人，則應為驚災伽鎖，喪財流離，重則為懸樑刎頸，而出下策之短見；輕則為流離辛苦，而受挫折之困乏：有應妄貪而受禍，有應愚拙而受詐，毀飢膚，殘肢體，人流離，財耗散。此為地位資格之不同，而貴富貧賤之等級各異，其正受傍受連帶受之禍患也。

Twenty-fifth, if the colors black, red, and crimson appear on a poor and laboring person, the outcome will be calamity, fright, loss of wealth, and being implicated and imprisoned. The worst case is sudden natural disasters from heaven, the next is unforeseen human misfortunes: some will face great danger from water and fire, some will be falsely accused and implicated by thieves, some will suffer from bloodshed, and some will face turmoil in the times. Twenty-sixth, if these four colors appear on a person engaged in lowly occupations and of low status, the outcome will be calamity, fear, wearing shackles, losing all wealth and being homeless. The worst case is even suicide by hanging; the lighter cases are also hardship, setbacks, and poverty. Some will suffer from greed and ambition leading to misfortune, some will be deceived due to foolishness and incompetence; thus, they may suffer injuries, damage to limbs, people scattering and dispersing, and all wealth being lost. It is evident that different social standings and distinctions between wealth and poverty lead to different kinds of misfortunes: some are directly suffered, some are suffered through association, and some are suffered due to being implicated.

廿七．黑赤紅慘之氣色，如發現於有才智之人，則應為弄巧反拙之驚險，欲益反損之危害；或為自恃之養癱遺患，或為強行之中道崩潰；厚利而蔽其聰明，私慾而忘其危險也。廿八．黑赤紅慘之氣色，如發現於無才智之人，則應為投陷阱而猶貪，蹈白刃而罔覺；或為權利之引誘而傾覆之，或為邪淫之縱慾而亡身也。

Twenty-seventh, if the colors black, red, crimson, and dark appear on a person of intelligence, it indicates that self-deception leads to clumsy efforts and dangerous situations, and that seeking gain results in loss and harm. It may also mean that relying on one's talent leads to hidden troubles, or that forcing progress leads to collapse in the middle. In the end, it is great profit that clouds his wisdom, and personal desire that makes him forget danger. Twenty-eighth, if these four colors appear on a person without intelligence, it indicates that he steps into a trap yet remains greedy, or that he stands on a blade without realizing it. It may also mean that he is overturned by power and wealth, or that he indulges in vice and sensuality, leading to his downfall.

廿九．黑赤紅慘之氣色，如發現於中才之人，則應為受屈之隱患，株累之驚險，蛛絲馬跡之糾纏，損失而復牽延，族欺戚累之包圍，親情而復仇敵。此為才智賢愚之不同，而巧受屈受與間接受之禍患各異也。三十．黑赤紅慘之氣色，如發現於性情急躁之人，則應為剛愎自用之輕舉，種因招尤之飛災。強梁作膽，執一而不計其生死，不顧其後也；驕悍為懷，辱人而不達其時機，取咎之道也。

Twenty-ninth, if the colors black, red, crimson, and dark appear on a person of average ability, it indicates suffering from injustice and hidden worries, and the danger of being implicated in others' troubles. Matters become as tangled as spider silk, with confusion and complications. Loss of wealth occurs, and further delays and entanglements follow. One is oppressed by relatives and burdened by family members, surrounded on all sides. Even those who are supposed to be close relatives turn into enemies. It is evident that the wisdom and intelligence of people differ; some suffer misfortune due to taking shortcuts, others due to being wronged, and others are indirectly involved. Each case is different. Thirtieth, if these four colors appear on a person with a hot temper, it indicates stubbornness and rash actions, planting one's own misfortune and inviting sudden calamities. Relying on brutality as courage, being stubborn without considering life or death, and disregarding consequences; harboring arrogance and cruelty, insulting others without considering the timing—these are all paths leading to self-inflicted guilt.

卅一．黑赤紅慘之氣色，如發現於性情慈柔之人，則應為守己而安其欺詐，持理而安其株累，受侮辱而復破敗，臨不測而復忐忑，猶豫不決，輕重失當也。卅二．黑赤紅慘之氣色，如發現於不剛不柔之人，則應為識人不足之損失，明知故犯之妨害；或為小利熏心而蒙蔽，大患隨之；或為倉猝失足而觸阱，兩禍攻之。此為性情之剛柔不同，而受禍之輕重與複雜各異也。

Thirty-first, if the colors black, red, and crimson appear on a person who is gentle and kind-hearted, it indicates that they will remain content with their own position but suffer from others' deceit, act according to reason but be implicated by others; they will suffer humiliation and loss, and when unexpected events occur, they will be anxious in their hearts. They will be indecisive in matters, and fail to judge the urgency and importance properly. Thirty-second, if these four colors appear on a person who is neither strong nor gentle, and whose nature is moderate, it indicates that they will misjudge people and suffer losses, or act against what is clearly impossible and thus invite obstacles; or be blinded by small gains and suffer great calamities soon after; or rush into a trap without thinking, and face two kinds of misfortunes at once. It is evident that the severity and complexity of the misfortunes vary according to the nature of the person, whether they are gentle or strong.

卅三．黑赤紅慘之氣色，如發現於行事廉潔之人，則應為不貪而受損失，慕義而受禍患，無因而受毀謗，意見不合也；有為而受狙擊，志向不黨也。卅四．黑赤紅摻之氣色，如發現於行事奸貪之人，則應為妄念之受牢獄，卑汙之結仇怨；奇珍玩品之爭奪，而為大破敗；狗馬聲色之淫蕩，而成暗殺機。

Thirty-third, if the four colors black, red, crimson, and dark appear on a person who acts with integrity and uprightness, it indicates that he does not seek gain yet still suffers loss, and that his admiration for righteousness brings him misfortune; he is slandered without cause merely because he disagrees with others; his efforts are sabotaged secretly because he refuses to compromise his principles. Thirty-fourth, if these four colors appear on a person who acts deceitfully and greedily, it indicates that he is imprisoned due to his reckless desires, and incurs enmity through his base actions; he causes great ruin by fighting over rare treasures, and invites death through his indulgence in gambling, horses, and sensual pleasures.

卅五．黑赤紅慘之氣色，如發現於行事廉潔奸貪之間，則應為細故而生大患，片言而動殺機；恩怨混合，而為凶禍之門；親疏離間，而為是非之窟。此為行事之廉潔奸貪不同，而安禍之舍取與附勢各異也。卅六．黑赤紅慘之氣色，如發現於決斷持重之人，則應為預算中變之損失，穩見顧忌之危害，求全不全之驚損，疑是疑非之遺誤，臨時中潰，患生肘腋也。

Thirty-fifth, if the colors black, red, crimson, and dark appear on a person who is upright and honest or corrupt and greedy, it indicates that a small matter may lead to a great disaster, as a single word may trigger a deadly situation. When kindness and resentment are mixed together, they become the gateway to calamity. When close and distant relationships are undermined, they become the nest of disputes. Thus, in conduct, the upright and the corrupt differ, and when disaster strikes, whether to take or abandon, whether to rely on power, varies accordingly. Thirty-sixth, if these four colors appear on a person who is decisive and cautious, it indicates that the original plan may change midway, causing loss. Being overly cautious and overthinking may become a harm. Seeking completeness may result in loss and financial damage. Doubtful and uncertain decisions may lead to missed opportunities. Suddenly, when faced with a situation, one may collapse, and the disaster arises from close quarters.

卅七．黑赤紅慘之氣色，如發現於決斷冒險之人，則應為孤注行止之傾覆，力輕任重之失敗；忘恩思怨之進逼，而受反動之圈套；以淫害正之偏見，而受親近之愚弄也。卅八．黑赤紅慘之氣色，如現發於決斷持重冒險之間，則應為計劃周詳而反掣肘，人力充足而反障礙，經危險而有急智之轉機，見破敗而有中止之變。此為決斷之與持重冒險不同，而受禍之大小與減等亦各異也。

Thirty-seventh, if the four colors black, red, crimson, and dark appear on someone who is making a decisive decision or taking a risky action, it indicates a desperate gamble leading to total collapse, insufficient strength yet bearing heavy responsibilities resulting in failure; forgetting gratitude and remembering grievances, advancing step by step with aggression, only to be trapped in a trap set by others; holding a biased view of using evil to counter good, only to be deceived by those close to them. Thirty-eighth, if these four colors appear on someone who is cautious and venturesome, it indicates that although the plan is well thought out, it is obstructed; although there are enough people, they become obstacles. However, when facing danger, one can find a way out through quick thinking, and when about to collapse, one can stop in the middle and change the situation. This shows that being cautious and venturesome differ in decision-making, and the degree of misfortune and the ability to reduce it also vary.

卅九．黑赤紅慘之氣色，如發現於環境安全之人，則應為嗜好引誘之危害，族戚連帶之侵犯；內務有隙，而入凌虐之；外交設阱，而入陷害之。四十．黑色紅慘之氣色，如發現於環境逼迫之人，則應為一再之挫折，三四之驚險，身敗名毀，力盡援絕；或為仇怨嫌族之阻撓，或為血光疾厄之逗留，而臨不測也。

Thirty-ninth, if the colors black, red, crimson, and dark appear on someone in a stable situation, it indicates being harmed by personal indulgences, and being disturbed by relatives and kin; once there is a crack in family affairs, someone will take advantage and harass them; also, if there are traps set in external dealings, someone will take the opportunity to harm them. Fortieth, if these four colors appear on someone in a desperate situation, it indicates repeated setbacks, three or four consecutive dangers, leading to ruin and loss of reputation, exhaustion of strength and loss of external support; or being obstructed by enemies or relatives with grievances, or being held back by bloodshed and illness, resulting in unexpected misfortune.

四一．黑赤紅慘之氣色，如發現於環境在安全逼迫之間，則應為進取而受損阻，退守而失權利；虛榮引入危機，特利誘入絕地；進退狠狠而有害，行止顧忌而招尤。此為環境之安全逼迫不同，而受禍出於意外與趨向各異也。四二．黑赤紅慘之氣色，如發現於器量宏大之人，則應為天災之驚恐損失，時勢之風潮妨害，血統之連帶憂患，氣候之六淫疾苦，及刑人丁而破敗也。

Forty-first, if the colors black, red, and crimson appear on someone whose situation is between security and pressure, the outcome will be that attempting to advance meets resistance and loss, while retreating results in the loss of power; being led into crisis by vanity and falling into dire straits due to special profits; finding it difficult to move forward or retreat, with harm everywhere; hesitating between action and inaction, leading to resentment. It is evident that the environment of security and pressure differs, and whether misfortunes come from unexpected events or are predictable, their outcomes vary. Forty-second, if these four colors appear on a person of great capacity, the outcome will be fear and loss from natural disasters, hindrances from prevailing circumstances, worries from family ties, illness from external pathogens known as the six yin, and the decline of the household due to the punishment of family members.

四三．黑赤紅慘之氣色，如發現於器量窄狹之人，則應為剛復自用之損失，才短蹈危之刎頸；驕慢見害於上下，負氣見逼於親近；邪淫之種惡因，財利之生媒孽也。四四．黑赤紅慘之氣色，如發現於器量界於宏大窄狹之間，則應為欲忍不忍之失機，疑是疑非之妨害；恩怨相混而動殺機，疏懶不常而傷人口；輕重不當之乖戾，去就不宜之損失。此為器量之宏大窄狹不同，而持靜與走險之禍患各異也。

Forty-third, if the colors black, red, and crimson appear on a person of narrow-mindedness, the outcome will be stubbornness and self-will leading to loss, insufficient ability yet being in a dangerous situation resulting in self-inflicted death by刎; due to arrogance and negligence, both superiors and subordinates suffer harm, and due to impulsive actions, one is forced by close associates; indulgence in improper desires sows evil causes, and greed for wealth brings calamity. Forty-fourth, if these four colors appear on a person whose capacity is between broad and narrow, the outcome will be wanting to restrain oneself yet failing to do so, thus missing opportunities; doubting and uncertain, thus suffering hindrance; entangled in both kindness and resentment, thus inciting conflict; careless and inconsistent, thus harming family members; improper handling of matters, thus causing discord; and improper decisions on matters of departure and retention, thus suffering loss. It is evident that the difference between broad and narrow capacity leads to different outcomes, whether calamity comes from maintaining stillness or from taking risks.

四五．滑膩躁晦之氣色，皆為冷退疾厄、憂疑哭泣之氣色也。如發現於有貴權之人，則應為七情六慾而成內因之病，交達遊戲而損浮耗之財；或為奴僕倫盜之損失，或為血統瓜葛之哭泣，或為意見不合之同僚嫉妒，或為措置不宜之用人遺誤也。四六．滑膩躁晦之氣色，如發於於富紳豪商之人，則應為醫藥遺誤而成反覆之病，六親遺累而損吞聲之財；小人之偷盜，鄉黨之搕詐，人丁之災疾，哭泣之冷退也。

Forty-fifth, the four kinds of complexion—slippery, greasy, dry, and dull—generally indicate the decline of the household, illness and misfortune, and matters of worry, doubt, and weeping. If these appear on a person of rank and authority, they signify diseases caused by disturbances of the seven emotions and desires, and expenses incurred through socializing, entertaining, and leisure activities. Alternatively, they may indicate losses due to servants stealing, mourning and weeping caused by disputes among close relatives, jealousy from disagreements with colleagues, or mistakes due to improper appointments and lack of clarity in employing people. Forty-sixth, if these four colors appear on wealthy merchants and gentry, they indicate diseases that result from neglecting medical treatment and are chronic and persistent. They also signify being burdened by the six relations, losing wealth, and having to endure silently. Additionally, they may involve theft by petty people, false accusations from neighbors, illness among family members, mourning and weeping, and the decline of the household.

四七．滑膩躁晦之氣色，如發現於貧役苦工之人，則應為五勞六淫而成外因之病，交易失慎而損委屈之財；友鄰之煩擾，同室之是非，妻官之遺失物品，子女之疾厄血光也。四八．滑膩躁晦之氣色，如發現於賤業下流之人，則應為失調失慎而成養身之病，物器破壞而損浮費之財；同業網羅而受其欺詐，應付失宜而受其垂辱；環境之顧忌叢生，影響之憂患常至。此為地位資格之不同，而富貴貧賤之等級各異，所受之疾厄冷退、憂患牽制之事實不一也。

Forty-seventh, if the four colors of slickness, dryness, turbidity, and obscurity appear on a poor person engaged in hard labor, they indicate the occurrence of "five labors" and "six external pathogenic factors" causing external diseases, losses due to careless business dealings and being wronged; also disturbances from neighbors and friends, conflicts with those living together, loss of items in the wife's domain, and illness or accidents involving children. Forty-eighth, if these four colors appear on someone engaged in lowly occupations and living in a lowly position, they indicate disorder in daily routines, lack of proper care leading to illness, damage to belongings resulting in unnecessary expenses; being deceived by competitors, humiliation due to improper handling; and constant suspicion and worries in the environment, with continuous troubles. It is evident that different status and qualifications lead to different levels of wealth and poverty, and thus the kinds of diseases, cold retreats, worries, and constraints they face also vary. In the text, "five labors" refer to prolonged looking, lying down, sitting, standing, and walking, which harm the body, while "six external pathogenic factors" refer to wind, cold, heat, dampness, dryness, and fire, all of which are the causes of diseases from external influences.

四九．滑膩躁晦之氣色，如發現於有才智之人，則應為易地失養而成水土不和之病，放浪不羈而損輕視之財；不矜細行之遺悞，不拘小節之招嫉，驕慢不禮之結怨，輕視不屈之失利也。五十．滑膩澡晦之氣色，如發現於無才智之人，則應為形神不和而有凝滯痞塞之病，恍憾昏沉而損欺詐吃虧之財；錯受其累而復遭凌虐，枉費其勞而復受拖累，根本錯侯，事實顛倒也。

Forty-nine, if the four colors of slickness, dryness, heat and obscurity appear on a person of intelligence, it indicates a change of place leading to illness due to unsuitable water and soil, reckless behavior, carelessness with money resulting in loss; neglecting small actions leading to mistakes, disregard for minor etiquette causing resentment, arrogance and rudeness resulting in enmity, and looking down on others, refusing to compromise, leading to loss of benefits. Fifty, if these four colors appear on a person without intelligence, it indicates disharmony between body and spirit, ailments such as stagnation of qi and痞塞 in the chest and abdomen; mental confusion and drowsiness, being deceived and losing money; suffering unnecessary troubles and being mistreated, wasting effort and being burdened further, fundamentally making wrong judgments, and naturally leading to confusion and disorder.

五一．滑膩躁晦之氣色，如發現於中才之人，則應為煩擾顧忌而成鬱結怔忡之病，挪雜不一而損牽制失宜之財；名受毀謗而復羈絆，利受損阻而復不結；防不勝防之人丁災刑，忍無可忍之是非交際。此為才智之賢愚不同，而受損阻冷退之原因各異也。五二．滑膩躁晦之氣色，如發現於性情急躁之人，則應為氣血兩傷而成神經之病，浮大矜誇而損嫌費之財；強迫進而見挫折，好勝竹人而生暗害，偏見之誤而刑人丁，執一之失而招反向也。

Fifty-first, if the four colors of slickness, stickiness, dryness, and obscurity appear in a person of average ability, it indicates troubles and worries leading to stagnation and depression, heart palpitations and restlessness; affairs in disorder, loss of money due to improper handling; reputation damaged by slander and restricted by obstacles, benefits obstructed and unresolved; family members suffering from misfortune and injuries, with dangers and injuries hard to prevent; and disputes in social interactions becoming unbearable. It shows that those with different abilities and wisdom suffer from different obstacles and losses, and the decline of family fortune has different causes. Fifty-second, if these four colors appear in a person with an impetuous temper, it indicates damage to both blood and qi, leading to nervous disorders; boastful and exaggerated speech and actions resulting in the expenditure of money that causes resentment; pushing forward forcefully leading to setbacks, and being overly competitive and domineering leading to hidden harm; causing injuries to family members due to prejudice and mistakes, and facing resistance due to stubbornness.

五三．滑膩躁晦之氣色，如發現於性情慈柔之人，則應為反覆遲疑而成拖延之病，養癱遺患而損欺詐之財；每事不結束而波外生波，猶豫不決斷而怨中生怨；措施不宜，誤人累己；認識不當，遺患結仇；誤惜之刑剋，狐疑之冷退也。五四．滑膩躁晦之氣色，如發現於性情執中之人，則應為天地六淫之氣候病，情義包圍誤財，畏嫌招嫌之是非口舌，疑損終損之糾纏障礙。此為性情剛柔之不同，而損阻之誤受正受各異也。

Fifty-third, if the four colors of slickness, dryness, clarity and obscurity appear on a person with a gentle and weak nature, it indicates a disease that is lingering and prolonged, with repeated hesitation and delay; indulgence in leniency allows villains to flourish and leads to the accumulation of hidden dangers, resulting in being deceived and losing money; every matter fails to conclude, with one problem not settled before another arises; encountering matters with hesitation and indecision leads to accumulated grievances; improper handling causes harm to others and brings self-reproach; lack of clear understanding leaves hidden dangers and creates enemies; due to temporary indulgence and leniency, punishment is incurred; due to suspicion and indecision, the family's fortune declines. Fifty-fourth, if these four colors appear on a person with a firm and decisive nature, it indicates diseases caused by the six external pathogenic factors of wind, cold, heat, dampness, dryness, and fire in the natural world; being surrounded by human relationships and morality leads to financial loss; the more one fears causing suspicion, the more suspicion arises, leading to verbal disputes; suspicion leads to actual loss, and entanglements cause constant obstacles. It is evident that different natures of people, whether they suffer from misfortune or proper affliction, vary accordingly.

五五．滑膩躁晦之氣色，如發現於行事廉潔之人，則應為拘泥不妄而成隱鬱氣質之病，慎細中止而損審查固執之財；無稽之黑白飛來，而不見容於濁；好名之影向數見，而不見容於貪；哭泣執體而鋪張，處事穩見而不達也。五六．滑膩躁晦之氣色，如發現於行事奸貪之人，則應為花天酒地而成虛弱之病，機深狡詐而損橫禍之財；進而不知足，任意驕淫以生暗害；退而不守矩，違言忤戾而結仇怨；哭泣誤於惜小，冷退誤於私慾也。

Fifty-fifth, if the four colors of slickness, stickiness, dryness, and obscurity appear on a person who acts with integrity and purity, it indicates a tendency to be overly cautious and rigid, hesitating to act recklessly, leading to a stagnation of life qi within the body; being overly meticulous in affairs leads to halting midway, causing loss of wealth due to repeated scrutiny and stubbornness; sudden accusations that invert truth and falsehood arise because of being disliked by the corrupt; the influence of seeking reputation constantly appears because of being disliked by the greedy; when handling funerals, one is overly concerned with appearances and extravagance, leading to difficulties in affairs despite steady conduct. Fifty-sixth, if these four colors appear on a person who acts deceitfully and greedily, it indicates indulgence in revelry leading to physical weakness; deep scheming and cunning bring sudden misfortunes and financial loss; when in power, one is never satisfied, behaving arrogantly and indulgently, secretly inviting calamity; when out of power, one fails to abide by rules, speaking against propriety and offending others, thus accumulating enmity; when handling funerals, one is unwilling to spend on small matters, causing mistakes, and the decline of the family is due to excessive attachment to personal desires.

五七．滑膩躁晦之氣色，如發現行事界於廉潔奸貪之間，則應為煩擾不堪而成複雜之病，動靜躊躕而損顧忌之財；散漫無綱領之舉動，猶豫有過折之徒劣，是非不決，恩怨不明。比為行事之廉潔奸貪不同，而有餘不足之損阻各異也。五八．滑膩躁晦之氣色，如發現於決斷持重之人，則應為深遠慮而成胃噎傷陰之疾，預準備而損蛛絲馬跡之財；舍小全大而均受障礙，謹言慎行而反招讒嫉；時事轉移之妨害，人事變遷之挫折也。

Fifty-seventh, if the four colors of slickness, dryness, heat and obscurity appear on someone who is both upright and greedy, it indicates troubles and complex diseases; every movement and stillness is hesitant, due to excessive worries leading to financial loss; actions are scattered without direction, and constant turning in hesitation leads to nothing but inferior results; right and wrong cannot be decided, and grievances remain unclear. Thus, the difference between integrity and greed in conduct leads to varying degrees of obstacles. Fifty-eighth, if these four colors appear on a person who is decisive and cautious, it indicates overthinking leading to ailments such as obstruction and damage to the yin aspect of the stomach; being overly prepared for everything, yet losing money in trivial matters; wanting to abandon small gains for greater ones, yet facing constant obstacles; being cautious and restrained only leads to slander and jealousy; additionally, there are hindrances from changing circumstances and setbacks from personnel changes.