Closed sound,浊 and law, two eight

閉音濁和律二之八；■莊震■○○○○，■■■■多可個舌；十一音：■乍□■○○○○，八音：■■■■禾火化八；六聲：■叉赤■○○○○，一聲：■■■■開宰愛○；■崇辰■○○○○，■■■■回每退○；■卓中■○○○○，■■■■良兩向○；十二音：■宅直■○○○○，八音：■■■■光廣況○；六聲：■拆丑■○○○○，二聲：■■■■丁井亙○；■茶呈■○○○○，■■■■兄永瑩○。

On the right side, another section begins with "Closed Vowel Muddy Harmony Law Two of Eight": The eighth tone, belonging to the fire element, is "Zi Zai Jiang ■", with the closed position having no sound, and the "he" character is represented as "■". It descends in four repetitions. The first tone's four lines are "Du Ke Ge She, He Huo Hua Ba, Kai Zai Ai ○, Hui Mei Tui ○", and the second tone's four lines are "Liang Liang Xiang ○, Guang Guang Kuang ○, Ding Jing Geng ○, Xiong Yong Ying ○". On the left side, it concludes with the ending of "Entering Tone Consonant Singing Lü Two of Six", singing the eleventh tone's four lines "■ Zhuang Zhen ■, ■ Zha □ ■, ■ Cha Chi ■, ■ Chong Chen ■" and the twelfth tone's four lines "■ Zhuo Zhong ■, ■ Zhai Zhi ■, ■ Che Chou ■, ■ Cha Cheng ■" with four repetitions of "○". Both tones on the left side have no sound in the open and closed positions, so only the middle two characters of each line can be read. On the right side, although it uses a void position as the "he", it still proceeds tone by tone, unwilling to omit any position.

入聲翕唱呂二之七；古甲九癸十十十十，■■■■千典旦○；一音：□□近揆十十十十，八音：■■■■元犬半○；七聲：坤巧丘棄十十十十，三聲：■■■■臣引艮○；□□乾蚪十十十十，■■■■君允巽○；黑花香血十十十十，■■■■刀早孝嶽；二音：黃華雄賢十十十十，八音：■■■■毛寶報霍；七聲：五瓦仰□十十十十，四聲：■■■■牛斗奏六；吾牙月堯十十十十，■■■■○○○玉；安亞乙一十十十十，■■■■妻子四日；三音：□爻壬寅十十十十，八音：■■■■衰○帥骨；七聲：母馬美米十十十十，五聲：■■■■○○○德；目貌眉民十十十十，■■■■龜水貴北。

The left column begins with "The Seventh Category of the Leveling Tone in the Risheng Xi Chang Lu Er": the tone sung is the "Shi" character, an entering tone character from the seventh class of the lunar movement "○○○十". In this line, the level, rising, and falling tones have no characters marked with "○", but the entering tone position has "Shi" available, so the actual character sung in this line is "Shi". Each line is repeated four times. The first tone is sung in four lines: "Gu Jia Jiui Gui, □□ Jin Kui, Kun Qiao Qiu Qi, □□ Qian Tu". The second tone is sung in four lines: "Hei Hua Xiang Xue, Huang Hua Xiong Xian, Wu Wa Yang □, Wu Ya Yue Yao". The third tone is sung in four lines: "An Ya Yi Yi, □ Yao Ren Yin, Mu Ma Mei Mi, Mu Mao Mei Min". The right column, "The Eighth Category of the Closed Tone in the Biyin Zhu He Lu Er", uses "■" repeated four times, and harmonizes the third tone in four lines: "Qian Dian Dan ○, Yuan Quan Ban ○, Chen Yin Gen ○, Jun Yun Xun ○", the fourth tone in four lines: "Dao Zao Xiao Yue, Mao Bao Bao Huo, Niu Dou Zou Liu, ○○○ Yu", and the fifth tone in four lines: "Zi Qi Si Ri, Shuai ○ Shuai Gu, ○○○ De, Gui Shui Gui Bei". The sung character "Shi" is the only real character in this line, with the level, rising, and falling tones all empty. The right column's harmonized third, fourth, and fifth tones have more complete examples, though the entering tone position often has missing characters. The left column takes one entering tone character and sings it across forty-eight tones, while the right column takes one closed tone position and harmonizes it across forty tones. The two diagrams proceed in parallel without mutual involvement.

夫法□飛十十十十，■■■■宮孔眾○；四音：父凡□吠十十十十，八音：■■■■龍甬用○；七聲：武晚□尾十十十十，六聲：■■■■魚鼠去○；文萬□未十十十十，■■■■烏虎兔○；卜百丙必十十十十，■■■■心審禁○；五音：步白備鼻十十十十，八音：■■■■○○○十；七聲：普撲品匹十十十十，七聲：■■■■男坎欠○；旁排平瓶十十十十，■■■■○○○妾；東丹帝■十十十十，■■■■●●●●；六音：兌大弟■十十十十，八音：■■■■●●●●；七聲：土貪天■十十十十，八聲：■■■■●●●●；同覃田■十十十十，■■■■●●●●。

The left column, "Rusheng Xi Chang Lü Er Zi Qi," uses the character "十" repeated four times, singing four lines of the fourth tone: "Fu Fa Fei, Fu Fan Fei, Wu Wan Wei, Wen Wan Wei." It then sings four lines of the fifth tone: "Bu Bai Bing Bi, Bu Bai Bei Bi, Pu Pu Pin Pi, Pang Pai Ping Ping." Next, it sings four lines of the sixth tone: "Dong Dan Di ■, Du Da Di ■, Tu Tan Tian ■, Tong Tan Tian ■." The right column, "Biyan Zhu He Lu Er Zi Ba," uses the character "■" repeated four times, harmonizing four lines of the sixth tone: "Gong Kong Zhong ○, Long Yong Yong ○, Yu Shu Qu ○, Wu Hu Tu ○," followed by four lines of the seventh tone: "Xin Shen Jin ○, ○○○ Shi, Nan Kan Qian ○, ○○○ Jie." Then it harmonizes four lines of the eighth tone. The last line of the fourth tone in the left column, "Wei," still uses a character from the Earthly Branches as an example of sound, borrowing only its sound and not its meaning. Among the three tones in the left column, the sixth tone's closed category has no sound. In the right column, the fourth line of the sixth tone is completely empty, and the two lines of the seventh tone, "○○○ Shi" and "○○○ Jie," only have characters in the position. The eighth tone has no characters at all. In the sound chart, empty spaces are marked with "○" and "●," while in the tone chart, empty spaces are marked with "□" and "■," distinguishing them clearly.

乃你女■十十十十，■■■■●●●●；七音：內南年■十十十十，八音：■■■■●●●●；七聲：老冷呂■十十十十，九聲：■■■■●●●●；鹿犖離■十十十十，■■■■●●●●；走哉足■十十十十，■■■■●●●●；八音：自在匠■十十十十，八音：■■■■●●●●；七聲：草采七■十十十十，十聲：■■■■●●●●；曹才全■十十十十，■■■■●●●●。

The left column, "Rush Sound of the Seventh Tone in the Second Category of the Level Tone," uses the character "ten" repeated four times, singing four lines of the seventh tone: "Nai ni nv ■, nei nan nian ■, lao leng lv ■, lu luo li ■" and four lines of the eighth tone: "Zou zai zu ■, zi zai jiang ■, cao caipin ■, cao caiquan ■." The right column, "Closed Sound of the Eighth Tone in the Second Category of the Level Tone," uses the character "■" repeated four times, harmonizing the ninth and tenth tones, totaling eight lines, all marked as "●●●●." This section concludes with the completion of the harmony. The left column still has eight lines of phonetic characters to be read, while the right column has no characters for the ninth and tenth tones, all marked as "●." Among the standard tones, only seven categories have usable sounds, with three categories left empty; similarly, among the standard phonetic characters, the number of usable sounds is also insufficient. This is the origin of the use of "seven" and "five" in the following text.

閉音濁和律二之九；思三星■十十十十，■■■■多可個舌；九音：寺□象■十十十十，九音：■■■■禾火化八；七聲：□□□■十十十十，一聲：■■■■開宰愛○；□□□■十十十十，■■■■回每退○；■山手■十十十十，■■■■良兩向○；十音：■士石■十十十十，九音：■■■■光廣況○；七聲：■□耳■十十十十，二聲：■■■■丁井亙○；■□二■十十十十，■■■■兄永瑩○；■莊震■十十十十，■■■■千典旦○；十一音：■乍□■十十十十，九音：■■■■元犬半○；七聲：■叉赤■十十十十，三聲：■■■■臣引艮○；■崇辰■十十十十，■■■■君允巽○。

The right column begins with "Closed Tone Muddy Harmony Law Two Nine": the ninth tone, belonging to the fire element, is "Si□Xiang■", where the closed position has no sound, and the harmony character is "■". It descends in four repetitions. The first tone's four lines are "Du Ke Ge She, He Huo Hua Ba, Kai Zai Ai ○, Hui Mei Tui ○", the second tone's four lines are "Liang Liang Xiang ○, Guang Guang Kuang ○, Ding Jing Geng ○, Xiong Yong Ying ○", and the third tone's four lines are "Qian Dian Dan ○, Yuan Quan Ban ○, Chen Yin Gen ○, Jun Yun Xun ○". The left column remains "Entering Tone Harmonious Singing Law Two Seven", continuing to sing the ninth tone's four lines with the character "Shi" repeated four times: "Si San Xing ■, Si □ Xiang ■, □ □ □ ■, □ □ □ ■", the tenth tone's four lines: "■ Shan Shou ■, ■ Shi Shi ■, ■ □ Er ■, ■ □ Er ■", and the eleventh tone's four lines: "■ Zhuang Zhen ■, ■ Zha □ ■, ■ Cha Chi ■, ■ Chong Chen ■". The ninth tone's fire element "Si □ Xiang ■" has no sound in the closed position, so the harmony character can only be "■". The ninth, tenth, and eleventh tones on the left column are also the section with the most empty positions, where "□" and "■" alternate in lines. Although both columns involve blank spaces, they refer to different things: one is the absence of a character in a phonetic position, and the other is the non-establishment of a phonetic position. When reading, one must distinguish between the two.

■卓中■十十十十，■■■■刀早孝嶽；十二音：■宅直■十十十十，九音：■■■■毛寶報霍；七聲：■拆丑■十十十十，四聲：■■■■牛斗奏六；■茶呈■十十十十，■■■■○○○玉。

The left column, "Rusheng Xi Chang Lü Er Zhi Qi," uses the character "十" repeated four times, singing the twelfth tone in four lines: "■ Zhuo Zhong ■, ■ Zhai Zhi ■, ■ Che Chou ■, ■ Cha Cheng ■," and the singing of this diagram is completed. The right column, "Biyin Zhu He Lu Er Zhi Jiu," uses "■" repeated four times, harmonizing the fourth tone in four lines: "Dao Zao Xiao Yue, Mao Bao Bao Huo, Niu Dou Zou Liu, ○○○ Yu," with the last line only having the character "Yu" in the position of entry.

入聲翕唱呂二之八；古甲九癸●●●●，■■■■妻子四日；一音：□□近揆●●●●，九音：■■■■衰○帥骨；八聲：坤巧丘棄●●●●，五聲：■■■■○○○德；□□乾蚪●●●●，■■■■龜水貴北；黑花香血●●●●，■■■■宮孔眾○；二音：黃華雄賢●●●●，九音：■■■■龍甬用○；八聲：五瓦仰□●●●●，六聲：■■■■魚鼠去○；吾牙月堯●●●●，■■■■烏虎兔○；安亞乙一●●●●，■■■■心審禁○；三音：□爻王寅●●●●，九音：■■■■○○○十；八聲：母馬美米●●●●，七聲：■■■■男坎欠○；目貌眉民●●●●，■■■■○○○妾。

The left column begins with "The Eighth Class of Inclusive Singing in the Second of the Two Lü." The eighth class of the main tone has no sound throughout, and the position of the moon's entry is a pure empty position, so the character for singing is written as "●". Each line is repeated four times. The first tone is sung in four lines: "Ancient Jia ninth Gui, □□ near揆,坤 skill hill discard, □□ Heaven蚪." The second tone is sung in four lines: "Black flower fragrant blood, Yellow flower strong virtue, five wa upward □, I tooth moon Yao." The third tone is sung in four lines: "Anya Yi one, □ yao King Yin, mother horse beautiful rice, eye appearance eyebrow people." The second line of the third tone, the original manuscript reads "King Yin," but elsewhere it is written as "Renyin," and the current version preserves the original. The right column, "The Ninth Class of Closed Tone in the Second of the Two Lü," uses "■" repeated four times. The fifth tone is sung in four lines: "Spouse four days, decline □ general bone, □□□ virtue, turtle water noble north." The sixth tone is sung in four lines: "Palace Kong crowd □, dragon Yong use □, fish rat go □, crow tiger rabbit □." The seventh tone is sung in four lines: "Heart review prohibition □, □□□ ten, male Kan lack □, □□□ concubine." Singing all forty-eight tones across an empty position, the characters may not be complete, but the positions are not missing. This is a fixed rule in the calculation of the "Huang Ji Jing Shi." Among the three tones sung in the right column, the fifth tone "decline □ general bone" is missing the rising tone, "□□□ virtue" only retains the entering tone, the sixth tone's four lines have all empty positions, and the seventh tone also has many empty spaces, each marked with "○."

夫法□飛●●●●，■■■■●●●●；四音：父凡□吠●●●●，九音：■■■■●●●●；八聲：武晚□尾●●●●，八聲：■■■■●●●●；文萬○未●●●●，■■■■●●●●；卜百丙必●●●●，■■■■●●●●；五音：步白備鼻●●●●，九音：■■■■●●●●；八聲：普撲品匹●●●●，九聲：■■■■●●●●；旁排平瓶●●●●，■■■■●●●●；東丹帝■●●●●，■■■■●●●●；六音：兌大弟■●●●●，九音：■■■■●●●●；八聲：土貪天■●●●●，十聲：■■■■●●●●；同覃田■●●●●，■■■■●●●●。

The left column, "Rusheng Xi Chang Lü Er Zhi Ba," uses four repetitions of "●" for the fourth tone, singing four lines of the fourth tone: "Fu Fa Fei, Fu Fan Fei, Wu Wan Wei, Wen Wan Wei." The fifth tone has four lines: "Bu Bai Bing Bi, Bu Bai Bei Bi, Pu Pu Pin Pi, Pang Pai Ping Ping." The sixth tone has four lines: "Dong Dan Di ■, Du Da Di ■, Tu Tan Tian ■, Tong Tan Tian ■." In the last line of the fourth tone, elsewhere it is written as "Wen Wan Wei," but in this text it is written as "Wen Wan Wei," using the empty symbol from the sound chart for the position, which is now recorded as is. The right column, "Biyan Zhu He Lv Er Zhi Jiu," uses four repetitions of "■" for the eighth, ninth, and tenth tones, totaling twelve lines, all marked as "●●●●," indicating the end of this chart. The left column has many more phonetic characters in this section, while the right column has no sound for the eighth, ninth, and thirteenth tones, with all twelve lines marked as "●." Within the same line, the left side is real and the right side is empty, clearly showing Shao Yong's idea that there are fewer sounds but more tones: among the ten categories of correct sounds, seven are usable, and among the twelve categories of correct tones, five are usable. The calculation at the beginning of the text is based on this.

閉音濁和律二之十；乃你女■●●●●，■■■■多可個舌；七音：內南年■●●●●，十音：■■■■禾火化八；八聲：老冷呂■●●●●，一聲：■■■■開宰愛○；鹿犖離■●●●●，■■■■回每退○；走哉足■●●●●，■■■■良兩向○；八音：自在匠■●●●●，十音：■■■■光廣況○；八聲：草采七■●●●●，二聲：■■■■丁井亙○；曹才全■●●●●，■■■■兄永瑩○；思三星■●●●●，■■■■千典旦○；九音：寺□象■●●●●，十音：■■■■元犬半○；八聲：□□□■●●●●，三聲：■■■■臣引艮○；□□□■●●●●，■■■■君允巽○。

The right column begins with "Closed Vowel Muddy Harmony Law Two of Ten": The tenth tone, belonging to the fire category, is "■shi shi■", with no sound in the closed position, and the harmony character is "■". It is repeated four times downward. The first tone has four lines: "duo ke ge she, he huohua ba, kai zai ai ○, hui mei tui ○"; the second tone has four lines: "liang liang xiang ○, guang guang kuang ○, ding jing geng ○, xiong yong ying ○"; the third tone has four lines: "qian dian dan ○, yuan quan ban ○, chen yin gen ○, jun yun xun ○". The left column remains "Entering Tone Consonant Singing Lu Two of Eight", continuing to sing the seventh tone with four repetitions: "nai ni nv ■, nei nan nian ■, lao leng lu ■, lu luo li ■"; the eighth tone has four lines: "zou zai zu ■, zi zai jiang ■, cao cai qi ■, cao cai quan ■"; the ninth tone has four lines: "si san xing ■, si □ xiang ■, □□□ ■, □□□ ■". The tenth tone "■shi shi■" has no sound in the closed position, so the harmony character is "■". The seventh tone on the left is the "ni lai" category, the eighth tone is the "chi tou" category, and the ninth tone examples are scattered, with all three tones having no sound in the closed position. Both columns are arranged side by side, one recording the order of tones and the other the order of tones. Therefore, the headings "seven tones," "eight tones," and "nine tones" on the top of each line, and "first tone," "second tone," and "third tone" belong to the two diagrams respectively.

■山手■●●●●，■■■■刀早孝嶽；十音：■士石■●●●●，十音：■■■■毛寶報霍；八聲：■□耳■●●●●，四聲：■■■■牛斗奏六；■□二■●●●●，■■■■○○○玉；■莊震■●●●●，■■■■妻子四日；十一音：■乍□■●●●●，十音：■■■■衰○帥骨；八聲：■叉赤■●●●●，五聲：■■■■○○○德；■崇辰■●●●●，■■■■龜水貴北；■卓中■●●●●，■■■■宮孔眾○；十二音：■宅直■●●●●，十音：■■■■龍甬用○；八聲：■拆丑■●●●●，六聲：■■■■魚鼠去○；■茶呈■●●●●，■■■■烏虎兔○。

The left column, "Rush Sound Harmony of the Second of the Two Lü in the Eighth," uses four repetitions of "●" and sings four lines for the tenth tone: "■ Mountain hand ■, ■ Man stone ■, ■ Ear ■, ■ Two ■," four lines for the eleventh tone: "■ Zhuang Zhen ■, ■ Just ■, ■ Fork red ■, ■ Sheng Chen ■," and four lines for the twelfth tone: "■ Zhuo Zhong ■, ■ Residence straight ■, ■ Split Chou ■, ■ Tea present ■," completing the diagram. The right column, "Closed Sound浊 Harmony of the Second of the Ten Lü," uses four repetitions of "■" and harmonizes four lines for the fourth tone: "Dao zao Xiao yue, Mao bao bao huo, Niu dou zhou liu, ○○○ Yu," four lines for the fifth tone: "Spouse four day, Shuai ○ Shuai gu, ○○○ De, Gui shui gui bei," and four lines for the sixth tone: "Palace Kong Zhong ○, Long Yong yong ○, Yu shu qu ○, Wu hu tu ○." In the left column, from the tenth to the twelfth tones, both open and closed sections mostly have no sound, only the middle two characters can be read; in the right column, the three tones harmonized have more complete examples, but the entering tone is often missing. Within one diagram, one singing character corresponds to forty positions, and one harmonizing character corresponds to forty-eight positions. The four repetitions match the four categories per line: in the tone diagram, they are open, initial, medial, and closing; in the sound diagram, they are level, rising, falling, and entering.

入聲翕唱呂二之九；古甲九癸●●●●，■■■■心審禁○；一音：□□近揆●●●●，十音：■■■■○○○十；九聲：坤巧丘棄●●●●，七聲：■■■■男坎欠○；□□乾蚪●●●●，■■■■○○○妾；黑花香血●●●●，■■■■●●●●；二音：黃華雄賢●●●●，十音：■■■■●●●●；九聲：五瓦仰□●●●●，八聲：■■■■●●●●；吾牙月堯●●●●，■■■■●●●●；安亞乙一●●●●，■■■■●●●●；三音：□爻壬寅●●●●，十音：■■■■●●●●；九聲：母馬美米●●●●，九聲：■■■■●●●●；目貌眉民●●●●，■■■■●●●●。

The left column begins with "Rusheng Xi Chang Lv Er Zhi Jiu." The ninth category of the main tone has no sound, and the moon's position remains marked as "●". Each line has four repetitions. The first tone is sung in four lines: "Gu Jia Jiu Gui, □□ Jin Kui, Kun Qiao Qiu Qi, □□ Qian Tu." The second tone is sung in four lines: "He Hua Xiang Xue, Huang Hua Xiong Xian, Wu Wa Yang □, Wu Ya Yue Yao." The third tone is sung in four lines: "An Ya Yi Yi, □ Yao Ren Yin, Mu Ma Mei Mi, Mu Mao Mei Min." The right column, "Biyin Zhu He Lv Er Zhi Shí," uses "■" repeated four times, and harmonizes the seventh tone in four lines: "Xin Shen Jin ○, ○○○ Shi, Nan Kan Qian ○, ○○○ Jie." Then it harmonizes the eighth and ninth tones, totaling eight lines, all marked as "●●●●." Since the ninth category of the main tone has no sound position, what is sung is merely a blank space; however, once the singing is established, all forty-eight tones must still be covered. The right column's seventh tone still includes characters such as Xin, Shen, Jin, Nan, Kan, and Qian, while the eighth and ninth tones have no characters at all. The full line of "●" in the left column represents the absence of sound, and the full line of "●" in the right column also represents the absence of sound. However, the "■" in the lines of the left column's tones represents the absence of tone. Although all three are blank spaces, they belong to different categories, sound and tone, and should not be confused.

夫法□飛●●●●，■■■■●●●●；四音：父凡□吠●●●●，十音：■■■■●●●●；九聲：武晚□尾●●●●，十聲：■■■■●●●●；文萬□未●●●●，■■■■●●●●。

The left column, "Rush Sound Harmony Two of Nine," uses four repetitions of "●" to sing the fourth tone in four lines: "Fu Fa □ Fei, Fu Fan □ Fei, Wu Wan □ Wei, Wen Wan □ Wei." The right column, "Closed Sound Muted Harmony Two of Ten," uses four repetitions of "■" to harmonize the tenth sound in four lines, with all four lines marked as "●●●●," indicating the completion of the harmony. The left column's four lines of the fourth tone all end with "□," which represents a phonetic position without a character. The right column's four lines of the tenth sound have no phonetic positions at all, hence marked with "●."

閉音濁和律二之十一；卜百丙必●●●●，■■■■多可個舌；五音：步白備鼻●●●●，十一音：■■■■禾火化八；九聲：普撲品匹●●●●，一聲：■■■■開宰愛○；旁排平瓶●●●●，■■■■回每退○；東丹帝■●●●●，■■■■良兩向○；六音：兌大弟■●●●●，十一音：■■■■光廣況○；九聲：土貪天■●●●●，二聲：■■■■丁井亙○；同覃田■●●●●，■■■■兄永瑩○；乃你女■●●●●，■■■■千典旦○；七音：內南年■●●●●，十一音：■■■■元犬半○；九聲：老冷呂■●●●●，三聲：■■■■臣引艮○；鹿犖離■●●●●，■■■■君允巽○。

The right column begins with "Closed Vowel Muddy Harmony Law Two, Number Eleven": The eleventh tone, belonging to the fire category, is "■乍□■", where the closed position has no sound, and the harmony character is "■". It is repeated four times downward. The first tone's four lines are "duo ke ge she, he huohua ba, kai zai ai ○, hui mei tui ○", the second tone's four lines are "liang liang xiang ○, guang guang kuang ○, ding jing geng ○, xiong yong ying ○", and the third tone's four lines are "qian dian dan ○, yuan quan ban ○, chen yin gen ○, jun yun xun ○". The left column remains with "Entering Tone Harmonious Singing Law Two, Number Nine", continuing to sing the fifth tone's four lines with "●" repeated four times: "bu bai bing bi, bu bai bei bi, pu pu pin pi, pang pai ping ping", the sixth tone's four lines: "dong dan di ■, dui da di ■, tu tan tian ■, tong tan tian ■", and the seventh tone's four lines: "nai ni nu ■, nei nan nian ■, lao leng lv ■, lu luo li ■". The eleventh tone's fire category "■乍□■" has no sound in the closed position, so the harmony character becomes "■". The fifth tone on the left is a heavy lip category, with all four characters complete; however, the closed positions of the sixth and seventh tones have no sound. One real and one imaginary appear in the same section, clearly showing the varying number of examples for different categories in the sound chart, while the positions still need to be filled up to twelve.

走哉足■●●●●，■■■■刀早孝嶽；八音：自在匠■●●●●，十一音：■■■■毛寶報霍；九聲：草采七■●●●●，四聲：■■■■牛斗奏六；曹才全■●●●●，■■■■○○○玉；思三星■●●●●，■■■■妻子四日；九音：寺□象■●●●●，十一音：■■■■衰○帥骨；九聲：□□□■●●●●，五聲：■■■■○○○德；□□□■●●●●，■■■■龜水貴北；■山手■●●●●，■■■■宮孔眾○；十音：■士石■●●●●，十一音：■■■■龍甬用○；九聲：■□耳■●●●●，六聲：■■■■魚鼠去○；■□二■●●●●，■■■■烏虎兔○。

The left column, "Rusheng Xi Chang Lü Er Zhi Jiú," uses four repetitions of "●" to sing eight tones in four lines: "Zou Zai Zu ■, Zi Zai Jiang ■, Cao Cai Qi ■, Cao Cai Quan ■," nine tones in four lines: "Si San Xing ■, Si □ Xiang ■, □ □ □ ■, □ □ □ ■," and ten tones in four lines: "■ Shan Shou ■, ■ Shi Shi ■, ■ □ Er ■, ■ □ Er ■." The right column, "Bi Yin Zhu He Lu Er Zhi Shiyi," uses four repetitions of "■" to harmonize the fourth tone in four lines: "Dao Zao Xiao Yue, Mao Bao Bao Huo, Niu Dou Zou Liu, ○ ○ ○ Yu," fifth tone in four lines: "Zi Qi Si Ri, Shuai ○ Shuai Gu, ○ ○ ○ De, Gui Shui Gui Bei," and sixth tone in four lines: "Gong Kong Zhong ○, Long Yong Yong ○, Yu Shu Qu ○, Wu Hu Tu ○." The eighth tone in the left column belongs to the dental initial, the ninth tone to the heart and throat, and the tenth tone alternates between "□" and "■." The right column provides more complete examples of the three tones, though the position of the entering tone is often missing. The four repetitions at the end of each line in the left column indicate the tone position, while the four repetitions at the beginning of each line in the right column indicate the phonetic position. Therefore, the empty symbols used in both columns exactly swap: one uses "●" to indicate silence, while the other uses "■" to indicate no sound.

■莊震■●●●●，■■■■心審禁○；十一音：■乍□■●●●●，十一音：■■■■○○○十；九聲：■叉赤■●●●●，七聲：■■■■男坎欠○；■崇辰■●●●●，■■■■○○○妾；■卓中■●●●●，■■■■●●●●；十二音：■宅直■●●●●，十一音：■■■■●●●●；九聲：■拆丑■●●●●，八聲：■■■■●●●●；■茶呈■●●●●，■■■■●●●●。

The left column concludes with "入声翕唱吕二之九," using "●" repeated four times to sing the eleventh tone in four lines: "■庄震■, ■乍□■, ■叉赤■, ■崇辰■" and the twelfth tone in four lines: "■卓中■, ■宅直■, ■拆丑■, ■茶呈■." The right column, "闭音浊和律二之十一," uses "■" repeated four times, harmonizing the seventh tone in four lines: "心审禁○, ○○○十, 男坎欠○, ○○○妾" and the eighth tone in four lines; the eighth tone lines are all "●●●●." Both tones in the left column have no sounds in the open and closed categories. In the right column, the seventh tone lines have all blanks, and the eighth tone has no characters at all. The labels "eleventh tone," "twelfth tone," "seventh tone," and "eighth tone" each indicate their respective positions within their columns.

入聲翕唱呂二之十；古甲九癸●●●●，■■■■●●●●；一音：□□近揆●●●●，十一音：■■■■●●●●；十聲：坤巧丘棄●●●●，九聲：■■■■●●●●；□□乾蚪●●●●，■■■■●●●●；黑花香血●●●●，■■■■●●●●；二音：黃華雄賢●●●●，十一音：■■■■●●●●；十聲：五瓦仰□●●●●，十聲：■■■■●●●●；吾牙月堯●●●●，■■■■●●●●。

The left column begins with "Rusheng Xi Chang Lü Er Zhi Shí." The tenth category of the clear tone has no sound, with the moon's movement entering the position marked as "●", each line having four repetitions. The first tone is sung in four lines: "Gǔ Jiǎ Jiǔ Guǐ, □□ Jìn Kuí, Kūn Qiǎo Qiū Qì, □□ Qián Tóu" and the second tone in four lines: "Hēi Huā Xiāng Xuè, Huáng Huá Xióng Xián, Wǔ Wǎ Yǎng □, Wú Yá Yuè Yáo." The right column, "Biyin Zhu He Lü Er Zhī Shí Yī," uses "■" repeated four times, harmonizing the ninth and tenth tones, totaling eight lines, all marked as "●●●●." This completes the diagram. Since the tenth category of the clear tone has no sound, what is sung is merely empty spaces; the ninth and tenth tones in the right column also have no sound to cite. Singing empty into empty, yet the positions are not missing, clearly showing that this diagram emphasizes numbers. By now, the moon's movement in the entering tone has been arranged up to the tenth diagram, and the ten categories of the clear tone have been fully covered.

閉音濁和律二之十二；安亞乙一●●●●，■■■■多可個舌；三音：□爻壬寅●●●●，十二音：■■■■禾火化八；十聲：母馬美米●●●●，一聲：■■■■開宰愛○；目貌眉民●●●●，■■■■回每退○；夫法□飛●●●●，■■■■良兩向○；四音：父凡□吠●●●●，十二音：■■■■光廣況○；十聲：武晚□尾●●●●，二聲：■■■■丁井亙○；文萬□未●●●●，■■■■兄永瑩○；卜百丙必●●●●，■■■■千典旦○；五音：步白備鼻●●●●，十二音：■■■■元犬半○；十聲：普撲品匹●●●●，三聲：■■■■臣引艮○；旁排平瓶●●●●，■■■■君允巽○。

The right column begins with "Closed Tone浊和律二之十二": the twelfth tone of the fire element is "■宅直■", with no sound in the closed position, and the character for harmony is written as "■". It is repeated four times downward. The first tone has four lines: "多可个舌、禾火化八、开宰爱○、回每退○", the second tone has four lines: "良两向○、光广况○、丁井亘○、兄永莹○", and the third tone has four lines: "千典旦○、元犬半○、臣引艮○、君允巽○". This is the last diagram of the "浊和律" series. The left column remains with "入声翕唱吕二之十", continuing to sing the third tone with four lines: "安亚乙一、□爻壬寅、母马美米、目貌眉民", the fourth tone with four lines: "夫法□飞、父凡□吠、武晚□尾、文万□未", and the fifth tone with four lines: "卜百丙必、步白备鼻、普扑品匹、旁排平瓶". The twelfth tone of the fire element "■宅直■" has no sound in the closed position, so the character for harmony remains "■". From the sixth tone onwards, the seven diagrams all have empty characters for harmony, except for the first five diagrams, which have five real characters: "揆", "贤", "寅", "吠", and "鼻". This exactly matches the number "石火音五" mentioned at the beginning.

東丹帝■●●●●，■■■■刀早孝嶽；六音：兌大弟■●●●●，十二音：■■■■毛寶報霍；十聲：土貪天■●●●●，四聲：■■■■牛斗奏六；同覃田■●●●●，■■■■○○○玉；乃你女■●●●●，■■■■妻子四日；七音：內南年■●●●●，十二音：■■■■衰○帥骨；十聲：老冷呂■●●●●，五聲：■■■■○○○德；鹿犖離■●●●●，■■■■龜水貴北；走哉足■●●●●，■■■■宮孔眾○；八音：自在匠■●●●●，十二音：■■■■龍甬用○；十聲：草采七■●●●●，六聲：■■■■魚鼠去○；曹才全■●●●●，■■■■烏虎兔○。

The left column, "入声翕唱吕二之十," uses four repetitions of "●" and sings four lines for the sixth tone: "东丹帝■, 兑大弟■, 土贪天■, 同覃田■," four lines for the seventh tone: "乃你女■, 内南年■, 老冷吕■, 鹿荦离■," and four lines for the eighth tone: "走哉足■, 自在匠■, 草采七■, 曹才全■." The right column, "闭音浊和律二之十二," uses four repetitions of "■" and harmonizes four lines for the fourth tone: "刀早孝岳, 毛宝报霍, 牛斗奏六, ○○○玉," four lines for the fifth tone: "妻子四日, 衰○帅骨, ○○○德, 龟水贵北," and four lines for the sixth tone: "宫孔众○, 龙甬用○, 鱼鼠去○, 乌虎兔○." The sixth tone in the left column is the tongue route, the seventh tone is the nasal and laryngeal route, and the eighth tone is the dental route; all closed tones have no sound. In the right column, the last line of the fourth tone only includes "玉," the second line of the fifth tone is missing the rising tone, and all four lines of the sixth tone are completely empty, each marked with "○." Reading both columns together, the left column counts the tone positions and the right column counts the sound positions. The difference between forty-eight and forty is due to the offset in the titles of the two diagrams.

思三星■●●●●，■■■■心審禁○；九音：寺□象■●●●●，十二音：■■■■○○○十；十聲：□□□■●●●●，七聲：■■■■男坎欠○；□□□■●●●●，■■■■○○○妾；■山手■●●●●，■■■■●●●●；十音：■士石■●●●●，十二音：■■■■●●●●；十聲：■□耳■●●●●，八聲：■■■■●●●●；■□二■●●●●，■■■■●●●●；■莊震■●●●●，■■■■●●●●；十一音：■乍□■●●●●，十二音：■■■■●●●●；十聲：■叉赤■●●●●，九聲：■■■■●●●●；■崇辰■●●●●，■■■■●●●●。

The left column, "Rusheng Xi Chang Lü Er Zhi Shí," uses four repetitions of "●" and sings four lines for the ninth tone: "Si San Xing ■, Si □ Xiang ■, □ □ □ ■, □ □ □ ■," and four lines for the tenth tone: "■ Shan Shou ■, ■ Shi Shi ■, ■ □ Er ■, ■ □ Er ■," and four lines for the eleventh tone: "■ Zhuang Zhen ■, ■ Zha □ ■, ■ Cha Chi ■, ■ Chong Chen ■." The right column, "Biyan Zhu He Lu Er Zhi Shí'er," uses four repetitions of "■" and harmonizes four lines for the seventh tone: "Xin Shen Jin ○, ○ ○ ○ Shi, Nan Kan Qian ○, ○ ○ ○ Jie," then harmonizes the eighth and ninth tones together in eight lines, all using "● ● ● ●." In the left column, the ninth, tenth, and eleventh tones alternate between "□" and "■" in each line. In the right column, the seventh tone still has six characters readable, while the eighth and ninth tones have no characters at all. Within one section, four symbols are present: "○" has sound but no characters, "●" has no sound, "□" has sound but no characters, and "■" has no sound. The first two belong to sound diagrams, and the last two belong to sound diagrams, each determined by their respective columns and cannot be used interchangeably.

■卓中■●●●●，■■■■●●●●；十二音：■宅直■●●●●，十二音：■■■■●●●●；十聲：■拆丑■●●●●，十聲：■■■■●●●●；■茶呈■●●●●，■■■■●●●●。

The left column, "Rusheng Xi Chang Lü Er Zhi Shi," sings the twelfth tone with four lines: "■ Zhuo Zhong ■, ■ Zhai Zhi ■, ■ Che Chou ■, ■ Cha Cheng ■." The right column, "Biyan Zhu He Lu Er Zhi Shiwu," harmonizes the tenth tone with four lines. The "Yue" line in the rusheng category forms the tenth diagram for singing, and the "Huo" line in the biyan category forms the twelfth diagram for harmonizing. Thus, all diagrams are completed, and the series led by the fourth十八th section of "Guanwu Pian" is finished.

皇極經世書卷十下；觀物篇四十九；辰星聲入闢　石土音閉清；○○○六德，棄□米尾匹■；○○●●●，■■■■■■；辰星聲七，下唱地之　石土音五，上和天之；用音一百五十二，是　用聲一百一十二，是；謂入聲闢音。入聲闢　謂閉音清聲。閉音清；音一千六十四。　聲五百六十；辰星聲入之三辟　石土音閉之三清。

In Volume Ten, Part Two of The Supreme Principles Governing the World, in the fourth十九th section titled "Observing Things," the discussion concerns the pair "Chen Star Sound Enters the Open" and "Stone Soil Sound Closes the Clear." "Chen Star Sound Enters the Open" refers to the intersection of the "Chen" position (entering tone) and the "Star" row (third row of four rows, belonging to the open category) on the correct sound diagram; "Stone Soil Sound Closes the Clear" refers to the intersection of the "Stone" position (closed sound) and the "Soil" row (third row of four rows, belonging to the clear category) on the correct sound diagram. The original text is still printed in two columns, and when arranged horizontally, the first half belongs to sound and the second half to sound. The characters "○○○六德" and "○○●●●" are representative characters for the ten categories of correct sounds at the entering tone open position: the fourth tone corresponds to "six," the fifth tone corresponds to "de," and the first, second, third, sixth, and seventh tones have sound positions but no characters, represented by "○," while the eighth, ninth, and tenth tones have no sound positions, represented by "●," hence the following text says "Chen Star Sound Seven." The characters "弃□米尾匹■" and "■■■■■■" are representative characters for the twelve categories of correct sounds at the closed sound clear position: the first sound corresponds to "discarded," the third sound corresponds to "rice," the fourth sound corresponds to "tail," the fifth sound corresponds to "pair," the second sound has a sound position but no character, represented by "□," and the sixth sound and below are all represented by "■," hence the following text says "Stone Soil Sound Five." The explanation of the two columns is read separately as: "Chen Star Sound Seven, the lower singing of the earth's use of sound is one hundred and fifty-two, which is called entering tone open sound, entering tone open sound one thousand six hundred and forty," with seven usable sounds each singing one hundred and fifty-two usable sounds, resulting in one thousand six hundred and forty; "Stone Soil Sound Five, the upper harmony of the sky's use of sound is one hundred and twelve, which is called closed sound clear sound, closed sound clear sound five hundred and sixty," with five usable sounds each harmonizing with one hundred and twelve usable sounds, resulting in five hundred and sixty. The final title "Chen Star Sound Enters the Third Open" and "Stone Soil Sound Closes the Third Clear" indicates that the following diagrams all belong to the third system.

入聲闢唱呂三之一　閉音清和律三之一；古甲九癸○○○○，棄棄棄棄多可個舌；一音：□□近揆○○○○，一音：棄棄棄棄禾火化八；一聲：坤巧丘棄○○○○，一聲：棄棄棄棄開宰愛○；□□乾蚪○○○○，棄棄棄棄回每退○；黑花香血○○○○，棄棄棄棄良兩向○；二音：黃華雄賢○○○○，一音：棄棄棄棄光廣況○；一聲：五瓦仰□○○○○，二聲：棄棄棄棄丁井亙○；吾牙月堯○○○○，棄棄棄棄兄永瑩○；安亞乙一○○○○，棄棄棄棄千典旦○；三音：□爻壬寅○○○○，一音：棄棄棄棄元犬半○；一聲：母馬美米○○○○，三聲：棄棄棄棄臣引艮○；目貌眉民○○○○，棄棄棄棄君允巽○。

This line continues on both sides simultaneously. On the left, it is titled "The First of the Three in the Risheng Bi Chang Lu," and on the right, "The First of the Three in the Biyin Qing He Lu." The left side sings the entry of the first class of the positive tone, "Kai Zai Ai," in the risheng position, which has sound but no character, written as "○," with four repetitions per line. The right side harmonizes the first tone, "Tǔ Xíng" ("Earth Movement"), with the closed tone character "qì" ("discarded"), which has both sound and character, written as "qì," also with four repetitions per line. The left side sings four lines of the first tone: "Gǔ Jiǎ Jiǔ Guǐ, □□ Jìn Kuí, Kūn Qiǎo Qiū Qì, □□ Qián Duò," four lines of the second tone: "Hēi Huā Xiāng Xuè, Huáng Huā Xióng Xián, Wǔ Wǎ Yǎng □, Wú Yá Yuè Yáo," and four lines of the third tone: "Ān Yà Yǐ Yī, □ Yáo Rén Yín, Mǔ Mǎ Měi Mǐ, Mù Mào Mí Mín." The right side harmonizes four lines of the first tone: "Duō Kě Gè Shé, Hé Huǒ Huà Bā, Kāi Zai Ai ○, Huí Měi Tuì ○," four lines of the second tone: "Liáng Liǎng Xiàng ○, Guāng Guǎng Kuàng ○, Dīng Jǐng Gèn ○, Xiōng Yǒng Yíng ○," and four lines of the third tone: "Qiān Diǎn Dàn ○, Yuán Quǎn Bàn ○, Chén Yǐn Gèn ○, Jūn Yǔn Xùn ○." The third line sung on the left, "Kūn Qiǎo Qiū Qì," is exactly the source of the character "qì" harmonized on the right. The character appears twice but has different roles: on the left it is the sung tone, and on the right it is the harmonized character. The left side sings an empty tone, while the right side harmonizes a real character, with one empty and one real proceeding together.

夫法□飛○○○○，棄棄棄棄刀早孝嶽；四音：父凡□吠○○○○，一音：棄棄棄棄毛寶報霍；一聲：武晚□尾○○○○，四聲：棄棄棄棄牛斗奏六；文萬□未○○○○，棄棄棄棄○○○玉；卜百丙必○○○○，棄棄棄棄妻子四日；五音：步白備鼻○○○○，一音：棄棄棄棄衰○帥骨；一聲：普撲品匹○○○○，五聲：棄棄棄棄○○○德；旁排平瓶○○○○，棄棄棄棄龜水貴北；東丹帝■○○○○，棄棄棄棄宮孔眾○；六音：兌大弟■○○○○，一音：棄棄棄棄龍甬用○；一聲：土貪天■○○○○，六聲：棄棄棄棄魚鼠去○；同覃田■○○○○，棄棄棄棄烏虎兔○。

The left column, "Entry on the Fourth Tone of the Risheng Style," uses the character "○" four times, singing four lines of the fourth tone: "Fu fa □ fei, Fu fan □ fei, Wu wan □ wei, Wen wan □ wei," four lines of the fifth tone: "Bu ba bing bi, Bu bai bei bi, Pu pu pin pi, Pang pai ping ping," and four lines of the sixth tone: "Dong dan di ■, Du da di ■, Tu tan tian ■, Tong tan tian ■." The right column, "Entry on the Third Tone of the Bisheng Style," uses the character "qi" four times, harmonizing four lines of the fourth tone: "Dao zao xiao yue, Mao bao bao huo, Niu dou zhou liu, ○○○ yu," four lines of the fifth tone: "Zi qi si ri, Shuai ○ shuai gu, ○○○ de,Gui shui gui bei," and four lines of the sixth tone: "Gong kong zhong ○, Long yong yong ○, Yu shu qu ○, Wu hu tu ○." The last line of the fourth tone on the left, "○○○ yu," and the last line of the sixth tone on the right, "wu hu tu ○," one has only the character in the position, the other has only an empty position, forming a contrast. In the left column, the ending characters of the fourth tone are all "□," and the closing characters of the sixth tone are all "■." In the right column, the second line of the fifth tone is missing the rising tone, and the third line only retains the entering tone. In the sixth tone, all the entering tone positions are empty. The symbols for empty positions on the left and right columns are not interchangeable, and it is immediately clear which category they belong to. This diagram has the left column singing forty-eight tones and the right column harmonizing forty tones, each exhausting their positions before stopping.

乃你女■○○○○，棄棄棄棄心審禁○；七音：內南年■○○○○，一音：棄棄棄棄○○○十；一聲：老冷呂■○○○○，七聲：棄棄棄棄男坎欠○；鹿犖離■○○○○，棄棄棄棄○○○妾；走哉足■○○○○，棄棄棄棄●●●●；八音：自在匠■○○○○，一音：棄棄棄棄●●●●；一聲：草采七■○○○○，八聲：棄棄棄棄●●●●；曹才全■○○○○，棄棄棄棄●●●●；思三星■○○○○，棄棄棄棄●●●●；九音：寺□象■○○○○，一音：棄棄棄棄●●●●；一聲：□□□■○○○○，九聲：棄棄棄棄●●●●；□□□■○○○○，棄棄棄棄●●●●。

The left column, "入声辟唱吕三之一," uses the symbol "○" repeated four times, singing four lines for the seventh tone: "Nai ni nv ■, nei nan nian ■, lao leng lv ■, lu luo li ■," four lines for the eighth tone: "Zou zai zu ■, zi zai jiang ■, cao cais qi ■, cao cai quan ■," and four lines for the ninth tone: "Si san xing ■, si □ xiang ■, □□□ ■, □□□ ■." The right column, "闭音清和律三之一," uses the character "弃" repeated four times, harmonizing four lines for the seventh tone: "Xin shen jin ○, ○○○ shi, nan kan qian ○, ○○○ jie," then harmonizing the eighth and ninth tones together in eight lines, all marked as "●●●●." In the same section, the left column's seventh, eighth, and ninth tones have no sound, while the right column's eighth and ninth tones are entirely silent. Within the same section, the left column's "■" indicates the absence of a sound, and the right column's "●" indicates the absence of a tone. Although both symbols are black squares and circles, they refer to two different systems of positions. The annotations in the diagram for "七音" to "九音" and "七声" to "九声" record the order of sounds for the left and right columns respectively, and each should be read according to its own column.

■山手■○○○○，棄棄棄棄●●●●；十音：■士石■○○○○，一音：棄棄棄棄●●●●；一聲：■□耳■○○○○，十聲：棄棄棄棄●●●●；■□二■○○○○，棄棄棄棄●●●●。

The left column, "Entry on the入声辟唱吕三之一," uses the symbol "○" four times, singing the tenth tone in four lines: "■ mountain hand ■, ■ scholar stone ■, ■ □ ear ■, ■ □ two ■." The right column, "Entry on the闭音清和律三之一," uses the character "弃" four times, harmonizing the tenth tone in four lines, with all four lines marked as "●●●●," indicating the end of this diagram. The left column's tenth tone alternates between "□" and "■," with very few examples; the right column's tenth tone has no connected tone positions, hence all four lines are marked as "●."

閉音清和律三之二；■莊震■○○○○，□□□□多可個舌；十一音：■乍□■○○○○，二音：□□□□禾火化八；一聲：■叉赤■○○○○，一聲：□□□□開宰愛○；■崇辰■○○○○，□□□□回每退○；■卓中■○○○○，□□□□良兩向○；十二音：■宅直■○○○○，二音：□□□□光廣況○；一聲：■拆丑■○○○○，二聲：□□□□丁井亙○；■茶呈■○○○○，□□□□兄永瑩○。

The right column begins with "Closed Sound Clear Harmony Law Three, Part Two": the second tone, "earth movement," is "wu wa yang □," where the closed position has sound but no character, so the character "he" can only be written as "□," repeated four times per line. This differs from the preceding and following diagrams, which use "■" for the character "he"—"□" indicates a position with a lost character, while "■" indicates a position that was never established. It is different from the first tone's four lines "duo ke ge she, he huohua ba, kai zai ai ○, hui mei tui ○" and the second tone's four lines "liang liang xiang ○, guang guang kuang ○, ding jing geng ○, xiong yong ying ○." The left column concludes the "Entering Tone Singing Law Three, Part One," ending with "○" repeated four times for the eleventh tone's four lines "■ zhuang zhen ■, ■ zha □ ■, ■ cha chi ■, ■ chong chen ■" and the twelfth tone's four lines "■ zhuo zhong ■, ■ zhai zhi ■, ■ che chou ■, ■ cha cheng ■."

入聲闢唱呂三之二；古甲九癸○○○○，□□□□千典旦○；一音：□□近揆○○○○，二音：□□□□元犬半○；二聲：坤巧丘棄○○○○，三聲：□□□□臣引艮○；□□乾蚪○○○○，□□□□君允巽○；黑花香血○○○○，□□□□刀早孝嶽；二音：黃華雄賢○○○○，二音：□□□□毛寶報霍；二聲：五瓦仰□○○○○，四聲：□□□□牛斗奏六；吾牙月堯○○○○，□□□□○○○玉；安亞乙一○○○○，□□□□妻子四日；三音：□爻壬寅○○○○，二音：□□□□衰○帥骨；二聲：母馬美米○○○○，五聲：□□□□○○○德；目貌眉民○○○○，□□□□龜水貴北。

The left column begins with "The Second of the Three in the Risheng Pichang Lü" : the singing refers to the second class of the star line "Ding Jing Geng ○" in the entering tone position, which has sound but no character, written as "○". Each line is repeated four times. The first tone is sung in four lines: "Gu Jia Ji Gui, □□ Jin Kui, Kun Qiao Qiu Qi, □□ Qian Tu". The second tone is sung in four lines: "Hei Hua Xiang Xue, Huang Hua Xiong Xian, Wu Wa Yang □, Wu Ya Yue Yao". The third tone is sung in four lines: "An Ya Yi Yi, □ Yao Ren Yin, Mu Ma Mei Mi, Mu Mao Mei Min". The right column "Closed Tone Qinghe Law Three of Two" still uses "□" repeated four times as the harmonizing character, harmonizing the third tone in four lines: "Qian Dian Dan ○, Yuan Quan Ban ○, Chen Yin Gen ○, Jun Yun Xun ○", and the fourth tone in four lines: "Dao Zao Xiao Yue, Mao Bao Bao Huo, Niu Dou Zou Liu, ○○○ Yu", and the fifth tone in four lines: "Zi Qi Si Ri, Shuai ○ Shuai Gu, ○○○ De, Gui Shui Gui Bei". Within one line, the "○" in the left column and the "□" in the right column appear together: the former refers to the void in the sound diagram, while the latter refers to the void in the tone diagram, their positions differ and their references are different. The left column's singing comes from the sound star line, while the right column's harmonizing comes from the tone earth line; the "three" in the diagram title refers to the third line of both the sound and tone diagrams. The first two groups belong to the day and moon lines, hence the designation "One of N" and "Two of N". From here, it changes to "Three of N".

夫法□飛○○○○，□□□□宮孔眾○；四音：父凡□吠○○○○，二音：□□□□龍甬用○；二聲：武晚□尾○○○○，六聲：□□□□魚鼠去○；文萬□未○○○○，□□□□烏虎兔○；卜百丙必○○○○，□□□□心審禁○；五音：步白備鼻○○○○，二音：□□□□○○○十；二聲：普撲品匹○○○○，七聲：□□□□男坎欠○；旁排平瓶○○○○，□□□□○○○妾；東丹帝■○○○○，□□□□●●●●；六音：兌大弟■○○○○，二音：□□□□●●●●；二聲：土貪天■○○○○，八聲：□□□□●●●●；同覃田■○○○○，□□□□●●●●。

The left column, "Rush Sound of the Fourth Tone in the Second Section of the Three Laws of the Third Category," uses the symbol "○" repeated four times, and sings four lines of the fourth tone: "Fu fa □ fei, Fu fan □ fei, Wu wan □ wei, Wen wan □ wei." The fifth tone has four lines: "Bu ba bing bi, Bu bai bei bi, Pu pu pin pi, Pang pai ping ping." The sixth tone has four lines: "Dong dan di ■, Dui da di ■, Tu tan tian ■, Tong tan tian ■." The ending characters of the four lines of the fourth tone are all "□," and the last line's "wei" is a borrowed character from the Earthly Branches as an example of sound. The right column, "Clear and Harmonious Tone of the Sixth Sound in the Second Section of the Third Category," uses the symbol "□" repeated four times as the character for harmony, and harmonizes the sixth tone with four lines: "Gong kong zhong ○, Long yong yong ○, Yu shu qu ○, Wu hu tu ○," and the seventh tone with four lines: "Xin shen jin ○, ○○○shi, Nan kan qian ○, ○○○jie." It then harmonizes the eighth tone with four lines; the eighth tone has no position, and all four lines are "●●●●." The left column's fourth tone belongs to the light lip category, the fifth tone to the heavy lip category, and the sixth tone to the tongue category. The right column's sixth tone has all positions empty, the seventh tone has many empty spaces, and the eighth tone has no characters at all. The four repeated symbols at the end of each line on the left column belong to the sound category, while the four repeated symbols at the beginning of each line on the right column belong to the tone category, so in the same line, two sets of empty position symbols can appear, each determined by their respective diagrams.

乃你女■○○○○，□□□□●●●●；七音：內南年■○○○○，二音：□□□□●●●●；二聲：老冷呂■○○○○，九聲：□□□□●●●●；鹿犖離■○○○○，□□□□●●●●；走哉足■○○○○，□□□□●●●●；八音：自在匠■○○○○，二音：□□□□●●●●；二聲：草采七■○○○○，十聲：□□□□●●●●；曹才全■○○○○，□□□□●●●●。

The left column, "入声辟唱吕三之二," uses four repetitions of "○," singing four lines of the seventh tone: "乃你女■, 内南年■, 老冷吕■, 鹿荦离■" and four lines of the eighth tone: "走哉足■, 自在匠■, 草采七■, 曹才全■." The right column, "闭音清和律三之二," uses four repetitions of "□," harmonizing the ninth and tenth tones, totaling eight lines, all marked as "●●●●." This completes the harmonization. These eight lines have characters on the left but no corresponding positions on the right, which is the usual situation of "more tones than sounds." There are still eight lines of characters on the left, while the ninth and tenth tones on the right have no sounds throughout. The markings of "seven tones," "eight tones," "nine sounds," and "ten sounds" in the diagram indicate the positions each column has reached.

閉音清和律三之三；思三星■○○○○，米米米米多可個舌；九音：寺□象■○○○○，三音：米米米米禾火化八；二聲：□□□■○○○○，一聲：米米米米開宰愛○；□□□■○○○○，米米米米回每退○；■山手■○○○○，米米米米良兩向○；十音：■土石■○○○○，三音：米米米米光廣況○；二聲：■□耳■○○○○，二聲：米米米米丁井亙○；■□二■○○○○，米米米米兄永瑩○；■莊震■○○○○，米米米米千典旦○；十一音：■乍□■○○○○，三音：米米米米元犬半○；二聲：■叉赤■○○○○，三聲：米米米米臣引艮○；■崇辰■○○○○，米米米米君允巽○。

The right column begins with "Closed Sound Clear Harmony Law Three of Three": the harmonized character is the third tone earth row "mother horse beauty rice" closed position character "rice", which has both sound and character, written as "rice". Each line is repeated four times. The harmonization is based on the first tone four lines "duo ke ge she, he huohua ba, kai zai ai circle, hui mei tui circle", the second tone four lines "liang liang xiang circle, guang guang kuang circle, ding jing geng circle, xiong yong ying circle", and the third tone four lines "qian dian dan circle, yuan quan ban circle, chen yin gen circle, jun yun xun circle". The left column remains "入声辟唱吕三之二" (entering tone singing law three of two), continuing to sing the ninth tone four lines "si san xing circle, si square xiang circle, square square square circle, square square square circle", the tenth tone four lines "circle shan shou circle, circle tu shi circle, circle square er circle, circle square er circle", and the eleventh tone four lines "circle zhuang zhen circle, circle zha square circle, circle cha chi circle, circle chong chen circle". The second line of the tenth tone is originally "circle tu shi circle", but elsewhere it is mostly "circle shi shi circle", and this is still recorded as is. "Rice" comes from the third tone earth row "mother horse beauty rice" closed position. In all the clear harmony law charts, the characters used for harmonization are taken from the last section of the native tone earth row: if there is a character, it is written in full; if there is a sound but no character, it is marked as "□"; if there is no sound, it is marked as "■". These three situations are all present in this passage.

■卓中■○○○○，米米米米刀早孝嶽；十二音：■宅直■○○○○，三音：米米米米毛寶報霍；二聲：■拆丑■○○○○，四聲：米米米米牛斗奏六；■茶呈■○○○○，米米米米○○○玉。

The left column, "入声辟唱吕三之二," uses the symbol "○" four times, singing the twelfth tone in four lines: "■卓中■, ■宅直■, ■拆丑■, ■茶呈■," and the singing of this diagram is completed. The right column, "闭音清和律三之三," uses the character "米" four times, harmonizing the fourth tone in four lines: "刀早孝岳, 毛宝报霍, 牛斗奏六, ○○○玉." The last line only has "玉" in the position of entry, with the three positions above it marked as "○."

入聲闢唱呂三之三；古甲九癸○○○○，米米米米妻子四日；一音：□□近揆○○○○，三音：米米米米衰○帥骨；三聲：坤巧丘棄○○○○，五聲：米米米米○○○德；□□乾蚪○○○○，米米米米龜水貴北；黑花香血○○○○，米米米米宮孔眾○；二音：黃華雄賢○○○○，三音：米米米米龍甬用○；三聲：五瓦仰□○○○○，六聲：米米米米魚鼠去○；吾牙月堯○○○○，米米米米烏虎兔○；安亞乙一○○○○，米米米米心審禁○；三音：□爻壬寅○○○○，三音：米米米米○○○十；三聲：母馬美米○○○○，七聲：米米米米男坎欠○；目貌眉民○○○○，米米米米○○○妾。

The left column begins with "The Third of the Three Categories of the Third Entry of the Inclusive Tone Song": the sung tones belong to the third category of the "Celestial Official Leading the Mountain" pattern, which is an inclusive tone position with sound but no character, represented by "○". Each line is repeated four times. The first tone has four lines: "Ancient Jia Nine Gwi, □□ near揆, Earth skill hill discard, □□ Heaven tadpole". The second tone has four lines: "Black flower fragrant blood, Yellow flower strong virtuous, Five tile look □, I tooth moon Yao". The third tone has four lines: "Anya Yi one, □ yao Renyin, Mother horse beautiful rice, Eye face eyebrow people". The right column, "The Third of the Three Entries of the Clear and Harmonious Tone of the Closed Tone", uses the character "rice" repeated four times, and the fifth tone has four lines: "Spouse wife four days, decline ○ general bone, ○○○ virtue, turtle water noble north". The sixth tone has four lines: "Palace Kong crowd ○, Dragon Yong use ○, Fish rat go ○, Crow tiger rabbit ○". The seventh tone has four lines: "Heart review prohibition ○, ○○○ ten, Male Kan lack ○, ○○○ concubine". The third line of the third tone in the left column is "Mother horse beautiful rice", which is the same as the character "rice" in the right column, showing that the method of selecting characters in the singing and harmonizing diagrams is fundamentally connected. The left column sings a position with sound but no character, while the right column harmonizes with the real character "rice". The fifth tone line "Decline ○ general bone" is missing the rising tone, "○○○ virtue" only retains the inclusive tone, the sixth tone lines are all empty in the inclusive tone position, and the seventh tone also has many empty spaces, all of which are filled with "○", while the "□" and "■" in the left column's tone and character lines belong to the two diagrams separately.

夫法□飛○○○○，米米米米●●●●；四音：父凡□吠○○○○，三音：米米米米●●●●；三聲：武晚□尾○○○○，八聲：米米米米●●●●；文萬□未○○○○，米米米米●●●●；卜百丙必○○○○，米米米米●●●●；五音：步白備鼻○○○○，三音：米米米米●●●●；三聲：普撲品匹○○○○，九聲：米米米米●●●●；旁排平瓶○○○○，米米米米●●●●；東丹帝■○○○○，米米米米●●●●；六音：兌大弟■○○○○，三音：米米米米●●●●；三聲：土貪天■○○○○，十聲：米米米米●●●●；同覃田■○○○○，米米米米●●●●。

The left column, "入声辟唱吕三之三," uses the character "○" four times, singing four lines for the fourth tone: "Fu fa □ fei, Fu fan □ fei, Wu wan □ wei, Wen wan □ wei," four lines for the fifth tone: "Bu bai bing bi, Bu bai bei bi, Pu pu pin pi, Pang pai ping ping," and four lines for the sixth tone: "Dong dan di ■, Du da di ■, Tu tan tian ■, Tong tan tian ■." The right column, "闭音清和律三之三," uses the character "mi" four times, harmonizing with the eighth, ninth, and tenth tones, totaling twelve lines, all marked as "●●●●," completing the diagram. In the left column, the ending characters for the fourth tone lines are all "□," and the closing characters for the sixth tone lines are all "■," representing sounds without characters and characters without sounds respectively. In the right column, the eighth, ninth, and thirteenth tones are entirely silent, so all thirty-six grids in the twelve lines are marked as "●." Among the ten categories of tones, only seven are usable, and these three categories are the three suspended positions, the number "seven" mentioned at the beginning of the text, "辰星声七," comes from this.

閉音清和律三之四；乃你女■○○○○，尾尾尾尾多可個舌；七音：內南年■○○○○，四音：尾尾尾尾禾火化八；三聲：老冷呂■○○○○，一聲：尾尾尾尾開宰愛○；鹿犖離■○○○○，尾尾尾尾回每退○；走哉足■○○○○，尾尾尾尾良兩向○；八音：自在匠■○○○○，四音：尾尾尾尾光廣況○；三聲：草采七■○○○○，二聲：尾尾尾尾丁井亙○；曹才全■○○○○，尾尾尾尾兄永瑩○；思三星■○○○○，尾尾尾尾千典旦○；九音：寺□象■○○○○，四音：尾尾尾尾元犬半○；三聲：□□□■○○○○，三聲：尾尾尾尾臣引艮○；□□□■○○○○，尾尾尾尾君允巽○。

On the right side, another section begins with "Closed Sound Clear Harmony Law Three, Fourth": the harmonized character is the fourth tone earth sound "wu wan wu wei" with the closed position character "wei". Each line is repeated four times, harmonizing with the first tone four lines "duo ke ge she, he huohua ba, kai zai ai ao, hui mei tui ao", the second tone four lines "liang liang xiang ao, guang guang kuang ao, ding jing geng ao, xiong yong ying ao", and the third tone four lines "qian dian dan ao, yuan quan ban ao, chen yin gen ao, jun yun xun ao". The ending position of this line originally is "□", but since the closed position has the character "wei", it can be established as the harmonized character. On the left side, it remains "Entering Tone Separate Singing Lu Three, Third": using "○" repeated four times to continue singing the seventh tone four lines "nai ni nv □, nei nan nian □, lao lenglü □, lu luo li □", the eighth tone four lines "zou zai zu □, zi zai jiang □, cao cai qi □, cao cai quan □", and the ninth tone four lines "si san xing □, si □ xiang □, □ □ □ □, □ □ □ □". The seventh tone on the left is the ni lai route, the eighth tone is the chi tou route, and the ninth tone is thexin xie route; all three tones have no sound in the closed position. Among the three tones harmonized on the right side, the entering tones of the second and third tones are empty, filled in with "○". This diagram sings forty-eight tones and harmonizes forty sounds, although the positions vary in number, the rules for selecting characters are the same.

■山手■○○○○，尾尾尾尾刀早孝嶽；十音：■土石■○○○○，四音：尾尾尾尾毛寶報霍；三聲：■□耳■○○○○，四聲：尾尾尾尾牛斗奏六；■□二■○○○○，尾尾尾尾○○○玉；■莊震■○○○○，尾尾尾尾妻子四日；十一音：■乍□■○○○○，四音：尾尾尾尾衰○帥骨；三聲：■叉赤■○○○○，五聲：尾尾尾尾○○○德；■崇辰■○○○○，尾尾尾尾龜水貴北；■卓中■○○○○，尾尾尾尾宮孔眾○；十二音：■宅直■○○○○，四音：尾尾尾尾龍甬用○；三聲：■拆丑■○○○○，六聲：尾尾尾尾魚鼠去○；■茶呈■○○○○，尾尾尾尾烏虎兔○。

The left column, "入声辟唱吕三之三," uses four repetitions of "○," singing four lines for the tenth tone: "■山手■, ■土石■, ■□耳■, ■□二■," four lines for the eleventh tone: "■庄震■, ■乍□■, ■叉赤■, ■崇辰■," and four lines for the twelfth tone: "■卓中■, ■宅直■, ■拆丑■, ■茶呈■," completing the left column. The right column, "闭音清和律三之四," uses four repetitions of "尾," harmonizing four lines for the fourth tone: "刀早孝岳, 毛宝报霍, 牛斗奏六, ○○○玉," four lines for the fifth tone: "妻子四日, 衰○帅骨, ○○○德, 龟水贵北," and four lines for the sixth tone: "宫孔众○, 龙甬用○, 鱼鼠去○, 乌虎兔○." In the left column, the three tones in the open and closed categories mostly have no sound, with only the middle two characters readable, making this the most sparse part of the diagram. In the right column, the last line of the fourth tone only has "玉," the second line of the fifth tone is missing the rising tone, and all four lines of the sixth tone are completely empty. In the left column, the blanks are marked with "■," while in the right column, the blanks are marked with "○," representing no sound and sound without characters respectively. Readers can distinguish between the columns to avoid confusion.

入聲闢唱呂三之四；古甲九癸六六六六，尾尾尾尾心審禁○；一音：□□近揆六六六六，四音：尾尾尾尾○○○十；四聲：坤巧丘棄六六六六，七聲：尾尾尾尾男坎欠○；□□乾蚪六六六六，尾尾尾尾○○○妾；黑花香血六六六六，尾尾尾尾●●●●；二音：黃華雄賢六六六六，四音：尾尾尾尾●●●●；四聲：五瓦仰□六六六六，八聲：尾尾尾尾●●●●；吾牙月堯六六六六，尾尾尾尾●●●●；安亞乙一六六六六，尾尾尾尾●●●●；三音：□爻壬寅六六六六，四音：尾尾尾尾●●●●；四聲：母馬美米六六六六，九聲：尾尾尾尾●●●●；目貌眉民六六六六，尾尾尾尾●●●●。

The left column begins with "The Fourth of the Three in the Rhythm of the Ingressive Tone 'Lü'": the sung syllables belong to the fourth category of the correct tone, "Star Movement 'Cow and Dipper Play Six'", and the ingressive tone syllable "six" is used. Since it has both sound and character, it is written as "six". Each line is repeated four times. The first tone is sung in four lines: "Ancient Jia Ninth Gui, □□ Near Kuí, Earth's Skill Hill Discard, □□ Heaven's Fish"; the second tone is sung in four lines: "Black Flower Fragrant Blood, Yellow Flower Strong Virtue, Five Tile Look □, I Tooth Moon Yao"; the third tone is sung in four lines: "An Ya Yi One, □ Trigram Renyin, Mother Horse Beautiful Rice, Eye Appearance Eyebrow People". The number of repetitions, four, is meant to correspond with the four tones of opening, developing, closing, and closing, forming four tones of singing and responding. The right column, "The Fourth of the Three in the Clear and Harmonious Law of the Closing Tone 'San'", uses the character "tail" repeated four times, and harmonizes with the seventh tone in four lines: "Heart Review Prohibit □, □□□ Ten, Male Kan Lack □, □□□ Consort". It then harmonizes with the eighth and ninth tones, totaling eight lines, all marked as "●●●●". The character "six" comes from the fourth category of the correct tone, "Star Movement 'Cow and Dipper Play Six'", and is a rare actual character in this position. The right column's harmonization of the seventh tone still has characters such as heart, review, prohibit, male, kan, and lack that can be read, while the eighth and ninth tones are completely silent, with all eight lines marked as "●". Left and right sing and respond, each based on their own diagram, and the tone order and tone order marked at the beginning of each line belong to separate columns.

夫法□飛六六六六，尾尾尾尾●●●●；四音：父凡□吠六六六六，四音：尾尾尾尾●●●●；四聲：武晚□尾六六六六，十聲：尾尾尾尾●●●●；文萬□未六六六六，尾尾尾尾●●●●。

The left column, "入声辟唱吕三之四," uses the character "六" repeated four times, singing the fourth tone in four lines: "夫法□飞, 父凡□吠, 武晚□尾, 文万□未." The right column, "闭音清和律三之四," uses the character "尾" repeated four times, harmonizing the tenth tone in four lines, each line being "●●●●," and the diagram is completed. The ending positions of the four lines in the left column and the harmonizing character in the right column correspond exactly to the same tone of "尾," one being sung and the other being the main harmony.

閉音清和律三之五；卜百丙必六六六六，匹匹匹匹多可個舌；五音：步白備鼻六六六六，五音：匹匹匹匹禾火化八；四聲：普撲品匹六六六六，一聲：匹匹匹匹開宰愛○；旁排平瓶六六六六，匹匹匹匹回每退○；東丹帝■六六六六，匹匹匹匹良兩向○；六音：兌大弟■六六六六，五音：匹匹匹匹光廣況○；四聲：土貪天■六六六六，二聲：匹匹匹匹丁井亙○；同覃田■六六六六，匹匹匹匹兄永瑩○；乃你女■六六六六，匹匹匹匹千典旦○；七音：內南年■六六六六，五音：匹匹匹匹元犬半○；四聲：老冷呂■六六六六，三聲：匹匹匹匹臣引艮○；鹿犖離■六六六六，匹匹匹匹君允巽○。

The right column begins with "Closed Sound Clear Harmony Law Three Five": the harmonized character is the fifth tone earth row "Pu Pu Pin Pi" with the closed position character "Pi". Each line has four repetitions, harmonizing with the first tone four lines "Du Ke Ge She, He Huo Hua Ba, Kai Zai Ai O, Hui Mei Tui O", the second tone four lines "Liang Liang Xiang O, Guang Guang Kuang O, Ding Jing Geng O, Xiong Yong Ying O", and the third tone four lines "Qian Dian Dan O, Yuan Quan Ban O, Chen Yin Gen O, Jun Yun Xun O". The left column remains "Entering Tone Separation Singing Law Three Four", continuing to sing with the character "Liu" repeated four times for the fifth tone four lines "Bu Bai Bing Bi, Bu Bai Bei Bi, Pu Pu Pin Pi, Pang Pai Ping Ping", the sixth tone four lines "Dong Dan Di ■, Dui Da Di ■, Tu Tan Tian ■, Tong Tan Tian ■", and the seventh tone four lines "Nai Ni Nu ■, Nei Nan Nian ■, Lao Leng Lü ■, Lu Luo Li ■". The character "Pi" comes from the fifth tone earth row "Pu Pu Pin Pi" closed position, following the same pattern as the previous four characters "Qi", "□", "Mi", and "Wei". At this point, the clear harmony law series has obtained four real characters and one "□", exactly matching the initial "Stone Earth Sound Five" count; from the sixth tone onwards, closed positions have no sound, and the harmonized characters can only be "■".

走哉足■六六六六，匹匹匹匹刀早孝嶽；八音：自在匠■六六六六，五音：匹匹匹匹毛寶報霍；四聲：草采七■六六六六，四聲：匹匹匹匹牛斗奏六；曹才全■六六六六，匹匹匹匹○○○玉；思三星■六六六六，匹匹匹匹妻子四日；九音：寺□象■六六六六，五音：匹匹匹匹衰○帥骨；四聲：□□□■六六六六，五聲：匹匹匹匹○○○德；□□□■六六六六，匹匹匹匹龜水貴北；■山手■六六六六，匹匹匹匹宮孔眾○；十音：■士石■六六六六，五音：匹匹匹匹龍甬用○；四聲：■□耳■六六六六，六聲：匹匹匹匹魚鼠去○；■□二■六六六六，匹匹匹匹烏虎兔○。

The left column, "入声辟唱吕三之四," uses the character "六" repeated four times, singing four lines of the eighth tone with "走哉足■, 自在匠■, 草采七■, 曹才全■," four lines of the ninth tone with "思三星■, 寺□象■, □□□■, □□□■," and four lines of the tenth tone with "■山手■, ■士石■, ■□耳■, ■□二■." The right column, "闭音清和律三之五," uses the character "匹" repeated four times, harmonizing four lines of the fourth tone with "刀早孝岳, 毛宝报霍, 牛斗奏六, ○○○玉," four lines of the fifth tone with "妻子四日, 衰○帅骨, ○○○德, 龟水贵北," and four lines of the sixth tone with "宫孔众○, 龙甬用○, 鱼鼠去○, 乌虎兔○." The eighth tone in the left column belongs to the dental initial sounds, while the ninth tone has scattered examples, and the tenth tone alternates between "□" and "■." In the right column, among the three tones being harmonized, the last line of the fourth tone only includes "玉," the second line of the fifth tone is missing the rising tone, and all four lines of the sixth tone are empty. The left column records sounds, and the right column records tones. Although the number of repeated characters in both columns is the same, the four categories they correspond to differ—one being open and closed tones, and the other being level, rising, falling, and entering tones.

■莊震■六六六六，匹匹匹匹心審禁○；十一音：■乍□■六六六六，五音：匹匹匹匹○○○十；四聲：■叉赤■六六六六，七聲：匹匹匹匹男坎欠○；■崇辰■六六六六，匹匹匹匹○○○妾；■卓中■六六六六，匹匹匹匹●●●●；十二音：■宅直■六六六六，五音：匹匹匹匹●●●●；四聲：■拆丑■六六六六，八聲：匹匹匹匹●●●●；■茶呈■六六六六，匹匹匹匹●●●●。

The left column concludes with "入声辟唱吕三之四," using the character "六" repeated four times to sing four lines of the eleventh tone: "庄震、乍□、叉赤、崇辰" and four lines of the twelfth tone: "卓中、宅直、拆丑、茶呈." The right column, "闭音清和律三之五," uses the character "匹" repeated four times, harmonizing with four lines of the seventh tone: "心审禁○, ○○○十, 男坎欠○, ○○○妾" and four lines of the eighth tone; the first four lines each have "○" to fill in the blanks, while the last four lines are all filled with "●●●●." In the left column, both the open and closed tones have no sound, so each line only has the middle two characters. In the right column, the seventh tone has blanks everywhere, while the eighth tone has no characters at all. In the diagram, "十一音" and "十二音" along with "七声" and "八声" are separately recorded for the two columns.